Jukebox musical told anecdotal style

‘Always…Patsy Cline’

Christina Hall in Always Patsy Cline presented by Firebrand Theatre. (Michael Brosilow photo)
Christina Hall in Always Patsy Cline presented by Firebrand Theatre. (Michael Brosilow photo)

3 stars

The show is an amusing tale written by Ted Swindley based on a true story as told by Louise Seger (Harmony France).

Seger had met young Nashville chanteuse Patsy Cline (Christina Hall) at one of her early Houston performances in the 1950s. The meeting created a friendship that lasted until the legendary singer’s tragic death six years later at age thirty.

France’s energetic performance as Louise is the only real substance in this country music jukebox production which incidentally features a real jukebox as part of the honky-tonk set design of Lauren M. Nichols. Continue reading “Jukebox musical told anecdotal style”

Eighteenth century Mozart opera in perfect tune with #MeToo times

 

Amanda Majeski, Ben Bliss and Rachel Willis-Sørensen in Don Giovanni at Lyric Opera of Chicago. (Kyle Flubacker photo)
Amanda Majeski, Ben Bliss and Rachel Willis-Sørensen in Don Giovanni at Lyric Opera of Chicago. (Kyle Flubacker photo)

4 stars

If you knew before seeing “Don Giovanni” (Il dissouto punita, ossia il Don Giovanni), the outstanding production now at the Lyric Opera of Chicago, translates as “The Rake Punished, namely Don Giovanni (also The Libertine Punished), you would have some idea that the opera was not about a lover but about a powerful man who felt entitled to take sexual liberties.

However, directed by Robert Falls, artistic director at Goodman Theatre, the Lyric production skillfully makes the comic moments funnier, the sexual attempts more offensive, the violence more dramatic and the punishment more tumultuous.

Aside from the ending (no alert here) what particularly makes this production worth the three hour, 20 minute sitting time, is the cast. All are excellent actors and superb vocalists.

Continue reading “Eighteenth century Mozart opera in perfect tune with #MeToo times”

Celebrate the Holidays with a ‘White Christmas’

Cast of White Christmas at Theatre at the Center (Michael Brosilow photo)
Cast of White Christmas at Theatre at the Center (Michael Brosilow photo)

3 stars

Who doesn’t love a rousing tap number? If you do, then “White Christmas,” the holiday offering from Munster’s Theatre at the Center, is the holiday song-and-dance show for you.

The musical is the stage adaptation of my mom’s favorite Christmas movie starring Bing Crosby, Danny Kaye, Rosemary Clooney, Vera-Ellen and Dean Jagger. Irving Berlin’s White Christmas was turned into a stage show in 2000.

Munster’s version stars Matt Edmonds as Bob, Justin Brill as Phil, Casiena Raether as Judy, Erica Stephan as Betty and Neil Friedman as General Waverly.

It follows the story of Bob and Phil, singers who served under “The Old Man” in World War II before gaining fame and fortune as entertainers. Looking for romance, they follow sisters Judy and Betty to Vermont where the women are slated to perform on Christmas Eve.

When Bob and Phil learn that the inn is owned by the General who is facing financial ruin because there’s no snow, they rally the old troops to save him.

Continue reading “Celebrate the Holidays with a ‘White Christmas’”

Holiday Happenings Part One

Seeing A Christmas Carol at Goodman Theatre (2018 production)is a holiday tradition. (Goodman Theatre photo)
Seeing A Christmas Carol at Goodman Theatre (2018 production)is a holiday tradition. (Goodman Theatre photo)

Instead of going crazy trying to get to even a quarter of the all terrific festivals, shows and events in and around Chicago this holiday season, make a plan. Figure out which show and happening you and/or your family want to see most, put them on the calendar, then list the next couple of things you would like to do.

Because there are so many events, they are divided into two parts with shows (because they need tickets) and special events (because they may be one-time, date-specific)  in Part I which is a sampler and not a complete list.

Continue reading “Holiday Happenings Part One”

A Modern Twist on a Holiday Classic

‘The Nutcracker’

 

The Nutcracker by the House theatre. (Michael Brosilow photo)
The Nutcracker by the House Theatre. (Michael Brosilow photo)

4 stars

Ten years have passed since The House Theatre of Chicago first presented their original, contemporary version of E. T. A. Hoffman’s classic story, “The Nutcracker and the Mouse King.”

Whenever theatergoers hear that iconic title, forever associated with Christmas, they envision fairies and a toy that comes to life to bravely battle a Mouse King to rescue a little girl named Clara.

They imagine a dazzling spectacle, a lavishly-produced ballet, featuring dozens of lithe, magnificently skilled dancers. They picture lush, imaginative costumes and a story set in a magical land of snowflakes and flowers.

But with neither a tutu nor a toe shoe in sight, the House Theatre once again revives its popular production of their modern, family-friendly adaptation, loosely based upon the original tale.

Continue reading “A Modern Twist on a Holiday Classic”

Christmas at Pemberley saga continues with delightful Downton Abbey style intrigue

Will Mobley (George Wickham) and Jennifer Latimore (Lydia nee Bennet Wickham) in 'The Wickhams: Christmas at Pemberley' at NOrthlight Theatre. (Phots by Liz Lauren)
Will Mobley (George Wickham) and Jennifer Latimore (Lydia nee Bennet Wickham) in ‘The Wickhams: Christmas at Pemberley’ at NOrthlight Theatre. (Phots by Liz Lauren)

4 stars

Audiences move below the stairs in “The Wickams: Christmas at Pemberley,” the second part of a trilogy that started with “Miss Bennet: Christmas at Pemberley.

Co-written by playwrights Lauren Gunderson (“Book of Will”) and Margot Mekon (former Marin Theatre New Play Development Director) Jane Austen fans will recognize some of the characters, their foibles and charm, as inspired by Pride & Prejudice.

Indeed, the troubles between Fitzwilliam Darcy (Luigi Scottile) and George Wickham (Will Mobley) start in the famed Austen story and reach another scandalous level in Part Two about the Bennets and the Darcys.

In a letter to her sister, Lizzy (Elizabeth Darcy played by Netta Walker), Lydia Wickham, née Bennet, portrayed by Jennifer Latimore, says she is coming to Pemberley for Christmas. Lydia’s husband, George, a gambler and unscrupulous womanizer, is not welcome at the Darcy estate.

Continue reading “Christmas at Pemberley saga continues with delightful Downton Abbey style intrigue”

‘The Niceities ‘ is a provocative new play

 

eft to right Ayanna Bria Bakari(Zoe) and Mary Beth Fisher(Janine) in The Niceties at Writers Theatre. (Michael Brosilow Photos )
left to right Ayanna Bria Bakari(Zoe) and Mary Beth Fisher(Janine) in The Niceties at Writers Theatre. (Michael Brosilow Photos )

3 stars

Racism isn’t always a clear, conscious choice but activism and outrage regarding racism are choices in playwright Eleanor Burgess’ “The Niceties,” now at Writers Theatre.

When a well-regarded Caucasian Ivy-league history professor meets one of her students, a smart African-American anxious to turn in her paper on the American Revolution ahead of time so she can organize a protest at the school, their discussion dissolves from quiet, academic points to heated confrontation.

Continue reading “‘The Niceities ‘ is a provocative new play”

‘Dead Man Walking’ brilliantly thrusts opera into the contemporary genre

4 stars

Patricia Racette top center, Ryan McKinny bottom left, Susan Graham bottom right and parents of murdered teens bottom center at Angola in Dead Man Walking at the Lyric Opera of chicago. (Ken Howard photo)
Patricia Racette top center, Ryan McKinny bottom left, Susan Graham bottom right and parents of murdered teens bottom center at Angola in Dead Man Walking at the Lyric Opera of Chicago. (Ken Howard photo)

Every season opera houses around the world include at least one story of murder and often, its consequences.  But whether clothed in lyrical or dramatic music by famous composers, their librettos typically focus on mythology or historic tales. Those productions seldom produce the kind of gut-wrenching reactions and post opera discussions sparked by “Dead Man Walking,” now at the Lyric Opera of Chicago through Nov. 22, 2019.

Continue reading “‘Dead Man Walking’ brilliantly thrusts opera into the contemporary genre”

A lighthearted murder

‘A Murder Most Novel’

L.R. Elaina Henderson, Guy Wicke, Stephen J. Bryant, Taylor Toms. (Photo by Stephen Bryant)
L.R. Elaina Henderson, Guy Wicke, Stephen J. Bryant, Taylor Toms.
(Photo by Stephen Bryant)

3 stars

It’s the 1940s and veteran detective Max Forthright (Guy Wicke) is throwing a lavish party to celebrate the publication of his upcoming memoirs.

Max has invited a number of distinguished guests including his best friend (the square jawed man of action) screen actor Roman Powell (Stephen J Bryant) accompanied by the lovely young socialite Ainsley Hyde (Taylor Toms) whose father is a well-known politician.

Continue reading “A lighthearted murder”

Tragedy presented with a different emphasis at CST

‘Romeo and Juliet’

Brittany Bellizeare and Edgar Miguel Sanchez in Chicago Shakespeare Theater’s production of Shakespeare’s "Romeo and Juliet." (Liz Lauren photo)
Brittany Bellizeare and Edgar Miguel Sanchez in Chicago Shakespeare Theater’s production of Shakespeare’s “Romeo and Juliet.” (Liz Lauren photo)

2 ½ stars

We already have “West Side Story,” a tragic love tale of feuding groups based on Shakespeare’s “Romeo and Juliet.” Beautifully and emotionally interpreted with book by Arthur Laurents, music by Leonard Bernstein and lyrics by Stephen Sondheim, it’s parallel to current gang wars was not lost on a tearful audience at Lyric Opera’s closing 2019 production.

That Chicago Shakespeare Theater Artistic Director Barbara Gaines would like to remind CST audiences that the problems Shakespeare dramatized and Bernstein put to music still exist, is laudable. However, given the set design, cast and costumes of the Gaines production, there probably should be a different title.

Continue reading “Tragedy presented with a different emphasis at CST”