With such Lerner and Lowe songs as “Almost Like Bein’ in Love” and “Come to Me, Bend to Me,” it would be hard to not put on a fine musical. However, Brigadoon, now presented at the North Shore Center for the Performing Arts by Music Theater Works, goes beyond merely “fine.”
Everything, from the voices and acting to dance numbers by Clayton Cross and costuming by Jazmin Aurora Medina, are spectacular. And that is happening, unlike the last Music Theater Works of “Springtime for Hitler” on the large stage. This production is crammed onto the small North Theatre stage.
But it works.
Directed by Sasha Gerritson and choreographed by Cross, the show features a sterling cast of ballet-style dancers and such exceptional singers in the lead as Conor Jordan as Tommy Albright and Sarah Obert as Fiona.
Albright and Fiona fall in love but the catch is the Scottish town of Brigadoon will disappear for one hundred years. Albright, an American who stumbled on it while exploring the country with his friend, Jeff (Zachery Linnert), returns with him to America and his somewhat jaded existence.
What happens next is that Love conquers all.
As with “Springtime,” the show has a large supporting cast of singers, actors and dancers – Madison Kauffman, Luke Nowakowski, Stan Austin , Will Leonard, Bob Sanders, Susannah Harvey, Kent Joseph, Timothy Wolf, Adam Raso, Delaney Good, Isa Ramirez, Jimmy Hogan, Anna Marie Abbate, Emma Jean Eastlund, Theresa Egan, David Geinosky, Dee Kimpel, Olivia Russell, Alex Villasenor, Chad Gearig-Howe and Renee Dwyer.
Go see it before Brigadoon disappears. The production is at the North Shore Center for the Performing Arts, 9501 Skokie Blvd, Skokie, IL through Nov. 12, 2023. For more information and tickets visit Music Theater Works | Great Music. Great Theater. The Works.
Connor Ripperger as Pippin at Music Theater Works in the North Shore Performing Arts Center. (Photo Courtesy of Music Theater Works)
Highly Recommended
Music Theater works brings Pippin to the North Shore Center for Performing Arts in a production that is a feast for the senses and uses the entire spectrum of theater craft.
Explaining the plot of Pippin is as useful as trying to recall the details of a dream. What exactly happened is not important but the fact that your brain was trying to help you organize your thoughts and work through your anxiety is important.
But for context I’ll tell you that Pippin (Connor Ripperger) who has recently completed his education in Italy is the eldest son of Charlemagne Thomas M. Shea.) Ripperger’s Pippin has a longing boyish quality that is spot on.
The boy is anxious to make his way in the world but the problems in his way are stepmother Fastrada (Savannah Sinclair) and stepbrother Lewis (Andrew Freeland). They want to get rid of Pippin so Lewis will become first heir to the throne.
Though Lewis is purported to be a better warrior, Pippin sets out to prove himself in battle where he learns war is a deadly and dirty business.
Pippin’s grandmother, Berte (Kathleen Puls Andrade), encourages the lad to enjoy life and have more sex. He tries but his experiences bring him little pleasure and take him no closer to a fulfilling life.
Then Pippin falls into the arms of a wealthy widow,, Catherine (Desiree Gonzalez) who has a small b oy, Theo (Di’Aire Wilson). Again the promise of a quiet and distracting domestic life is not fulfilling to the restless youth.
Ultimately, Pippin is back in Charlemagne’s palace where he becomes king after the untimely death of his father. Saddened by the injustices of the world, Pippin attempts to right some wrongs but learns that the problems are more complex than they appear.
The phantasmagoric experience is orchestrated and narrated by the Leading Player (Sonia Goldberg) who promises a finale we will never forget. Goldberg has the needed commanding stage presence that lets you know she is in charge.
The action will not have anything to do with the actual life of Charlemagne. In fact, it includes video games, tv reports and images on large screens mimicking fragments expected from a dream.
Pippinwas co-written and originally directed and choreographed by Chicago native Bob fosse in 1972 at the epicenter of his successful and frenetic career. (Possibly his drug addiction might help explain this bizarre tale of how Pippin’s quest for meaning plays out.) Fosse’s fingerprints (or say footprints) are all over this psychedelic fever dream.
Many of the characters, notably Pippin and The Leading Player, are gloved which is a nod to Fosse’s iconic “Jazz hands” and his desire to accentuate hand movements as part of dance.
This production’s co-choreographers, Mollyanne Nunn and Kaitlyn Pasquinelli, got all they demanded from their talented company who kept the non-stop action energetic and entertaining.
Director Kyle A. Dougan with assistant director Patrick Tierney did an expert job wrangling the large cast of about 20 players around a limited area of the smaller North Theater in the Skokie complex.
Shane Cinal supplied the needed multilevel set design that provided additional room for movement including clever areas for unusual entrances and exits. Andrew Meyers lighting effects were key components of several scenes.
Jazmin Aurora Medina’s colorful fantastical costumes, augmented by Alice Salazar’s hair, wig and makeup, added the right look for the chaotic action. Charlemagne’s toys sealed in plastic and his plastic crown added a subtle brilliance of detail to the array of often absurd imagery.
The music and lyrics of Stephen Schwartz who gave us the highly acclaimed Wicked is high caliber. It doesn’t have a break-out number with the possible exception of “Corner of the Sky.” When performed by the Jackson Five it became #18 on Billboard. Schwartz almost simultaneously wrote Godspell. My initial response was to characterize Pippin as The Fantastiks meets Godspell.
On the surface, Pippin seems weird and fragmented but in retrospect, the Tony Award winning musical is deeply reflective of the competitive and often, tormented mind of Fosse. In a larger context, its the reflection of us all as we strive to live more meaningful lives.
Details: Pippin, a Music Theater Works production, is at the North Shore Center for Performing Arts, 9501 Skokie Blvd., Skokie, IL ,through June 25, 2023. Running time: 2 and 1/2 hours with a 15 minute intermission. for tickets and information visit Music Theater Works or call (847) 673-6300.
Note: Though the production has an overall comedic tone it contains adult themes and language as well as allusions to sexual activity, murder and suicide so may not be appropriate for everyone.
Music Theater Works cast of White Christmas at the North Shore Center for the Performing Arts. (All photos by Brett Beiner.
Certainly, holiday shows such as Joffrey Ballet’s “The Nutcracker,” on stage to Dec. 27, and Goodman Theatre’s “A Christmas Carol,” up through Dec 31, were on our calendars two months ago to plan the outing. Both are traditional go-to shows for many Chicagoans.
But the season for holiday shows won’t be over until the last toast hails a new year. So here are a few shows that may not have caught your attention. One is a good-old standby that still merits a seat while one is a startling new take on an old stand-by and one is fun for youngsters. They can fit into the remaining count-down days of 2022.
“White Christmas” just opened at the North Shore Center for the Performing Arts in Skokie with Irving Berlin’s music and lyrics and a new book by David Ives and Paul Blake. it’s a post WWII feel-good, rom/com with joyous music and such lasting melodies as “Blue Skies,” “Count Your Blessings,” and “How Deep is the Ocean.” Presented by Music Theater Works which used to use Cahn Auditorium in Evanston, “White Christmas” continues through Jan. 1, 2023 at 9501 Skokie Blvd, Skokie. For tickets call (847) 673-6300 or visit musictheaterworks.
Lizi Breit and LaKecia Harris in “Manual Cinema’s Christmas Carol” at Writers Theatre (Liz Lauren photographer)
Manual Cinema’s Christmas Carol” at Writers Theatre is not a Goodman Theatre-style production although it mostly uses Dicken’s storyline. Aunt Trudy has been asked by her late husband Joe’s relatives to do the “Christmas Carol” puppet show that he did annually. She says she’s not really an aunt to the relatives watching on zoom since she never married “husband” Joe and her unhappiness comes across at the start of the show. A storm arrives, the power goes out and ghostly “puppets” intervene until Trudy realizes she has no choice but continue the Christmas Carol story with shadow puppets and ghosts. She, as was Scrooge, is a different person by the end of the play. Manual Cinema’s “Christmas Carol” is at Writers Theatre, 325 Tudor Court, Glencoe, through Dec. 24. For tickets and more information visit Writers Theatre. Masks are highly recommended. (Audience most be age 6 and older).
“Hershel and the Hanukkah Goblins” is playing at Strawdog Theatre in the Edgewater neighborhood. Based on the Caldecott Honor award-winning book by Eric Kimmel and adapted by ensemble member Michael Dailey with music and lyrics by Jacob Combs, the play follows a traveling troupe of actors who find no one in a town they visit are celebrating Hanukkah because goblins haunt the old synagogue. The production continues through 31, 2022 at The Edge Off-Broadway Theater. Tickets are free with reservations at www.strawdog.org. (COVID protocol: Audience members aged 2+ years must wear a mask covering their nose and mouth. Audience members aged 5+ years must provide, before entering the venue proof of full COVID-19 vaccination or proof of negative PCR test.)
Christine Mayland Perkins (Guenevere)) and cast in Music Theater Works’ “Camelot” (Photo courtesy of Music Theater Works)
Recommended
The good part of “Camelot” now playing at the North Shore Center for the Performing Arts in Skokie, is the beautiful voice of Christine Mayland Perkins as Guenevere and such wonderful Lerner and Loewe songs as “Camelot,” “How to Handle a Woman,” “If Ever I Would Leave You” “What Do the Simple Folk Do? and “I loved You Once in Silence.”
The problem this writer has with the show is that even though it is put on by Music Theater Works it has nothing like the scope and theatrical impact that the company’s productions had at Kahn Auditorium in Evanston which included a memorable “Mame” and “Pirates.”
The current slim-down, post pandemic offering is held in the Performing Arts’ smallish North Theatre which works well for Northlight’s plays, but is likely to disappoint Music Theater Works longtime subscribers.
Ann Davis’ set worked well for the stage and small cast of nine but the production felt more like good community theater than the excellent full-scale musicals and operettas that gave Music Theater Works its reputation.
However, current audiences might look beyond scale and appreciated director Brianna Borger’s focus on ideals clashing with desires.
DETAILS: “Camelot” presented by Music Theater Works, runs now through Nov. 13, 2022 at the North Shore Center for the Performing Arts, 9501 Skokie Blvd., Skokie, IL. Running time: 2 hours with one intermission. For tickets visit Musicaltgheaterworks/camelot or call (847) 673-6300.
Jason Richards and Ginger Minj in Music Theater Works La Cage (Photo by Brett Beiner)
Four Stars
Prepare for great music, lots of Laughs and gorgeous costumes as Music Theater Works takes you to the swanky nightclub of La Cage Aux Folles in St. Tropez.
Winner of six Tony Awards including Best Musical, Best Score and Best Book, La Cage brings an outstanding night of musical theatre to the Performing Arts Center in Skokie with a few surprises throw in!
Based on the hit French farce that also inspired Hollywood’s “The Birdcage,” this Broadway smash features a hilarious book by Harvey Fierstein and a score by the king of show tunes, Jerry Herman (Hello, Dolly! and Mame).
From the moment you enter the theatre, you’ll be immediately transported to La Cage’s elegant St Tropez nightclub, complete with “women” in cages welcoming you, an onstage bar and tables surrounding the stage.
Opening on Broadway in 1983, La Cage broke barriers by becoming the first hit Broadway musical centered on a gay relationship.
Society has come very far from the times when this play opened. Today, gender roles have never been a more contemporary issue.
The plot centers around Georges, the owner of “La Cage,” and his long-time lover, “Zaza.” When their son, Jean- Michel, announces his engagement to Anne, the trouble begins, especially when they find out her father is a very conservative government official, running for office.
Ginger Minj as Zaza in Music Theater Works La Cage. (Photo by Brett Beiner)
With plenty of audience interaction, the musical is filled with not one, but two show-stopping hits you’ll be humming as you leave the show.
“I Am What I Am” is the perfect anthem for everyone – live your own life and do not make excuses for being true to yourself. The cast belts it out loud and clear. “The Best of Times” is another powerful ballad that will leave you breathless.
The production stars RuPaul’s Drag Race headliner, Ginger Minj, as Albin, and he/she is beyond fabulous. She sings, acts and creates a great performance with a touch of whimsy. And oh, those exquisite wigs designed by David Ian Grant!
Jason Richards makes his Music Theater Works debut as Georges. He’s got a great voice and excellent stage presence as both the emcee of his club and his role as husband to Zaza. He demonstrates a sense of vulnerability, afraid to hurt his lover.
Standouts also include Dane Strange as Jacob who keeps the audience in stitches with his antics and Caron Buinis, with her strong operatic voice.
(Top row, L to R) Daniel Hurst, Brian Selcik, Jordan Taylor and Gabe Kohlbeck (Photo by Brett Beiner)
Kudos to project runway designer Justin LeBlanc for his costumes that are over-the-top sparkly, flashy and gorgeous. And to choreographer, Christopher Carter, whose dance moves especially for male bodies, is fabulous. Artistic director Kyle Dougan directs the show with passion and purpose.
As with many shows of this type, the dancers are so graceful it’s hard to believe their gender.
This is the first show of the season for Music Theater Works. The rest of the season includes “The Little Mermaid (March 10 – April 3) Zorro (August 11 -21), Camelot (October 20 – November 13) and White Christmas (December 15 – January 1.)
DETAILS: “La Cage” is playing at the North Shore Center for the Performing Arts, 9501 Skokie Blvd in Skokie through April 3, 2022. Runtime: 2 hours and 40 minutes with intermission. For Tickets, go to musictheaterworks.com/la-cage-aux-folles/.
Important Notice: All guests will be required to wear face masks regardless of vaccination status and show their vaccination cards.
Coalhouse Walker Jr (Curtis Bannister) and friends in Ragtime at Music Theater Works. (Photo Credit: Brett Beiner)
4 Stars
Music Theater Works’ “Ragtime,” a multi-award-winning musical with lyrics by Lynn Ahrens and music by Stephen Flaherty, is a powerful, riveting production that perfectly meshes with our current age of anxiety.
Based on E. L. Doctorow’s novel on the pervasive value systems and prejudices toward immigrants, blacks, class structure and women’s “place” in the early 1900’s, the musical follows the interaction of three disparate “family” groupings.
Now at the North Shore Center for the Performing Arts in Skokie, “Ragtime” unfortunately closes Nov. 7, 2021. Music Theater Works productions historically ran for just a couple of weeks when housed at Cahn Auditorium on Northwestern’s Evanston Campus. Maybe it’s wistful thinking about budget and date conflicts to hope the venue change would allow longer runs.
A production as good as “Ragtime” superbly directed by Stacey Flaster with sophisticated staging and propelled by the cast’s powerful voices, deserves a longer run. Continue reading “Powerful ‘Ragtime’ still relevant”
After a year of streaming performances, some of Chicago’s theaters are toe-testing the public’s comfort with live, indoor productions.
“Cooking with Bubbie,” a comedy presented by MadKap Productions is playing at the Skokie Theatre through Aug. 22 with Jan Slavin alternating performances with Carla Gordon. A historic theatre, the venue is at 7924 Lincoln Ave. Skokie
Goodman Theatre (Marquee photo courtesy of Goodman Theatre)
Goodman Theatre is bringing back “School Girls – or the African Mean Girls Play” July 30 to Aug. 29, 2021 for its first 2021 in-person production in the Albert. It’s a Chicago premiere that was set to open March 2020 before COVID shut the theaters down.
A comedy written by Jocelyn Bioh and directed by Lili-Anne Brown, the story tells how a “reigning queen bee” of an exclusive Ghana boarding school aspires for the Miss Universe pageant. It’s a comic look at global similarities and differences of teenage girl behavior.
The season will continue with “Ragtime” Oct. 29-Nov. 7 followed by “Billy Elliot” Dec. 23, 2021 to Jan. 2, 2022.
Further north, Citadel Theatre opens its indoor season with Neil Simon’s “Brighton Beach Memoirs,” Sept. 15-23, followed by “You’re a Good Man Charlie Brown,” Nov. 17-20. The venue is in a school building at 300 Waukegan Rd., Lake Forest, IL
The Nederlander Theatre is the former Oriental Theatre on Randolph Street.
Broadway in Chicago is starting with “Rent” Oct. 5-10 at the CIBC Theatre at 18 W. Monroe St., followed by “What the Constitution Means to Me” at the Broadway Playhouse Oct. 26-Nov. 21, then “Beautiful – The Carol King Musical” Nov. 2-7 back at the CIBS Theatre.
Put the pre-Broadway premiere of the musical “Paradise Square” on the calendar. It plays Nov. 2-Dec. 5 at the James M. Nederlander Theatre, 24 W. Randolph St., Chicago. The show is a tale of differing perspectives during the Civil War plays out at a New York establishment called Paradise Square.
Tickets are already on sale for what is expected to be a blockbuster, Disney’s “Frozen,” which will be Nov 19, 2021 – Jan. 22, 2022. at the Cadillac Palace Theatre, 151 W. Randolph St.
Broadway in Chicago’s horn of plenty continues with “Pretty Woman – The Musical” Dec. 14-19 at CIBC. For more information, tickets and the 2022 show listings please visit Broadway in Chicago Shows.
Music Theater Works does Legends of the 50’s and 60’s. (Photo by Bret Beiner)) production
4 stars
Grab a seat. Enjoy summer outdoors listening to talented singers and musicians perform nearly 60 classic and cherished songs from the 1950s to the 1960s. Music Theater Works, the North Shore’s famed musical production company typically performing from Evanston venues, is doing Legends Of The 50s and 60s: Greatest Hitsoutside Skokie’s North Shore Center For The Performing Arts, June of 2021.
While it is often a challenge to get audiences engaged, the performers and band faced no difficulty in doing so. Anyone who watches this show will undoubtedly want to join along in song and dance due to both the pure talent of the performers.
Co-directed by Music Works Producing Artistic Director Kyle A. Dougan and Martin L. woods, the performers’ strong and vibrant voices made the entire show come alive as they moved through the hit songs of such talents as Buddy Holly, Doris Day, The Supremes, Elvis, The Temptations, George Harrison, Aretha Franklin and Bob Dylan.
Additionally, the performance was heightened by the performers’ pure professionalism. The show flew smoothly from high energy number to number without missing a beat.
This show is an excellent choice for music lovers and a great escape to share with family and friends. Though the music might appeal more to older generations, younger people will definitely find enjoyment as they are introduced to less familiar classics. It is a must-see for anyone in the Chicagoland area looking for a talent-filled fun event.
Details: Music Theater Works’ Legends Of The 50s and 60s: Greatest Hits is outside the North Shore Center For The Performing Arts, 9501 Skokie Blvd, Skokie, IL 60076 from June 18th through June 27, 2021. Run time: Two hrs. 20 minutes, plus a 15-minute intermission. For more show information and tickets visit MusicTheaterWorks.com/BoxOffice or call (847) 673-6300.
With the pandemic still haunting the indoor entertainment scene, some show venues have taken their artistry to parks and parking lots.
Among them are Goodman Theatre which has been working with the Chicago Park District and Music Theater Works which has been using the parking lot of its new home, the North Shore Center for the Performing Arts in Skokie.
Music Theater Works new home at the North Shore Center for the Performing Arts, Skokie (Music Theater Works and Performing Arts photo)
The longtime Evanston based production company formerly known as Light Opera Works, presents “Richard Rodgers’ Greatest Hits” Sept. 29, 2020 at 7 p.m. CT.
Divided into two parts of 15 numbers each, songs range from “I wish I were in love again” from Babes in Arms to “You’ll never walk alone” from Carousel.
The program is presented live in the Center’s rear parking lot, 9501 Skokie Blvd., Skokie and then online from October 2-11. For tickets and more information visit MusicTheaterWorks/summerconcertencore.
Goodman Theatre (Photo courtesy of Goodman Theatre)
The Goodman show, “Fannie Lou Hamer, Speak on It! featuring E. Faye Butler, is being performed in some Chicago parks. Directed by Henry Godinez and adapted from Cheryl L. West’s play “Fannie,” the show brings back famed civil and voting rights activist Fannie Lou Hamer through storytelling and music.
Currently, it is scheduled for the front of Austin Town Hall, 5610 W. Lake St., for 6 p.m. Oct. 1, Homan Square in North Lawndale at 3559 W. Arthington St. at 6 p.m. Oct. 2 and in Ellis Park at 3520 Cottage Grove Ave. in Bronzeville at 3 p.m. Oct. 3. The Ellis Park performance is sold out.
Theater venues range from Chicago’s Lookingglass in the historic Water Works (top left) and the lyric Opera House, bottom left to Goodman Theatre in a remodeled former movie theater building to the new Yard at Chicago Shakespeare on Navy Pier, bottom right. (J Jacobs photo)
Normally we would be talking about what productions are coming this fall and winter to the Lyric Opera, Goodman, Chicago Shakespeare, Steppenwolf, Broadway in Chicago, Lookingglass, Northlight, Court, Music Works, Citadel and several other Chicago area theater stages.
And normally, what’s coming would be divided up by regions because in 2019 there were about 250 theater companies in the area.
Maybe when the coronavirus is under control and artists and patrons feel safe attending live rather than virtual shows, we will know which Chicago theater groups survived the pandemic.
But here is a sample of what we are hearing now about our next theater season.
Goodman
Calling the season “Our Next Act,” Artistic Director Robert Falls and Executive Director Roche Schulfer announced that the Goodman Theatre would have eight plays in its 2021 subscription (membership) series when safe for everyone. That number doesn’t include “A Christmas Carol” which isn’t a subscription show but details on the popular holiday show are expected to be out soon.
“We’re proud to announce four exciting world premieres, including a Goodman commission – Cheryl L. West’s “Fannie.” Directed by Henry Godinez, it is a passionate rallying cry inspired by the life of famed civil rights activist Fannie Lou Hamer that features E. Faye Butler in the title role,” said Falls.
Another world premiere is “the ripple, the wave that carried me home” by Christina Anderson, a co-production with Berkeley Repertory Theatre. “It is a stunning meditation on protest, legacy and reconciliation; and we’re delighted to welcome back Christina, whose bold, imaginative How to Catch Creation was a memorable favorite last year,” said Falls.
The third world premiere is “Good Night, Oscar” by Doug Wright, directed by Leigh Silverman and starring Sean Hayes (Will & Grace) as Oscar Levant.
Falls added, “Finally, we’ll produce the highly anticipated new musical we postponed due to COVID-19—”The Outsiders” based on the novel by S.E. Hinton and Francis Ford Coppola’s film. A beloved story of ‘haves’ and ‘have-nots’ that defined a generation it is told anew.” (Book is by Adam Rapp, music and lyrics by Jamestown Revival (Jonathan Clay and Zach Chance) and Justin Levine, choreography by Lorin Latarro and directed by Liesl Tommy.)
Three Chicago premiers include “School Girls; Or, The African Mean Girls Play” by Jocelyn Bioh and directed by Lili-Anne Brown that was interrupted by the pandemic, “A Paris Love Story” featuring the Music of Claude DeBussy that is written and performed by Hershey Felder and directed by Trevor Hay and “American Mariachi” by José Cruz González, directed by Henry Godinez and is a coproduction with Dallas Theater Center.
In addition, Goodman will be doing “The Notebooks of Leonardo da Vinci” adapted and directed by Mary Zimmerman.
“We can’t wait to welcome back our audiences for our dynamic 2021 Season that exemplifies the very best of our art form,” said Falls. “As we continue to prioritize the health and safety of our artists and audiences, we remain flexible in our planning and will share production dates when the time is right.”
Subscription memberships to the upcoming season are available, including the “Whenever Membership” flexible package. A five-play Membership package starts at $100. Visit GoodmanTheatre.org/2021season. Single tickets will be available at a later date.
Lyric Opera
The Lyric will open a reimagined fall season with “For the Love of Lyric,” a virtual concert from the Lyric Opera House, that will be available for free streaming beginning at 5 p.m. CDT Sept. 13, 2020.
The event is in place of the opening night opera and ball, according to Anthony Freud, Lyric’s general director, president and CEO. “…we are proud to present “For the Love of Lyric- a very special concert presentation available to the largest possible audience via streaming,” said Freud.
Renowned soprano Renee Fleming teams up with special guests including Tony and Grammy award-winner Heather Headley (Aida, Lion King), soprano Ailyn Perez, bass Soloman Howard and mezzo soprano J’Nai Bridges.
For more information visit For the Love of Lyric. A first screening at sponsor level will be available Sept. 12 at 7:30 p.m. and can be found at LyricOpera/Support.
Music Theatre Works
Formerly called Light Opera Works, Music Theatre Works is moving from its Evanston home at Northwestern University’s Cahn Auditorium to the North Shore Center for the Performing Arts, 9501 Skokie Blvd., Skokie, beginning with its 2021 season.
A 40-year-old, not-for-profit company that has produced several highly recommended shows, Music Theatre Works has basically honored the classics with great direction, voices and orchestrations that range from the best “Pirates of Penzance” and “Mame” that I have seen to what other CTA writers say is the best “Anything Goes” and “Into the Woods” that they have seen.
Administration and rehearsals will continue at the Paul S. Mavros Center and Joyce Saxon Rehearsal Hall.
The performance move to North Shore Center’s large and small venues means the organization can do more productions and have longer runs, better parking and more exposure.
“For 40 years, Music Theater Works has been a cornerstone of high-quality professional music theater in the Chicago area. Our history demonstrates our dedication to bringing great music and great theater to our audiences. The community along with the many artists, board members and staff have built the company to what it is today,” said Music Theater Works Producing Artistic Director Kyle A. Dougan.
“Music Theater Works’ move to its new performance home at the North Shore Center is a testament to our community’s support for our art. In addition, this outlet strengthens Music Theater Works’ pledge to explore the full spectrum of music theater with the availability of multiple performance spaces within the North Shore Center,” Dougan said.
North Shore Center for the Performing Arts General Manager Michael Pauken said, “It is very exciting to welcome this well-respected organization and its productions to the North Shore Center as I have long admired them as an audience member.”
Pauken added, “I know Music Theater Works’ customers will find the North Shore Center’s location near numerous restaurants, convenient access to public transportation and free parking to be an enhancement to their theatergoing experience and Music Theatre Works performers will enjoy ample backstage space and the technical capabilities of our facility.”
In advance of its formal move to the Center next year, Music Theater Works presented two sold out performances of “Richard Rodgers’ Greatest Hits,” August 28 and 29, as part of the North Shore Center’s outdoor concert series, “Out Back Summer Sessions.”
