What is coming to theaters downtown and on the Mag Mile

 

Chicago Theater and Arts has been looking at what area theater production companies have in store for the 2019-2020 season. The lineup is impressive.

Because Chicagoland has approximately 250 companies the coming season is divided into a series that starts downtown, then winds around  Chicago’s neighborhoods and suburbs.

The series started off with Broadway in Chicago’s coming shows and now moves to other downtown theater venues including a couple on and near North Michigan Avenue.

Shows often sell out as soon as they open so best plan is to print the series, circle what you want and pick up tickets in advance.

 

Chicago Shakespeare Theater on Navy Pier. (CST photo)
Chicago Shakespeare Theater on Navy Pier. (CST photo)

Chicago Shakespeare Theater

Located on the city’s popular Navy Pier, CST is currently doing “Six” a fun, pop-concert-style musical about Henry VIII’s wives that has been so popular it’s been extended through Aug. 4. Also there is the family musical “The Wizard of Oz” which opens July 6 and continues through Aug. 25, 2019.

Coming this fall are “The King’s Speech” Sept 12-Oct. 20 , “A Man of Good Hope,”  Oct. 4-13 and “Romeo and Juliet” Oct. 31-Dec. 22, 201. After the new year “Emma” is Jan 28 -March 15, 2020 followed by the Royal Shakespeare Company with a production TBA, April 1-30. The season closes with “As You Like It” April 30-June 21

Chicago Shakespeare Theater is at 800 E. Grand Ave. on Navy Pier. For tickets and more information visit Chicago Shakes or call (312) 595-5600.

 

 

Goodman Theatre on Dearborn at Randolph (Goodman photo)
Goodman Theatre on Dearborn at Randolph (Goodman photo)

Goodman Theatre

The theatre is  on Dearborn Street at Randolph Street near downtown attractions such as Millennium Park and the city’s  Piccasso. Shows are on stage in the Albert Theatre and smaller Owen Theatre.

Currently, Goodman is doing “The Music Man” helmed by famed director Mary Zimmerman, June 29-Aug. 11, 2019 (Albert).  Then “Hanna H. is Sept. 6-Oct. 6 (Owen) and “Bernhardt/Hamlet,” Sept. 14- Oct. 20 (Albert). “A Christmas Carol,” a family holiday favorite, continues for its 42nd annual production Nov. 16 – Dec. 29, 2019 (Albert).

Into the new 2020 year “Roe” is Jan. 18-Feb 20, (Albert). “Graveyard Shift” Feb. 7-Mar. 8 (Owen) and “Molly Sweeney” is  Mar. 7-April 12  (Albert) followed by “School Girls; Or The African Mean Girls Play  Mar. 27-April 26 (Owen). “American Mariachi” is April 25-May 31 (Albert). Then “The Outsiders” completes the season June 19-Aug. 2 (Albert).

Goodman Theatre is at at 170 N. Dearborn Street. For tickets and other information visit Goodman Theatre  or call (312) 443-3800.

 

 

Lookingglass Theatre is in the Historic Water Works (J Jacobs photo)
Lookingglass Theatre is in the Historic Water Works (J Jacobs photo)

Lookingglass Theatre

Located in Chicago Water Works, Lookingglass is currently doing “Mary Shelley’s Frankenstein” through Aug. 4 then “The Steadfast Tin Soldier,” Nov. 1, 2019-Jan. 26, 2020.

The season continues with “Her Honor Jane Byrne” Feb 26-April 12, 2020. Then the ever popular, landmark production, “Lookingglass Alice,” returns May 13-Aug. 16, 2020.

Lookkingglass Theatre is at 821 N. Michigan Ave. For tickets and more information visit Lookingglass Theatre and call (312) 337-0665.

 

 

 

Lyric Opera House on North Wacker Drive (J Jphoto)
Lyric Opera House on North Wacker Drive (J Jphoto)

Lyric Opera of Chicago

The Lyric Opera House. a historic building on north Wacker Drive at Madison Street, will resound with the sounds of Rossini and Verdi, Wagner and (Jake) HeggieL as the 2019-2020 season mixes the popular with the provocative.

Opening the season is Rossini’s popular “The Barber of Seville” Sept. 28-Oct. 27 followed by Verdi’s “Luisa Miller”Oct. 12-31. Then  Jake Heggie and Terrence McNally’s unusual “Dead Man Walking” opera is Nov. 2-11.  The series returns to the classics with Mozart’s “Don Giovanni” Nov. 14-Dec. 8 but offers a gorgeous vocal treat with Sondra Radvanovsky singing the finales of Anna BolenaMaria Stuarda, and Roberto Devereux in a semi-staged performance of Donizetti  “The Three Queens” Dec 1-7, 2019.

The second half opens 2020 with an all-time favorite, Puccini’s  “Madam Butterfly” Feb. 6-Mar. 8. Then Tchaikovsky’s eerie “The Queen of Spades” is Feb. 15-Mar. 1 . Wagner”s Götterdämmerung” closes the Lyrics Ring cycle  April 4 & 11, 2020.

However, the lyric ends each season with a Broadway musical. In 2019 it was “West Side Story. ” For 2020 it will be “42nd Street” May 29 – June 21, 2020.

The Lyric Opera House is at 20 N.  Wacker Dr. For tickets and more information visit Lyric Opera/Contact or call (312) 332-2244.

 

 

Porchlight is in the Ruth Page Center for the Performing Arts. (J Jacobs and Ruth Page Center photo)
Porchlight is in the Ruth Page Center for the Performing Arts. (J Jacobs and Ruth Page Center photo)

Porchlight

Now located in the Ruth Page Center, Porchlight will open the 2019-20 season with “Sings: 25 years of Porchlight,” a benefit concert Aug. 5 that celebrates its past 25 years on Chicago’s musical theater scene.

A leading lady of Chgo theater, Hollis Resnik, makes her Porchlight debut in  Andrew Lloyd Webber’s “Sunset Boulevard” Oct. 11- Nov. 24. However, there will also be a quick revisit to Irving Berlin’s “Cal Me Madam,” Nov. 20-21. Next is  the Ruffians’ “Burning Bluebeard” Dec 13-27.

The year 2020 opens with Duke Ellington’s “Sophisticated Ladies” Jan 24- Mar. 6. The season with the Chicago premiere of Disney’s “Freaky Friday” April 10-May 24.

Porchlight Music Theatre moved last year to the Ruth Page Center For the Arts, 1016 N. Dearborn Pkwy.

 

Jodie Jacobs

 

Looking ahead to the next theater season

 

If taking in some of the shows in Chicago now, you know the theaters put on amazing productions. The problem is that with 250 theater companies it’s hard to keep track of who is doing what and when. So we’ll look at the 2019-2020 season according to location for you beginning with Broadway in Chicago because it has four main downtown venues.  That will be followed by other theaters in what is loosely called downtown and includes the Mag Mile. Then, the series continues with theater companies in Chicago’s neighborhoods and suburbs.

 

'"Hamilton" leaves January 2020. (Photo courtesy of Broadway in Chicago and 'Hamilton.')
“Hamilton” leaves January 2020. (Photo courtesy of Broadway in Chicago and ‘Hamilton.’)

Broadway In Chicago

New York’s Broadway shows appear as touring productions in Chicago at the Cadillac Palace, CIBC, Nederlander, Broadway Playhouse and sometimes the Auditorium Theatre, all presented by Broadway in Chicago. These are historic venues so are worth seeing no matter what is playing but here is the lineup known so far for the 2019-20 season starting this summer.

 

Broadway Playhouse

Oslo” is coming to the Playhouse Sept. 10-Oct. 20, 2019. Then “An Evening With C S Lewis” is Oct. 22-Nov. 3, 2019 followed by “Potted Potter” Dec. 5, 2019-Feb. 2, 2020. The Playhouse is at 175 E. Chestnut St. next to Water Tower Place.

 

 Cadillac Palace Theatre

Les Miserables” is at the Cadillac July 9-27, 2019 followed by “Come From Away” July 30-Aug. 18. Then “The Band’s Visit” is there Sept.3-15, followed by ” The Simon – Garfunkel Story,” Nov. 19-Dec. 1. For the holidays there’s “Irving Berlin’s White Christmas” Dec. 10-15, 2019. Going into the new years is “The Phantom of the Opera,” Dec. 18,2019 –Jan. 5, 2020. Winter is brightened with “Once On This Island.” The blockbuster spring show is arguably “My Fair Lady” Mar. 24-April 2, 2020. The biggie for the following season is likely to be “Disney’s Frozen,” Oct. 21, 2020 – Jan. 3, 2021. Cadillac Palace is at 151 W. Randolph St.

 

CIBC Theatre

Hamilton” stays through Jan. 5, 2020. Then “Dear Evan Hansen” returns to Chicago in this venue July 7-Sept. 27, 2020. CIBC is at 18 W. Monroe St.

 

James M. Nederlander Theatre (formerly Ford Oriental Theatre)

Cats” is here July 16-Aug. 4. Located at 24 W. Randolph St., the theatre has Cats” July 16-Aug. 4. For fall is  “Once Upon A One More Time,”  Oct 29 – Dec 1, 2019. Next is “Mean Girls,”  Dec. 25, 2019-Jan. 26, 2020 followed by “Summer the Donna Summer Musical,” Feb. 12-Feb. 23, 2020.

 

For subscriptions, tickets and other information visit Broadway in Chicago or call (800) 775-2000.

Jodie Jacobs

 

 

Around town end of June

A parade of trombones, a tap dance opera and a dog invite that includes you close out June with interesting, fun events.

 

Goodman Theatre os doing a revival of 'The Music Man.' (Goodman Theatre Photo)
Goodman Theatre os doing a revival of ‘The Music Man.’ (Goodman Theatre Photo)

76 Trombones

What: To celebrate the revival of “The Music Man” that starts Saturday in its Albert Theatre, Goodman Theatre will hold a parade of more than 76 Chicago area trombonists and percussionists performing the show’s famed tune.

When: Friday, June 28 beginning at 1 p.m.

Where: The parade tarts at Goodman theatre, 170 N. Dearborn, then continues to Daley Plaza (50 N. Washington St., then returns to Goodman about 1:15 to do an encore .

Who:  The parade is in partnership with Lakeside Pride Music Ensembles that includes LGBTQ members and friends.

 

Chicago Tap Company's new production ends the last weekend of June 2019. (Chicago Tap Company photo)
Chicago Tap Company’s new production ends the last weekend of June 2019. (Chicago Tap Company photo)

“Saving the World”

What:  Chicago Tap Theatre’s opera-style dramatic tale of disasters colored by greed and demagoguery.

When: June 28-30 is the last weekend of this production, Friday and Saturday at 7:30 p.m. and Sunday at 3 p.m.

Where: Stage 773, 1225 W. Belmont Ave.

Who: Chicago Tap Theatre is a non-profit organization of tap dance professionals who put on story-based shows.

 

The Patio at Cafe Brauer is a popular pace for drinks or food with a view. (J Jacobs photo)
The Patio at Cafe Brauer is a popular pace for drinks or food with a view. (J Jacobs photo)

The Dog Days of Summer

What: A dog-friendly brunch where they can play and get treats while their people show down.

Where: The Patio that is the rear end of the historic Brauer building in Lincoln Park Zoo at 2021 N. Stockton Dr.

When: June 30 from 9 to 11 a.m. Reservations needed. Call (312) 507-9053

Who: The Patio at Cafe Brauer at the back of a Prairie School-style landmark is a popular summer cocktail and lunch stop that overlooks the pond at the Nature Boardwalk at Lincoln Park Zoo  and its view of the Chicago skyline. Bentley’s Pets will have gift bags for the dogs.

Jodie Jacobs

 

 

 

 

A Touching, Tragic Tale

Hedwig and the Angry Inch at Theo Ubique. (Austin D. Oie Photography)
Hedwig and the Angry Inch at Theo Ubique. (Austin D. Oie Photography)

 3 1/2 stars

First of all be warned. “Hedwig and the Angry Inch, may not appeal to every taste. Audiences who attend this four-time, 2014 Tony Award-winning musical should be comfortable with in-your-face performances, deafening rock music, blinding concert lighting and 95 minutes of adult humor and a brazenly bold backstory.

The theatergoer who considers Rodgers & Hammerstein or Lerner & Loewe the hallmarks of the American musical probably won’t love a show that’s this garish and loud. However, younger, less conservative audiences, as well as the many devotees of this cult musical, will find everything to love about Theo Ubique’s finale to their first season, now playing in Evanston through July 28.

The show began as a modest little rock musical that told the story of Hedwig Schmidt, a young, queer, glam, rock singer who underwent gender reassignment surgery.

Continue reading “A Touching, Tragic Tale”

Playing It the company way

Ken Singleton (J. Pierrepont Finch) in Music Theater Works’ How to Succeed in Business Without really Trying. (photo by Brett Beiner)
Ken Singleton (J. Pierrepont Finch) in Music Theater Works’ How to Succeed in Business Without really Trying. (photo by Brett Beiner)
4 stars
The bouncy overture winds down, the curtain rises and we find a young man in coveralls descending from above in the Music Theater Work’s “How to Succeed in Business Without Really Trying.”
J. Pierrepont Finch, an ambitious young window washer, is discovered reading Shepherd Mead’s tongue-in-cheek instructional book of the same name, while dangling from scaffolding above Madison Avenue.
Narrated for this production by NPR news quiz host, Peter Sagal, the book progresses chapter-by-chapter, charting the recommended course for Ponty’s rise to power in the business world.
Now, bear in mind that this how-to manual, a 1952 best-seller by Shepherd Mead, subtitled “The Dastard’s Guide to Fame and Fortune,” was written as a parody of the popular self-help books of that era. Between this book’s unfailing advice and Finch’s pluck and pizzazz, this likable kid is undoubtedly destined to rise to the top…or is he?
It’s hard to believe that this show which set a new standard for musical comedy satire, is almost 60 years old now. The hummable score by Frank Loesser (“Guys & Dolls,” “Most Happy Fellow”) features a libretto by Abe Burrows, Jack Weinstock and Willie Gilbert, adapted from Mead’s humorous book of the same name.
The musical has a field day lampooning the seeming ease with which an entry level employee can rise to the top of the corporate ladder. A film preserving the performances of most of the original cast was released in 1967. This 1962 Pulitzer Prize and eight-time Tony Award winner has been successfully revived twice on Broadway, earning additional Tony Award nominations and wins.
Throughout the play, whenever it seems the darkest, the young, eager beaver aligns with precisely the right people to learn from and suck up to, as well as the easiest loopholes to infiltrate, in order to reach the top. And when all those elements are out of reach, Ponty employs his considerable boyish charm, ultimately helping him to achieve success.

Continue reading “Playing It the company way”

Let’s live life through music . . .

Cast of Falsettos. (Joan Marcus photo)
Cast of Falsettos. (Joan Marcus photo)

4 stars

In 2017 when “Falsettos” returned to Broadway, it was nominated for five Tony Awards, including the Best Revival of a Musical.  Now two years later, this fabulous musical is in Chicago, directed by playwright James Lapine with music and lyrics by William Finn.

Taking place in New York in the 1970s, we meet a charming, neurotic gay man, Marvin, played by Max Von Essen; along with his 10-year-old son, Jason, played by Thatcher Jacobs.

We also meet psychiatrist, Mendel (Nick Blaemire) and Marvin’s wife Trina (Eden Espinosa)whom he leaves for his lover, Whizzer (Nick Adams).

“Falsettos” second act introduces two lesbian neighbors of Marvin’s, Dr. Charlotte (Bryonha Marie Parham) and Cordelia (Audrey Cardwell).

Performed by phenomenal voices, “Falsettos’ ” wonderful songs tell the story throughout the show.

Continue reading “Let’s live life through music . . .”

‘Hamilton’ to leave Chicago next January

 

Cast of 'Hamilton'. Photo by Joan Marcus.
Cast of ‘Hamilton’. Photo by Joan Marcus.

 

Blocks of tickets have periodically been put up for sale, thus extending the hit Broadway show’s Chicago run since September 2016. But the last block of tickets will go on sale May 17,2019 at 10 a.m.

Those tickets can be bought at the CIBC Theatre’s box office (10 a.m. to 5 p.m.) at 18 W. Monroe St., on the Broadway In Chicago 800-775-2000 number and online at BroadwayInChicago.

“More people have seen “Hamilton” in Chicago than any other city, including New York,” said producer Jeffrey Seller.  “Chicago has been a cornerstone of our mission to make “Hamilton” as accessible to as many people as possible.  We’ve loved our time here, and you can bet that ‘we’ll be back’.”

By the numbers: The Chicago run will be 171 weeks, 1,341 performances, seen by more than 2.6 million attendees plus more than 32,000 Chicago Public School students and teachers have participated in the show’s EduHam, an American history education program.

The musical, “Hamilton,” is based on the book, “Alexander Hamilton,” a biography of the Founding Father by Ron Chernow. Lin-Manuel Miranda who wrote the musical’s lyrics, music and book won the Pulitzer Prize for Drama.

Directed by Thomas Kail, choreographed by Andy Blankenbuehler with music direction and orchestrations by Alex Lacamoire, “Hamilton” took 11 Tony Awards in 2016 including Best Musical, Score, Book of a Musical, Direction of a Musical, Choreography and Orchestrations.  It’s produced by Seller, Sander Jacobs, Jill Furman and The Public Theater.

For Hamilton lottery ticket information visit BroadwayInChicago/HamiltonLottery or HamiltonBroadway.

For more information see Hamilton Musical  or visit its social media sites: Facebook/Hamilton, Instagram/Hamilton and Twitter/Hamilton.

Related articles: Hamilton the exhibition, Hamilton is worth the hype, High school students perform on Hamilton stage and see the show.

Jodie Jacobs

 

 

 

‘August Rush’ not ready for prime time

The cast of August Rush at Paramount Theatre in Aurora. (Liz Luaren photo)
The cast of August Rush at Paramount Theatre in Aurora. (Liz Luaren photo)

2  1/2 Stars

There’s no denying that John Doyle is a gifted genius. The artistic director of Classic Stage Company in New York City, Doyle has won awards for his productions of beautiful “Passion,” “Carmen Jones” and “The Visit.”

He’s primarily known for his much-acclaimed, pared down productions of “Sweeney Todd” and “Company,” where, in addition to acting, singing and dancing, the reduced cast also provided all the musical accompaniment.

His latest production, adapted from a popular 2007 film of the same name, is now enjoying a pre-Broadway tryout at the Paramount Theatre in Aurora where Doyle has simplified the story and amped up the musical component with mixed results.

Continue reading “‘August Rush’ not ready for prime time”

‘Chicago’ the musical in its namesake town

Chicago the musical is at the Cadillac Palace Theatre. (Photo by Catherine Ashmore)
Chicago the musical is at the Cadillac Palace Theatre. (Photo by Catherine Ashmore)

3 stars

”Chicago,” the sardonic, jazzy, vaudeville-style musical written by lyricist Fred Ebb, composer John Kander with  book by Ebb an Bob Fosse, is in its namesake town for just a week as it continues to make the rounds.

Fosse’s choreography in conjunction with Ann Reinking’s choreography in Fosse’s style for the 1997 New York production are skillfully performed by the company and the two female leads, Dylis Croman as Roxie Hart and Lana Gordon as Velma Kelly.

The Fosse style, Croman’s big number “Roxie” plus “When You’re Good to Mama,” sung by Jennifer Fouché and “Mister Cellophane” sung by Paul Vogt as Amos Hart make the current touring show worth seeing.

Just don’t expect quite the high level of razzle-dazzle of the original 1975 show or the 1996 revival or the 2002 film version that won the Academy Award for Best Picture.

Eddie George who has moved from the NFL to acting in Nashville companies, is an OK Billy Flynn but not in the same personality category as Richard Gere in the movie or at the song and dance guy level of Jerry Orbach in the Broadway production.

This version needs to turn up the heat on its famed “Cell Block Tango” which seemed a bit going-through- the-motions tired.

However, the show is fun to watch. The orchestra, conducted by Andrew Bryan, is still on stage as the main set-design element and its vaudeville-style, bring-them-on performances across the front of the stage is still entertaining.

“Chicag0” is at the Cadillac Palace Theatre, 151 W. Randolph St., Chicago through May 12, 2019. Running time: 2 hours, 30 minutes with one intermission. For tickets and other information visit Broadway In Chicago.

Jodie Jacobs

For more shows visit Theatre in Chicago

 

 

‘Dames at Sea’ is campy fun

(left to right) Sam Shankman (Lucky), Sierra Schnack (Joan), Kelly Felthous (Ruby) and Todd Aulwurm (Dick) at Theatre at the Center, (Photo by Brett Beiner)
(left to right) Sam Shankman (Lucky), Sierra Schnack (Joan), Kelly Felthous (Ruby) and Todd Aulwurm (Dick) at Theatre at the Center, (Photo by Brett Beiner)

3 stars

What’s not to love about a show that opens with a rousing tap number? Nothing, it turns out. “Dames at Sea,” the newest production at the Theatre at the Center in Munster, IN, is pure campy fun, from the first minute to the last.

It follows the story of Ruby. She’s fresh off the bus from Utah and in search of a career as a dancer on Broadway. She hasn’t eaten in three days, forgets her suitcase on the bus in her rush to get a job as a dancer, falls into a job dancing on a chorus line in a Broadway production, and catches the eye of a sailor who pledges his love for her — all in the delightful course of her first day in New York.

“Dames at Sea” is a long-running, Off Broadway hit that made Bernadette Peters a star in 1969. Kelly Felthous, the tiny blond firecracker who plays Ruby, channels her inner Bernadette Peters in this production, complete with spunky tapping, high-pitched voice and impish smile. (Ashley Lanyon takes over the role of Ruby from May 22-June 2.)

Continue reading “‘Dames at Sea’ is campy fun”