A peek at the next theater season

Ford Oriental Theatre in the foreground and Cadillac Palace Theatre in the background are two Broadway in Chicago venues. (Broadway in Chicago photo)

Chicago is blessed with a terrific pool of actors, directors, choreographers and theater technicians and a community of theater-goers who really appreciate a good production. But it is still amazing that the Greater Chicago area has 250 theater companies. They share venues throughout the city and suburbs. Thus, there are lots of choices of where to go and what to see. (BTW, some of them like to spell theater as theatre. That’s OK.)

Because there are so many companies it is arguably hard to keep track of what everyone is doing so we’ll look at the 2018-2019 season by area starting with downtown from the Broadway Playhouse to Lookingglass Theatre and more.

First off, the expensive ticket shows seen in New York are brought to the Cadillac Palace, CIBC, Ford Oriental, Broadway Playhouse and sometimes Auditorium, by Broadway in Chicago. Here is what to expect so far at those venues during the 2018-2019 season.

Broadway Playhouse

Located at 175 E. Chestnut St.at Water Tower Place, it has “Heartbreak Hotel” now extended through Oct. 28, 2018.

Cadillac Palace Theatre

The theatre, 151 W. Randolph St. has the pre-Broadway world premier of “Tootsie” beginning Sept. 11 followed by “Miss Saigon” on Nov. 13 and “Fiddler On The Roof” Dec. 18. Then “Kinky Boots” opens on Jan 22, 2019 followed by “Dear Evan Hansen” on Feb. 12, “Come From Away” opens on July 30 and “The Band’s Visit opens next fall on Sept. 10.

CIBC Theatre

At18 W. Monroe, the theatre still has “Hamilton” which is expected to go through Jan. 20, 2019.

Ford Oriental Theatre

Located at 24 W. Randolph St., the theatre has ” Charlie and the Chocolate Factory” coming Oct. 2, followed by “Hello, Dolly” Oct. 23, then “The Book of Mormon” Nov. 20 and “The Play That Goes Wrong,” Dec. 4. Starting off 2019 is “The Lightning Thief: Percy Jackson Musical” opening Jan. 8, followed by “A Bronx Tale” Mar. 12, “Anastasia” Mar. 26, then “Falsettos” May 28 and “Cats” on July 16.

For tickets and other information visit Broadway in Chicago and call (800) 775-2000.

Chicago Shakespeare Theater

Situated on Navy Piere at 800 E. Grand Ave. (On Navy Pier), CST currently has “Peter Pan: A Musical Adventure” through Aug. 19.

Coming this fall are “Big Mouth” Sept 12, “Nell Gwynn” opening Sept. 20, Circolombia’s “Acelere” on Oct. 23, “Fight Night,” also on Oct. 23, “Q Brothers Christmas Carol” on Nov. 20 and “A Midsummer Night’s Dream” on Dec. 6.

The season continues with “Us/Them” opening Jan. 22, 2019, “L’Apres Midi D’un Foehn” on Jan. 23, then “Short Shakespeare Macbeth” opens Feb. 16 and “An Inspector Call’s opens Feb. 19, “Two Pints” starts Mar. 6, “Hamlet” opens Apr. 17 and “Bedknobs and Broomsticks” on May 30.

For tickets and more information visit Chicago Shakes and call (312) 595-5600.

Continue reading “A peek at the next theater season”

Two concerts preview coming theater season

Jay Pritzker Pavilion is a concert venue in Millennium Park designed by Fran Gehry. — Jay Pritzker Pavilion is a concert venue in Millennium Park designed by Frank Gehry.

Hear the voices from the Broadway and opera stages at two free concerts in Chicago’s Jay Pritzker Paviion at Millennium Park

First, and this comes quickly on the calendar, is the Broadway In Chicago Summer Concert, Aug. 13 at 6:15 p.m. So grab a blanket for the grass or get there early for a seat to hear songs from the following shows on the Broadway tour:

“The Book of Mormon,” “Hello Dolly,” “A Bronx Tale: The Musical,” “ Ronald Dahl’s Charlie and the Chocolate Factory,” “Heartbreak Hotel,” “Dear Evan Hansen,” “Anastasia,” “ Miss Saigon,” “Fiddler on the Roof,” “Cats,” “ Falsettos” and “Come From Away.”

Hosted by ABC 7 Chicago entertainment reporter Janet Davies Pre=Broadway “Tootsie” star Santino Fontana, the concert is sponsored by Channel 7 and presented by the City of Chicago department of cultural Affairs and Special Events.

The Jay Pritzker Pavilion is at 201 E. Randolph St., Chicago but it’s a can’t miss venue because of its billowing steel ribbons topping The Pavilion was designed for Millennium Park by award-winning architect Frank Gehry. For more information visit Broadway In Chicago. Continue reading “Two concerts preview coming theater season”

Good Chicago area art fairs fill the August and September calendar

You never know what you will see or find at a summer art fair. (Port Clinton-Jodie Jacobs photo)

Check out some suburban shopping areas and Chicago neighborhoods while the weather is still warm and breezy. The reward may be a painting perfect for the hall, a sculpture just right for the yard or mantle, a silk print scarf or tie to wear to a concert or a piece of jewelry to hold onto until gift giving during the holidays.

Here are some art fairs that are a good excuse to get outdoors.

August

4-5 Glenview

Art at the Glen features 185 artists in the Glen Tower Center. Hours: 10 am – 5 pm. For more info see Amdur Productions.

11-12 Lincolnshire

About 120 artists participate in the annual Lincolnshire Art Festival held on the Village Green in north suburban Lincolnshire. Hours are 10 am – 5 pm. For more info see Amdur Productions.

25-26 Oak Park

On the western edge of Chicago look for more than 130 exhibitors at the annual Oak Park Avenue-Lake Arts & Crafts Show in Scoville Park at Oak Park Avenue and Lake Street. Hours: Saturday 11 am – 7 pm , Sunday 9 am – 5 pm. For more info see American Society of Artists.

25-26 Highland Park

The Port Clinton Art Festival, among the Midwest’s best art fairs, sprawls across First and Second Streets and the Port Clinton Plaza on Central Avenue as it showcases about 265 artists from across the globe. For more info see Amdur Productions.

25-26 Chicago

About 200 artists exhibit their works at the annual Bucktown Arts Fest held in Senior Citizens Memorial Park, 2300 N. Oakley Ave at 2300 W. Lyndale St. Hours: 11 am – 7 pm. For more info see Bucktownh Arts Fest. Continue reading “Good Chicago area art fairs fill the August and September calendar”

The John Singer Sargent you only thought you knew

If you think you can recognize any painting by John Singer Sargent you are likely to be surprised when you visit “John Singer Sargent and Chicago’s Gilded Age” now at the Art Institute of Chicago through Sept. 30, 2018.

John Singer Sargent, 'Thistles' is in the Art Institute of Chicago Show. (Photos by Jacobs) — John Singer Sargent, ‘Thistles’ is in the Art Institute of Chicago Show. (Photos by Jacobs)

Of course there are some of his famed portraits, but as you wander through the show, an extensive exhibit of nearly 100 objects, you will see landscapes.

You will find not just oils but also watercolors. You will see that Sargent not only did traditional portraits but also did murals and captured the movement of wind-blown plants, water scenes, people on city streets and western ranges in an impressionistic style.

You will also learn that he and artists in his circle painted each other such as in Sargent’s ” An Artist at His Easel” painting of British artist Adrian Stokes.

John Singer Sargent, 1914 'An artist at His Easel' — John Singer Sargent, 1914 ‘An artist at His Easel’

The exhibit explains that Sargent (1856-1925) had several ties to Chicago and that many of his works were displayed in the city including at the World’s Columbian Exposition and at the Arts Club of Chicago.

But Chicago ties aside, what the Art Institute exhibit accomplishes most of all, is to present the many dimensions of a brilliant artist.

DETAILS: “John Singer Sargent and Chicago’s Gilded Age” is at the Art Institute of Chicago, 111 S. Michigan Ave. through Sept. 30, 2018. This is a ticketed exhibition so for tickets or more information call (312) 443-3600 and visit Sargent artic

Jodie Jacobs

Remarkable ‘Mass’ performance reveals another Bernstein dimension

Paulo Szot as the Celebrant in Leonard Bernstein's Mass at Ravinia Festival (Ohotos by Patrick Gipson) — Paulo Szot as the Celebrant in Leonard Bernstein’s Mass at Ravinia Festival (Photos by Patrick Gipson)

To report that Leonard Bernstein’s “Mass,” performed under the baton of Marin Alsop and directed by Kevin Newbury at Ravinia Festival July 28, received a long standing ovation would merely relate the overwhelming response to this seldom done, lesser known work.

Even though it is an appropriate bow to Bernstein on the anniversary of his 100th birthday, it is hoped that “Mass” will be presented more often.

Commissioned by Jacqueline Kennedy for the 1971 Kennedy Center opening, “Mass” goes way beyond a tribute to John F. Kennedy and his religion. As Bernstein’s daughter, Jamie Bernstein, explained during a pre-concert talk Saturday, the work is autobiographical.

The music is really a journey that takes the audience from dutiful respect to protest, from moody contemplation to rapture, from disbelief and madness to acceptance and peace.

At Ravinia, it was accomplished through the extraordinary interpretation of Brazilian operatic baritone Paulo Szot as the Celebrant.

The operatic world knows of Szot through his appearances at the Metropolitan Opera, La Scala and other houses. But he is also perfect for the Bernstein Celebrant role because “Mass” is described in its subtitle as “A Theater Piece for Singers, Players and Dancers. Szot received the Tony Award for Best Performance by a Leading Actor in a Musical for his performance as Emile De Becque in the 2008 revival of “South Pacific.”

But this is a also a work best performed with several singers, musicians and several talented players.

Bernstein's Mass at Ravinia — Bernstein’s Mass at Ravinia

To fill those roles Ravinia pulled in the Chicago Children’s Choir, the Highland Park High School Marching Band and a really fine “Street Chorus” of Sumayya Ali, Aaron Blake, Matt Boehler, John Clay III, Nicholas Cunningham, Alexander Elliot, Erica Everett, Nicole Fragala, Devon Guthrie, Devin Ilaw, Morgan James, Alexa Jarvis, Mykal Kilgore, Meredith Lustig, Timothy McDevitt, Michael Maliakel, Barrie Lobo McLain, Kaitlin Mesh, James Onstad, Michael Preacely, Isabel Santiago and Karim Sulayman.

A shout-out has to go to Altar Children Wyatt Parr and Myra Sahal. It was Parr’s “Lauda, Laude” that brought peace to the Celebrant and congregation on stage and wonderment to audiences on the grass who didn’t catch everything happening on stage.

However, it was the brilliant interpretation of Bernstein’s conflicting, pensive and joyous mood swings by the Chicago Symphony Orchestra under Alsop that moved the journey along.

Sadly, Ravinia’s “Mass” was a one-night experience but there are two more Bernstein programs on the schedule this summer. “Bernstein and Friends” will present songs and arias by Nadine Sierra and Michael Fabiano in the Martin Theatre, Aug. 10 that includes two Bernstein pieces.

Then Marin alsop will return to the Pavilion on Aug. 19 with the CSO playing the First Symphonies of Bernstein and Mahler.

Ravinia Festival is at 418 Sheridan Rd., Highland Park. For tickets and other information call (847) 266-5100 and visit Ravinia Tickets.

For the complete Ravinia schedule visit Ravinia Calendar.

Jodie Jacobs

The Blues Man is the real deal

RECOMMENDED

Rick Stone is the Blues Man at Black EnsembleTheater.

“Rick Stone The Blues Man” at the Black Ensemble Theater is a nightclub style jukebox musical written and directed by Jackie Taylor that stars Rick Stone himself and a cadre of six seasoned blues singers backed up by an awesome house band.

The songs are classic blues led by the very talented BET musical director Robert Reddrick on drums who is joined by “young” Adam Sherrod (Keyboards), Gary Baker (Guitar) and Mark Miller (Bass). Lamont D. Harris (Harmonica) is considered part of the vocal ensemble but holds his own adding his “blues harp” accompaniment to many of the tunes.

This production works hard to make you feel like you just happened to stroll into a vintage blues club. The cast wanders in, casually greeting individuals along the way. Ushers greet everyone by saying, “Welcome to Rick’s.” The stage has a small bar and few tables and chairs which incidentally are available to audience members as V.I.P. seating. Continue reading “The Blues Man is the real deal”

The end of TV is largely light and shadow

HIGHLY RECOMMENDED

The End of TV at the Chopin Theatre. (Photo by Judy Sirota Rosenthal)

It seems fitting that The Chopin Theater which began as a local movie house and evolved into a live theater venue, should play host to “The End of TV,” a combination of live action and multimedia that comments so poignantly on the blurred reality between television and human interaction.

Simply speaking, the story-line centers around a chance encounter between a laid-off autoworker turned meals-on-wheels driver, Louise, (Aneisa Hicks) and a QVC home shopping obsessed elderly woman, Flo (Kara Davidson).

The time is the 1990s. The place is a post-industrial Rust Belt city. The action takes place amid advertising promises and commercial bombardment.

In the larger sense it is about isolation and the need for human connection. Continue reading “The end of TV is largely light and shadow”

Dark ‘Color Purple’ rings true in revival

The Color Purple at the Auditorium Theatre. (Photo by Matthew Murphy)

RECOMMENDED

After being told in Alice Walker’s 1983 Pulitzer Prize novel of what Celie Harris, a young African American girl, endured in the first half of the twentieth century and how she survived aided by two other females, her story was turned into a movie in 1985 and a musical that won several Tony nominations in 2006.

What is in now appearing at Chicago’s Auditorium Theatre through July 29, 2018, is the National Tour of the musical’s revival begun in London in 2013. It went on to Broadway to win Tony Awards in 2016 including Best Revival of a Musical.

Directed by Tony Award-winner John Doyle, the current tour features Adrianna Hicks as Celie, Carla R. Stewart as friend Shug Avery and Carrie Compere as friend Sofia. Continue reading “Dark ‘Color Purple’ rings true in revival”

‘Something in the Game’ wins big on Northwestern stage

Highly Recommended

Knute and Fighting Irish in Something in the Game (Photos by Justin Barbin)

Get ready to cheer! Based on the life of legendary Notre Dame football coach, Knute Rockne, “Something in the Game – An All-American Musical” kicks off with all the excitement of a season opener.

Featuring a cast of 23 professional and student actors, this dynamic musical enthralls the audience with an inspiring story, high-energy dancing and memorable music.

On the football field, Knute Rockne is regarded as one of the greatest football coaches of all time winning more than 100 games, three national championships and five undefeated seasons. But at what cost?

As he chased fame and glory for his Fighting Irish as well as his own personal success, he left his family on the sidelines. Using football as a metaphor for the “game of life,” the musical traces one man’s journey to discover what’s really important before it’s too late.

Stef Tovar as Knute recreates his 2008 role from the production of the show at Theater at the Center. He does an excellent job as an ambitious man looking to capture the American Dream. Adrian Aguilar as George Gipp, the promising young star who lets his demons destroy him, is captivating.

Jimmy the Goat, Thelma and ensemble in Something in the Game — (James Earl Jone II (Jimmy the Goat), Rashada Dawan (Thelma) and ensemble in Something in the Game

But it’s the women who command the stage. Dara Cameron as wife, Bonnie, is a standout with a voice so strong and pure, it practically melts your heart. Rashada Dawan belts it out as Thelma, hostess of Jimmy the Goat’s place, with non-stop energy.

The production, put on by the American Music Theatre Project and Wirtz Center for the Performing Arts, is presented by special arrangement with Coaches, LLC, John Girardi and Greg Schaffert.

With book by Buddy Farmer, music by Michael Mahler and lyrics by David H. Bell and Michael Mahler, the show is expertly directed and choreographed by Jefferson Award-winner Bell.

Mention must be made of the outstanding choreography that simply takes your breath away. It is fast-paced, innovative and imaginative. Coupled with the gorgeous costumes by Robert S. Kuhn, the entire production creates an unforgettable visual feast!

For those who’ve heard the battle cry, “Win one for the Gipper,” you’ll come away with a new understanding of where this came from.

“Something in the Game: An All-American Musical” is at the Josephine Louis Theatre, 29 Arts Circle Drive, on the Northwestern University Evanston campus through Aug. 5, 2018. Running time: 2 hours and 15 minutes with one 15-minute intermission. For tickets and other information, call( 847) 491-7282 and visit Wirtz Center.

Mira Temkin

For more shows visit Theatre in Chicago

Madcap ‘Murder for Two’ fits summer breezes

Jason Grimm, l, and Noel Carey in Murder for Two at Marriott Theatre. (Liz Loren photo)

RECOMMENDED

“Murder for Two,” creatively staged and directed by Scott Weinstein at Marriott Theatre, will delight audiences seeking light, hilarious comedy. A fast-paced musical with book and lyrics by Joe Kinosian and Kellen Blair, the show revolves around which guest at a surprise birthday party shot the guest of honor, a successful novelist.

The kicker is that it is a two-actor show where one person plays the suspects and the other is a policeman who wants to nail the perpetrator so he can be promoted to detective status.

As to motivation, it turns out that most of the suspects used the same psychiatrist and he fed the novelist with patients’ secrets for each best sellers.

What makes this show fun is the breathless pace of Jason Grimm as he transforms himself into female and male suspects while alternatively playing the piano with Noel Carey, the investigating cop, Marcus Moscowicz. Then there is Scott Davis’ item-jammed, rotating stage which is almost a character in itself.

The first hour is a laugh-a-minute hoot, let the puns and rhymes fall where they may. By the last 15 minutes of this 90-minute farce, audiences may be excused if they don’t care who shot the novelist. Probably it doesn’t matter anyway because this isn’t “Murder She Wrote.” It’s a hilarious theatrical bit that is perfect for summer and that shows off the amazing talents of Carey and Grimm.

“Murder for Two,” is at Marriott Theatre, 10 Marriott Drive, Lincolnshire, through Aug. 26, 2018. Running time: 90 minutes, no intermission. For tickets and other information call (847) 634-0200 and visit Marriott Theatre.

Jodie Jacobs

For more shows visit Theatre in Chicago