“Joseph’s Amazing Technicolor Dreamcoat” is the 2019 holiday fashion choice for Music Theater Works in Evanston and swan song of retiring stage director Rudy Hogenmiller.
The upbeat Vegas style variety show extravaganza commonly known as “Joseph” is – and in my mind – the least refined of the blockbuster musicals of composer Andrew Lloyd Webber and lyricist Tim Rice.
None-the-less, it enjoys wide acclaim and provides an evening’s worth of solid cheerful entertainment.
Music Theater Works presents the clever lyrics and memorable mid-century melodies of Alan J. Lerner and Frederick Loewe in “Lerner and Loewe’s Greatest Hits” at Evanston’s Nichols Concert Hall.
Directed by Rudy Hogenmiller with musical director Linda Madonia the show is an enjoyable trip down memory lane. It starts in the Highlands of Scotland, goes over the bumpy trails of the American West then travels through the streets of London, the salons of Paris and ends up in the woods and palaces of historic old England.
This cabaret style performance begins with the ensemble of Samantha Behen, Alicia Berneche, Billy Dawson and Martin L. Woods harmonizing to the theme from the far off sleepy village of “Brigadoon” which rising from the Scottish mist, awakens once every one hundred years.
Songs include “I’ll Go Home with Bonnie Jean” featuring tenor Dawson, “Almost Like Being in Love” and “Heather on the Hill.”
Part one continues before a fifteen minute intermission with selections from the Western themed “Paint Your Wagon” with Woods’ powerful baritone rendition of “They Call the Wind Maria” and an ensemble version of “Wand’rin’ Star.”
The production continues in Part Two with perhaps Lerner and Loewe’s most successful musical, “My Fair Lady,” in which virtually every song was a hit.
The audience enjoyed hearing “Wouldn’t It Be Loverly,” “On the Street Where You Live,” “I’ve Grown Accustomed to Her Face,” and the insomniac favorite “I Could Have Danced All Night” belted out by the soprano, Berneche.
The story of “Gigi” deals with love and romance in a most Parisian way and includes a nod to mature romance in songs like “I’m Glad I’m Not Young Anymore” and “I Remember it Well,” charmingly performed by Berneche and Woods.
He opens the final segment with Lancelot’s self-aggrandizing “C’est Moi” from “Camelot” that tells the story of a brief and shining moment from the legendary court of Arthur.
Behan as the ingénue gets a few slightly bawdy moments in “Lusty Month of May” before the emotional “Camelot” Finale Ultimo which I am certain brought the majority of this audience back to memories of a hopeful time in 1960 when the show premiered.
The singers are accompanied by Madonia (piano), Nina Saito (violin), Joseph Krzysiak (bass), and Joey Zymonas (drums).
Music Theater Works will end the 2019 season with “Joseph and the Amazing Technicolor Dreamcoat opening Dec. 21, 2019.”
The company’s Founder/General Manager Bridget McDonough and Artistic Director Hogenmiller are retiring on New Year’s Eve this year. Hogenmiller has personally told me he intends to travel and relax.
Incoming Producing Artistic Director Kyle A. Dougan assumes management of MTW on Jan. 1, 2020 when the new season will include “Mamma Mia!,” “Ragtime” and “Billy Elliot.”
DETAILS: “Lerner and Loewe’s Greatest Hits” is at Nichols Concert Hall, 1490 Chicago Ave., Evanston, IL through Oct. 13, 2019. Running time: about 2 hours with one intermission. For tickets and information call (847) 920-5360 or visit musictheaterworks.
I was curious to imagine how this epic story that features a soaring gothic cathedral in the heart of Paris would be portrayed at Music Theater Works’ Cahn Auditorium venue.
But from the moment the curtain rose revealing the stunning scenic set design and twenty-four member choir for MTWs’ “The Hunchback of Notre Dame,” the audience was thoroughly captivated.
Set around 1492 the essence of this operetta is derived from Victor Hugo’s epic novel of the same name with similar themes of intolerance, injustice, abuse of power, and “man’s inhumanity to man” as in his “Les Miserables.”
Experienced theater goers know that not all memorable plays are on stage in the city. Chicago’s suburban theaters also put on Jeff award-winning productions. To be sure to catch a show you want to see, copy it and save or mark those productions on the calendar. (Note: Some companies spell their work and space “theater,” others use “theatre.” Both are correct.) A look at the coming suburban theater season is the last round-up in Chicago Theater and Arts’ Sneak Peek Series.
North
Citadel Theatre
The theatre is in a school building at 300 S. Waukegan Rd. Lake Forest.
Citadel is doing “Peter and the Starcatcher,” Sept. 18-Oct. 20 followed by “Annie,” Nov. 20-Dec. 22. “The Fantasticks” start out 2020 Feb. 5-Mar. 8, followed by “Brighton Beach Memoirs” Apr. 22-May 24.
For tickets and other information call (847) 735-8554 and visit Citadel Theatre.
Marriott Theatre
The theatre does musical productions in the Marriott Resort at 10 Marriott Dr,. Lincohnshire.
“Darling Grenadine” continues through Aug. 18 followed by “ Something Rotten,” Aug. 28-Oct. 20 and “Oliver” Oct 30-Dec. 29, 2019. “Shrek the Musical” (children’s show) Oct. 5-Dec 30 and concludes with “Holiday Inn” Nov. 7-Jan. 6.
Marriott’s shows for young audiences feature “Junie B. Jones,” now through Aug. 11 and “Madagascar: A Musical Adventure” Oct. 4-Dec. 29.
For tickets and other information call (847) 634-0200 and visit Marriott Theatre.
Metropolis Performing Arts Center
The Center, at 111 W. Campbell St., Arlington Heights, is currently doing “Buddy: The Buddy Holly Story” through Aug. 31, then “Anything Goes” Sept. 19-Nov. 2., 2019. The new year begins with “Noises Off” Jan 20-Mar. 14, followed by “Dirty Rotten Scoundrels” May 14-June 27 and “Mama Mia! July 16 -Aug. 29.
Productions are usually in Cahn Auditorium on Northwestern University’s campus at 600 Emerson St. at Sheridan Road, Evanston but are occasionally at Nichols Hall.
“The Hunchback of Notre Dame” is Aug. 17-25, then “Lerner and Loewe’s Greatest Hits” Oct. 4-14 (Nichols Concert Hall) followed by “Joseph and the Amazing Technicolor Dreamcoat” Dec.21-31, 2019.
For tickets and other information call (847) 920-5360 and visit Music Theater Works.
Northlight Theatre
The theatre is in the North Shore Center for the Performing Arts, 9501 Skokie Blvd. Skokie
Northlight is doing the Midwest premiere of “Mother of the Maid” Sept. 12-Oct. 20 and the world premiere of “The Wickhams: Christmas at Pemberley” Nov.7-Dec. 15, 2019. The season continues in the new year with the world premiere of “How a Boy Falls” Jan. 23-Mar. 1 followed by “Intimate Apparel” Mar. 12-Apr. 19 and “Songs for Nobodies” May 7-June 14. 2020.
For tickets and other information call (847) 673-6300 and visit Northlight.
Piven Theatre
A theatre workshop/school at 927 Noyes St., Evanston, that also presents productions in co-operation with other groups. The Fleetwood-Jourdain Theatre presents“The Black Ballerina” in partnership with Piven, Dear Evanston and Dance Center Evanston, Aug. 10-25.
For Piven tickets and other information call (947) 866-8049 and visit Piven Theatre.
Skokie Theatre
The theatre is in a small, historic, movie theater building at 7924 Lincoln Ave., Skokie
Skokie Theatre is doing “The Fantasticks” Sept. 6-Oct. 6 followed by “Marjorie Prime: Nov. 8-24, 2019. The season continues in 2020 with “Veronica’s Room” Feb. 7-Mar. 1.
For tickets and other information call (847) 677-7761 and visit Skokie Theatre.
Writers Theatre
Designed by architect Jeanne Gang and her Studio Gang, WT has two stages in an award-winning building at 325 Tudor Court, Glencoe; The Alexandra C. and John D. Nichols Theatre and the The Gillian Theatre.
The 2019-20 season opens with “Into the Woods” Aug. 14-Sept. 22, followed by “A Doll’s House” Sept. 25-Dec. 15, 2019. :The Niceties” is Nov. 6-Dec. 15. It continues in 2020 with “Stick Fly” Feb. 5-Mar. 15. and “The Last Match” Mar. 18-June 7. And “Mementos Mori” ay 6-June 14. .
For tickets and other information call (847) 242-6000 and visit Writers Theatre.
West
Drury Lane Theatre
The theatre is at the Drury Lane Resort, 100 Drury Lane, Oakbrook Terrace.
Drury Lane Theatre continues “And then There Were None” through Aug. 26 then is doing “The Color Purple” Sept. 13-Nov. 3. 2019 goes into 2020 with Mary Poppins” Nov. 15 –Jan. 19. “An American in Paris” is on stage Jan. 31-Mar. 29.
For tickets and other information call (630) 530-0111 and visit Drury Lane Theatre.
First Folio Theatre
The theatre uses the rooms and grounds of the Mayslake Peabody Estate at 1717 W. 31st St. Oak Brook.
First Folio is doing “Henry V” through Aug. 18. Then, “Sherlock’s Last Case” Oct. 2-Nov. 3, 2019. Shows continue in 2020 with “Jeeves Saves the Day” Jan. 29-Mar.1 followed by “Louisa May Alcott’s Little women.” Mar. 25-Apr. 26.
Fir tickets and other information call(630) 986-8067 and visit First Folio.
Jedlicka Performing Arts Center
The Center at 3801 S. Central Ave., Cicero., is doing “In the Heights” with Vision Latino Theatre Company, fall of 2019. Dates TBA. For tickets and other information call (708) 656-1800 and visit Jpac Theatre.
Madison Street Theatre
The theatre, at 1010 Madison St. Oak Park, is a multi-venue building. For information call (312) 282-1750 and visit MSTOakPark.
Oak Park Festival Theater
The theater, 157 Forest Ave., has is doing “Much Ado About Nothing” through Aug. 31. Followed by “The Madness of Edgar Allan Poe: A Love Story” Oct. 24-Nov. 17, 2019.
For tickets and other information call (708) 445-4440 and visit Oak Park Festival.
Overshadowed Productions
The theater, 900 Foster Ave., Medinah, continues “Newsies” through Aug. 3 followed by “I Remember Pop” Sept. 15-Oct. 5, 2019.
The theatre is in a historic movie palace at 23 E. Galena Blvd., Aurora
Paramount is doing “Newsies” Sept. 4-Oct. 20, then “Beauty and the Beast” Nov. 13-Jan. 19, followed by “The Secret of My Success” Feb. 12-Mar. 29. “Kinky Boots” ends the season Apr. 29-June 14.
For tickets and other information call (630) 896-6666 and visit Paramount Aurora.
Sixteenth Street Theatre
The theatre, 6420 16th Street, Berwyn, is doing “His Shadow” Sept. 5-Oct. 12, 2019 and “Small Jokes About Monsters” Jan. 10-Feb. 16, then, “Good Enough” Mar. 14-Apr. 20, 2020. For tickets and other information call (708) 795-6704 and visit 16th Street Theater.
Theatre of Western Springs
The theatre is at 4383 Hampton Ave., Western Springs.
It is doing “Murder in the Studio” Sept. 5-15 followed by “Accomplice” Oct. 17-27. The new year starts with “The Nerd” Hab, 16-26. Then, “The Great Gatsby” is Feb. 27-Mar. 8 and “TheGame’s Afoot” May 28-June 7.
Theatre at the Center is at 1040 Ridge Rd., Munster, IN.
“Over the Tavern” throughAug. 11 followed by “The Pajama Game” Sept. 12-Oct. 13 and “White Christmas” Nov. 14-Dec. 22. For tickets and information call (219) 835-3255 and visit Theatre At the Center.
As anyone who attended Music Theater Works’ Frank Loesser’s “How to Succeed in Business Without Really Trying” recently learned, company co-founder and general manager Bridget McDonough and artistic director Rudy Hogenmiller announced they are making this 39th season their last one at the rudder.
They also introduced producing artistic director designate Kyle Dougan who will step into a new position that combines their two job descriptions so that audiences know Music Theater Works will continue when they step down.
The bouncy overture winds down, the curtain rises and we find a young man in coveralls descending from above in the Music Theater Work’s “How to Succeed in Business Without Really Trying.”
J. Pierrepont Finch, an ambitious young window washer, is discovered reading Shepherd Mead’s tongue-in-cheek instructional book of the same name, while dangling from scaffolding above Madison Avenue.
Narrated for this production by NPR news quiz host, Peter Sagal, the book progresses chapter-by-chapter, charting the recommended course for Ponty’s rise to power in the business world.
Now, bear in mind that this how-to manual, a 1952 best-seller by Shepherd Mead, subtitled “The Dastard’s Guide to Fame and Fortune,” was written as a parody of the popular self-help books of that era. Between this book’s unfailing advice and Finch’s pluck and pizzazz, this likable kid is undoubtedly destined to rise to the top…or is he?
It’s hard to believe that this show which set a new standard for musical comedy satire, is almost 60 years old now. The hummable score by Frank Loesser (“Guys & Dolls,” “Most Happy Fellow”) features a libretto by Abe Burrows, Jack Weinstock and Willie Gilbert, adapted from Mead’s humorous book of the same name.
The musical has a field day lampooning the seeming ease with which an entry level employee can rise to the top of the corporate ladder. A film preserving the performances of most of the original cast was released in 1967. This 1962 Pulitzer Prize and eight-time Tony Award winner has been successfully revived twice on Broadway, earning additional Tony Award nominations and wins.
Throughout the play, whenever it seems the darkest, the young, eager beaver aligns with precisely the right people to learn from and suck up to, as well as the easiest loopholes to infiltrate, in order to reach the top. And when all those elements are out of reach, Ponty employs his considerable boyish charm, ultimately helping him to achieve success.
Music Theater Works in Evanston has put together a visually stunning production of Stephen Sondheim’s fairy-tale musical mashup, “Into the Woods.”
The opening tableau is like the first page of a richly illustrated children’s picture book that literally sets the stage for the primary characters.
Stage right is Cinderella (Kelly Britt) tending to the fire; center stage is the Baker (Daniel Tatar) and his wife (Alexis Armstrong) in their kitchen; and stage left is Jack (Christopher Ratliff) of beanstalk fame with his mother (Anne Marie Lewis) and cow Milky White (Milky White).
Behind the vignettes are the slightly ominous birch tree “woods” accented against a deep blue twilight sky hung with the words “Once Upon a Time.” But of course, this is not your child’s version of the stories presented.
Certainly Joffrey Ballet’s “The Nutcracker,” Goodman Theatre’s “A Christmas Carol” and Macy’s State Street holiday windows are on many folks’ traditional “do” list. But there are also other good shows to see and fun places to go as December 2018 turns into January 2019.
Shows
“Into the Woods,” Stephen Sondheim’s “not happily ever after” take on traditional fairy tales, is at Music Theater Works at Cahn Auditorium on Sheridan Road in Evanston Dec. 22-31. Music Theater Works was formerly called Light Opera Works.
“A Midsummer Night’s Dream” is about magic, love, and in this production at Chicago Shakespeare Theater, is backed by a mash-up of rock, jazz, blues and doo-wop., Dec. 6, 2018 -Jan 27, 2019.
“La Ruta” world premiere at Steppenwolf Theatre Dec. 13-Jan. 27. At U.S.-owned factories in Ciudad Juárez, Mexico, La Ruta is just a bus. But to the women who live, work and often disappear along the route, it’s much more.
Opera
“Cendrillon” (Cinderella) at the Lyric Opera of Chicago, select dates from Dec. 1 through Jan. 20.
Concerts
Chicago Symphony Orchestra Brass plays numbers from Holst to Tchaikovsky, 8 p.,. Dec. 19, at Chicago Symphony Center, 220 S. Michigan Ave. and the CSO does Handel’s “Messiah” at 8 p.m. Dec. 20 at the Symphony Center.
Activities
Ice skate free in Millennium Park if you bring your skates, skate rental is $13 weekdays and $15 Friday-Sunday and holidays. Skating rink is street level on Michigan Avenue below Cloud Gate (The Bean) between Washington and Madison Streets. Hours and more information at Millennium Park.
Take a “Holiday Lights, City Lights’ bus tour with the Chicago Architecture Center, 111 E. Wacker Dr., Chicago and then check out CAC’s diorama on the main floor and skyscraper exhibit upstairs.
Not all memorable theater is in the city. Chicago’s suburban theaters put on Jeff award-winning productions. But whether looking to the city or suburbs or both, one way to not miss a show you want to see is to save this Sneak Peek Series and mark productions for tickets or theaters for subscriptions. Enjoy! (Note: Some companies spell their work and space theater but others use theatre. Both are correct.)
North
Citadel Theatre
The theatre is in a school building at 300 S. Waukegan Rd. Lake Forest.
Citadel is doing “The Little Foxes, Sept. 28-Oct. 28 followed by Joseph and the Amazing Technicolor Dreamcoat” Nov. 16-Dec. 23. An early 2019 show is TBA but then “Sentimental Journey” is Apr. 26-May 26.
For tickets and other information call (847) 735-8554 and visit Citadel Theatre.
Marriott Theatre
The theatre does professional musical productions in the Marriott Resort at 10 Marriott Dr,. Lincohnshire.
The season continues with “Murder for Two” through Aug. 26 followed by Sweet Charity” Sept. 5-Oct. 28, “Shrek the Musical” (children’s show) Oct. 5-Dec 30 and concludes with “Holiday Inn” Nov. 7-Jan. 6.
In addition to the shows, the theatre is hosting a fundraising concert in memory of director/choreographer Rachel Rockwell Sept. 17 called “We Three” featuring the stars of Marriott’s “Mama Mia,” Meghan Murphy, Cassie Slater and Danni Smith.
For show tickets call (847) 634-0200 and visit Marriott Theatre. To get tickets to “We Three” call the Marriott or order on line tickets at Ticket Master.
Metropolis Performing Arts Center
The Center, at 111 W. Campbell St., Arlington Heights, is currently doing “Beehine” through Aug. 25, then “Chorus Line” Sept. 20-Nov. 3 and “James and the Giant Peach Jr. Nov. 8-10. In 2019, productions continue with “Mouse Trap” Jan. 31-March 16 and “A Funny Thing Happened on the Way to the Forum” May 16-June 29 and “Buddy, The Buddy Holly Story” July 18-Aug. 24.
If you can leave the theater singing; not one, not two, but three songs from a show that’s been around for more than 80 years, that’s a grand night of theatre! That’s just what “Anything Goes” delivers, now playing at Music Theater Works.
Accompanied by a live orchestra under the fine direction of Roger Bingaman, the show will have you humming along to such Porter classics as “You’re the Top,” “I Get a Kick Out of You” and “It’s De-Lovely.”
Consider the times when Cole Porter wrote the music/lyrics in 1934. The depression was still running rapid. Those who could afford theater tickets wanted something funny to make them forget their problems.