Cast of ‘And Then There Were None’ at Drury Lane Theatre. (Brett Beiner photo)
3 Stars
Ten strangers of varying ages and occupations arrive at an island mansion off the coast of Devon, England. Their host, who has beckoned them on one pretense or another, is delayed.
In this late 1930s setting, the houseguests start dying–one by one, and by violent means. The island is otherwise uninhabited, and the only boat back to the mainland is thwarted by a storm.
They realize they are stranded with a murderer in their midst. Who is it, and who will be the next victim?
The production, now playing at Drury Lane Theatre in Oakbrook Terrace, is based on the book by renowned English writer Agatha Christie. One of the best-selling murder mysteries of all time, it was first published in 1939 under a name that today is considered highly racist and will not be repeated here.
A stellar ensemble cast is artfully directed by Jessica Fisch. Cher Álvarez plays former governess Vera Claythorne with great style and composure. Matt DeCaro lends leadership skills and authority to the retired Justice Wargrave, and Marilyn Dodds Frank injects just the right amount of haughtiness into Emily Brent, the judgmental spinster.
Paul-Jordan Jansen, who in real life looks mighty fine wearing a kilt, portrays dual-identity William Blore with boldness and a touch of comic relief.
The houseguests’ British accents can be difficult to translate into modern-day American vernacular. Or maybe it’s the acoustics that muddle voices on the sideline seats. But the players’ fears and suspicions of each other ring clearly.
The entire performance takes place in the mansion’s expansive living room as created by scenic designer Andrew Boyce. With its parquet floors, lavish mill work, velvet fringed sofas and panoramic ocean view, the set is worthy of a photo shoot for “Architectural Digest” magazine.
The period-perfect apparel, particularly as worn by the female actors, by costume designer Jessica Pabst, is equally lovely to behold.
Other members of the creative team include Driscoll Otto as lighting designer and Ray Nardelli as sound designer.
“And Then There Were None” weaves a clever, captivating tale that keeps its secrets until the very end.
DETAILS: “And Then There Were None” is at Drury Lane Theatre, 100 Drury Lane, Oakbrook (639) 530-0111 or visit DruryLaneTheatre.
The Martin Theatre is near the Ravinia Festival Gate at the Metra train stop, accessible by St. Johns Avenue and the Green Bay Road parking lot plus Ravinia bus shuttles. (Photo by J Jacobs)
Celebrate summer while it’s here. This weekend, art booths fill downtown Glencoe and Renee Fleming is doing Stoppard’s “Penelope” at Ravinia. Next week the Oriental Institute in Hyde Park has Hieroglyphics for kids and the Edgewater neighborhood celebrates summer with food,beverages and music
What: Festival of Art
When: July 27-28 from 10 a.m. to 5 p.m. both days.
Where: Center point is 700 Vernon Ave. near Park Avenue west of Green Bay Road in north suburban Glencoe.
What: Renee Fleming and actress Jennifer Ehle perform Tom Stoppard’s and Andre Previn’s “Penelope” (based on Homer’s Odyseey) at Ravinia Festival.
When: July 28, 4 p.m.
Where: Martin Theatre and carried on large screens on the lawn at Ravinia Festival Park in north suburban Highland Park between Green Bay and Sheridan Roads north of Lake Cook Road.
Admission: Lawn $10 (as of this printing the Martin is sold out)
What: Intro to Hieroglyphs Family Workshop with an Egyptologist (recommended for ages 8-12), then go into the Oriental Institute’s galleries to translate artifacts.
When: Aug. 1, 10:30a.m. to 12:30 p.m.
Where: Oriental Institute of the University of Chicago, 1155 E. 58th St., Chicago
Admission: Registration needed. General $14, members $10 (child and one adult)
Teatro Zinzanni dinner theater entertainment in the Cambria Hotel, Chicago. (Photos courtesy of Teatro Zinzanni)
4 stars
You arrive at the 14th floor of the Cambria Hotel to be greeted by a bevy of smiling faces, all of whom are there to happily launch your theatrical experience.
If you’ve ever been on a cruise ship, you’ll understand what awaits you. At the far end of the theatre lobby there’s a huge bar, where all manner of beverages await your order, including a complimentary glass of champagne.
Then, with a fanfare, the company of waitstaff announce that the 300+ seat Spiegeltent is now open and ready for your entertainment and dining pleasure. And with that, you’re off and running for three hours of nonstop munching, merriment and mayhem.
Seated at one of the linen-covered tables arranged in-the-round on various levels, the audience is waited upon by cheerful, exuberant waitpersons. The delicious, four-course dinner, developed and overseen by “The Goddess,” Debbie Sharpe, begins with an appetizer, that already waits at your table.
Your waiter takes your order of entree you prefer (braised beef short ribs, a pasta dish, vegetarian Thai curry, roasted chicken breast or herb roasted salmon); he also records a credit card, in the event you decide to order additional drinks. While you’re enjoying your first course, you start to take in your gorgeous surroundings.
The Den Theatre (Austin Peters) Photo courtesy of The Den
Sometimes theater companies perform in more than one space and some venues host more than one resident theater company. Looking at the venues west of I 94 you find both so some of these companies have been listed elsewhere. Also, be sure to check out what’s playing at the fine theaters south of the loop such as Court Theatre and The Chicago Children’s Theatre. Next stop will be suburban theaters, then season themes.
West
Chopin Theatre
A multi theater venue at 1543 W. Division St. the building has “Invitation to a Beheading” by Rough House Theatre and Sweven Theatre, Aug. 26 to Sept. 15, 2019. ’ “Destinos,” an international theatre festival, features Feos Sept. 19 to Oct. 27. Rough House Theatre will be again be doing the “Walls of Harrow House” September to November. The House Theatre will present The Nutcracker” Nov. 7 to Dec. 29, 2019.
For tickets and other information call (773) 278-1500 and visit Chopin Theatre.
The Den Theatre
The Den, a multi-theater venue at 4802 N. Milwaukee Ave, has its own house shows and hosts other companies. Here are a few of the plays at The Den in the 2019-20 season.
Havenis currently doing the Chicago premiere of “Kiss” through Aug. 18, 2019. presents “Incorruptible” Aug. 1-Aug 11.
First Floort is doing the Chicago premiere of “Sugar in Our Wounds,” Oct. 19 to Nov. 23, 2019, then the Chicago premiere of “Plano,” Feb. 15 to Mar. 27, 2020. Spring is the world premiere of “The Juniors,” April 18 to May 30, 2020.
New Colony will do “ Peg” Nov.13, to Dec. 14, 2019 . Then “Under the Tree” runs April 01 to May 03, followed by “Other Rockpools” July 15 to Aug.15, 2020.
For tickets and other information call (773) 697-3830 and visit The Den
The Gift Theatre,
The theatre, at 4802 N. Milwaukee Ave., is currently doing “Wolf Play” through Aug.. 18,. “Kentucky” is coming Oct. 17 to Nov. 16, 2019. For tickets and other information call (773) 283-7071 and visit The Gift Theatre.
Trap Door Theatre
The theatre, at 1655 W.Cortland St., is doing “Love and Information” Sept. 12 to Oct. 19, 2019. The December 2019 and March 2020 shows TBA. “The Water Hen” comes in May (dates TBA.) For tickets and other information call (773) 384-0494 and visit Trap Door.
South
Court Theatre
The theatre is at the west end of the University of Chicago’s Hyde Park campus at 5535 S. Ellis Ave.
The season starts with “King Hedlley II” Sept 12 to Oct. 13. and hen “Oedipus Rex” Novl 7 to Dec. 8 2019. It continues in 2020 with “The Mousetrap” Jan. 16 to Feb.16, “The Lady From the Sea” Mar. 12 to Apr.12 and “The Gospel at Colonus” May 7 to June 7.
For tickets and other information call (773) 753-4472 and visit Court Theatre.
Free Street Theater
Free Street Theater performs in Pulaski Park at 1419 W.Blackhawk but is doing “Still Here: Manifestos for Joy and Survival” at South Shore Cultural Center July 25, Humboldt Park July 27 and Cornell Square Aug. 1, 2019. It also does Storyfront at 4346 S. Ashland Ave.
Cast of Kiss, a Haven production at The Den. (Photo courtesy of Haven)
3 stars
There are so many unexpected twists and turns in this exciting drama, that seeing this one-act as the finale to Haven’s current season. is truly an emotional experience.
At first, the play is masked as a melodrama about four friends in Damascus who are united in their addiction to watching a particular soap opera but Chilean playwright Guillermo Calderon has written a political story.
The play opens in Hadeel’s somewhat bland-looking apartment. This lovely young woman who’ll be hosting the evening’s get-together, settles in to relax and watch some television before her guests arrive for their viewing party.
Suddenly, there’s a knock at the door. Arriving much earlier than the others, Youssif enters the living room with something important on his mind. Without giving away too much, suffice it to say that long before the televised soap opera’s fireworks start, the emotional pyrotechnics of real life begin.
Jay Pritzker Pavilion is a concert venue in Millennium Park designed by Fran Gehry. (J Jacobs photo)
Think “The Music Man.” Then add such shows as “Come From Away,” “Frozen” and “Hamilton.” But as the guy on TV says, “Wait, there’s more.” Add in opera star Maria Callas to make three spectacular evenings – one in July, another in August and the third one in early September.
“The Music Man”
Goodman Theatre and the Department of Cultural Affairs and Special Events (DCASE) has a double bill of a short performance by “The Music Man” cast members followed by a screening of the movie featuring Robert Preston and Shirley Jones.
When: July 23, 6:30 p.m. remarks, 6:34 p.m. performance and 6:45 p.m. film.
Where: The Jay Pritzker Pavilion and The Great Lawn at Millennium Park at Randolph Street and Michigan Avenue.
Broadway In Chicago Summer Concert (Coming shows peek)
Co-sponsored by DCASE and ABC 7, several shows from Broadway In Chicago’s 2019-2020 season will be live in concert including “The Phantom of the Opera, The Band’s visit, Summer: the Donna summer Musical, “Once on this Island, “My Fair Lady”, “Mean Girls,” Hamilton” Fronzen, “Dear Evan Hansen and “Come from Away.”
When: Aug. 12 at 6:15 p.m
Where: Jay Pritzker Pavilion in Millennium Park at 201 E. randolphg st.
Some of Callas’ greatest performances have been digitally re-mastered using state-of-the-art 3D hologram technology by Base Hologram Productions. They will be backed by the Lyric Opera Orchestra conducted by Elmear Noone.
When: Sept 7, 2019 at 7:30 p.m.
Where: Lyric Opera House, 20 N. Wacker Drive.
Co-presented by Lyric Opera of Chicago and Live Nation.
Cast of Now and Then at The Pride Arts Center. (John Olson photo)
3 stars
“Now and Then” on stage at The Pride Arts Center is an uneventful love story that celebrates the ultimate fulfillment of a long term relationship.
Daniel and Greg meet at a college open mic night and stay together for 42 years. Daniel is an aspiring singer/songwriter while the more pragmatic Greg has aspirations of being a stand-up comedian.
The two men seek achievement in their careers, struggle to pay the rent, and ultimately find happiness and contentment through their commitment to each other while learning along the way that the key to success in love is a giving heart.
The story is told largely though song by six actors who portray the couple in three stages of life.
The unique aspect of this production is that all six actors are often on stage interacting together, suggesting perhaps that we are at every moment in our lives our current selves, our past selves and our future selves.
The young Daniel (Will Fulginiti) and young Greg (Benjamin Walton) represent the couple’s budding youthful romance. Alex Smith and Carl Herzog portray Greg and Daniel respectively in the growing years of their relationship. Skip Sams as Greg and the play’s songwriter and lyricist Dennis Manning as Daniel play the elder couple.
Just as Greg and Daniel’s relationship is based on a chance encounter, so too is the relationship between Manning and “Now and Then’s” writer, producer/director Ronnie Larsen.
Larsen met Manning in 2018 when he learned that the mattress salesman was also a songwriter. After hearing Manning’s songs Larsen penned the play and had it on stage within months. Larsen is clearly a talented theatrical craftsman to have created this piece in such a short period of time.
The fact that the songs were already written is both its strength and its weakness. Larsen uses Manning’s well written songs effectively but in the aggregate they sound like a singer/songwriter’s songbook, very unified in style.
What the music lacks from a theatrical point-of-view is a sense that a particular song was written for a particular character to achieve a particular emotion at a particular point in time.
In spite of that criticism the very capable cast uses musical dynamics to vary the mood and add drama where it is needed. “Solitary Man” is the lynch-pin song that both opens and closes the play.
Manning does yeoman’s work as the primary guitarist, but hey, these are his songs, while Will Fulginiti brings much needed youthful energy to the production with his exuberant guitar playing style and portrayal of young Daniel.
Benjamin Walton as young Greg provides much of the show’s humor. Herzog and Smith add conflict and each have memorable musical moments. Skip Sams as the elder Greg brings a sense of calm that brings the play to its ultimate resolution.
Some might want to quickly conclude that this is a “gay play” but that would be putting it in a box that limits its message. Rather, it is a play about love and commitment featuring characters who happen to be gay, but it speaks to anyone who might appreciate and value the benefits of a life well lived that is based on mutual support and true love.
This is a perfect chance to see this play before it moves to London in September 2019.
DETAILS: “Now and Then” is at The Pride Arts Center, 4139 N. Broadway, Chicago through August 11, 2019. Running time: 2 hours with one intermission. For tickets and other information visit Now and Tnen the Musical.
The Spitfire Grill at American Blues Theater. (Photos by Michael Brosilow)
4 stars
American Blues Theater’s latest offering doesn’t just touch your heart; it enfolds your soul in warmth and caresses you with its humanity. Like the song that one character sings, this production “Shines.”
It’s impossible to experience this folksy musical without shedding a tear or feeling a lump in your throat. At its core, this little musical is a celebration of the simple things in life.
With music by James Valcq, lyrics by Fred Alley and a book co-adapted by both artists from the film of the same name, this is a warm, heartfelt story of redemption and hope. It’s a show we could all use right now because it’s so positive.
The composers eschewed a big, brassy score to instead create a gentle mixture of folk, country, pop and bluegrass spiced with just a touch of Celtic influence
Musical director Malcolm Ruhl brings the lovely score to life on accordion, with Ian Paul Custer on piano, Greg Hirte on violin, Scott Sedlacek on guitar/mandolin and Magdalena Sustere on cello. Although told primarily through its music, the simple tale rejoices in its quieter, more reflective moments.
Director Tammy Mader really understands this musical and demonstrates, once again, why she’s become one of Chicago’s preeminent directors. Staged with sincerity and artistry, Mader takes us on an emotional journey that audiences aren’t likely to forget. She creates some gorgeous stage pictures, allowing movement to flow organically.
Like the season during which the play begins, the attitudes of this small town are initially cold and guarded. But, like Spring, the weather and people in Gilead soon begin to warm up. Color, light and love gradually fill the stage.
In this intimate Stage 773 venue, actors are never very far from the audience. The line between theatergoer and actor seems to disappear as patrons become comfortable and feel like almost a part of the story.
The Spitfire Grill at American Blues Theater. (Photos by Michael Brosilow)
This is thanks, in part, to Sarah E. Ross’ rustic scenic design within a forest setting. Jared Gooding’s mood-altering lighting design conveys the earthiness along with the changing Wisconsin seasons. Costumer Lily Grace Walls has designed a realistic wardrobe for the characters, at first in earth tones of brown beige, and eventually bursting with color and patterns like the town itself.
The cast is exceptional. Each actor brings personality and honesty to his or her character. Their powerful voices are filled with pain, healing and, ultimately, blissful happiness.
The always splendid Jacquelyne Jones carries the show playing tough, ex-con Percy Talbott. As her own tragic story begins to blend with the suspicious, gossiping folks around her, Percy’s protective walls start to crumble and secrets are revealed.
The magnificently talented Catherine Smitko is doing some of her finest work in this production. She’s feisty, but real, grounded and humane as Hannah, the bitter, yet motherly owner of the Spitfire Grill.
And lovely Dara Cameron is shy, touchingly withdrawn and emotionally battered as Shelby. Her performance is at once heartbreaking and hopeful. Shelby provides the gentle friendship to Percy that helps the young woman to soften and trust again.
Together, these three talented actresses are transcendent and provide the heart and soul of this production.
All three actresses display excellent, expressive, professionally-trained voices. Jacquelyne Jones’ “A Ring Around the Moon,” which opens the play, is stunning. Dara Cameron’s exquisite “When Hope Goes” tells how the town and its residents have changed over the years. The two women share their hopes and dreams in the wonderful “The Colors of Paradise.” In “Forgotten Lullaby,” Catherine Smitko’s Hannah discovers the deep-rooted feelings and haunting memories that she’s buried for years.
Completing the cast are handsome Donterrio Johnson as Joe, the town sheriff and Percy’s parole officer. He beautifully sings of his own wishes for the future in “This Wide Woods.”
Karl Hamilton plays Caleb, Shelby’s abusive husband, a bitter man who lives in the shadow of an MIA war hero. His melancholy can also be attributed to losing his job after the local quarry closed (“Digging Stone”). Ian Paul Custer is gentle and touching as the mysterious Stranger, a role guaranteed to bring a tear to the eye. And Gabrielle Lott-Rogers is very funny as Effy, the town’s nosy, outspoken postmistress and effusive gossip-monger.
Mader’s production is simply wonderful. It’s pitch perfect in every way, from her magnificently talented cast, to her creative team who help bring the show to life. She presents a heartfelt story with characters and music as cozy and welcoming as comfort food, the perfect anecdote to all the negativity that surrounds us today.
This is really a must-see production, a tale told by a gifted theatre company that absolutely “Shines.”
DETAILS: “The Spitfire Grill” is at American Blues Theater at Stage 773, 1225 W. Belmont Ave., Chicago through August 17. Running time: 2 hours, 10 minutes. For tickets and other information call (773) 654-3103 or visit American Blues Theater.
Find excellent musicals at Black Ensemble Theater on Chicago’s north side. (Photo courtesy of black Ensemble Theater)
The good news for theater-goers is that Chicagoland has an amazing number of production companies so that a Jeff award worthy show is likely to be on stage at any time during the season. The annual Jeff awards are Chicago’s answer to New York’s Tony’s. The “bad” news is that because there are about 250 companies,including more than 20 in just the Edgewater neighborhood on Chicago’s northeast side, it’s hard to keep track of what will be where and when.
Chicago Theater and Arts puts out a yearly preseason sneak-peek series of already decided shows, divided by area. Categories such as themes and holiday fare will shortly follow.
After looking at “ Coming next theater season on the North Side,” which is Part 5 in the series, be sure to go back to see what theaters listed earlier are doing. It looks like a great 2019-20 Chicago theater season.
AstonRep has moved to The Edge Theare, 5451 N. Broadway. It opens with “Equua” Sept. 27 through Oct. 27, 2019. It’s spring show is the Chicago premiere of “When We Were Young and Unafraid,” April 9 through May 10, 2020. For tickets and information visit AstonRep.
Located at 4450 N Clark St., Black Ensemble is doing “You Can’t Fake the Funk,” July 26 through Sept 22. Rest of the season TBA. For tickers and other information call (773) 769-4451 and visit Black Ensemble Theater.
The venue, located at 1623 W. Howard. St., starts the 2019-20 season with “Oh Sh#t! It’s Haunted!” Sept 17 through Nov. 9 2019. It continues in 2020 with “Last Night in Karaoke Town,” Feb. 14 through Mar. 28. the summer show is “The HOA” June 12 through July 25.
Performances are at Rivendell Theatre, 5779 N. Ridge Avenue. The companywill be doing the world premiere of “Out of Love” Aug. 16-Sept. 14. The season also includes “Here Lies Henry” and “Sexbot.” For tickets and other information visit Interrobang Theatre Project.
The theatre, 6912 N. Glenwood Ave. is currently doing “Emma,” extended through July 28, 2019. Whose Body?, Sept. 6 through Oct. 27, 2019. In 2020 “Middle Passage” will be on stage from Feb. 14 through April 5, followed by the world premiere rock musical “LOKI, The End of the World Tour.”
The venue is at 4139 N. Broadway . Currently at the Center are “Afterglow” extended through Aug. 28. “All That He Was” Aug. 10 through Aug. 31. “Casa Valentina’ Aug 31 through Sept. 29. “A Man of No Importance’” (TBA October + dates).
For tickets and more information visit Pride Films and Plays.
Located at 6157 N. Clark St., Raven Theatre is doing the Chicago premiere of “Sundown Yellow Moon”, Oct. 3 through Nov. r 17, followed by “Hoodo Love,” Oct. 31 – Dec. 15, 2019. The season continues in 2020 with Henrik Ibsen’s “A Doll’s House “ Feb. 6 through Mar. 22 and ends with the world Premiere of “Eden Prarie 1971,” May 7 through June 21.
For tickets and other information call (773) 338-2177 and visit Raven Theatre
The theatre, located at 1044 W. Bryn Mawr Ave., is currently doing “King Lear” through Aug. 4. Then, “Keely and Du” are Oct, 9 through Nov. 10 followed by “Death Tax,” Dec 11, 2019 through Jan. 19, 2020. “Rabbit Summer” is Feb. 19 through Mar. 22 and “The Country Girl” is May 13 through June 21. “The Pride” ends the season May 28 through June 28.
For tickets and other information call (773) 728-7529 and visit Redtwist.
Located at 5779 N. Ridge Ave., the ensemble’s 2018-19 season concludes July 21 with “something Clean” performed at Voctory Gardens (see is Sneak Peek Part Three. For tickets and other information call (773) 334-7728 and visit Rivendell Theatre.
The theatre, 1115 W. Berwny Ave., is currently doing “Pomona” ” through Aug. 24, 2019.. For tickets and other information call (773) 649-3186 and visit Steep Theatre.
Pomona at Steep Theatre. (Photo courtesy of Steep Theatre)
3 stars
In the dark, dystopian world that young, British playwright Alistair McDowall creates, reality unexpectedly oozes into the science fiction thriller and then, just as suddenly leaches back out again.
This surrealistic play is a kind of mobius strip of a story. The non-linear plot pops back and forth between the present and the future. It kicks all logic deep into the murky shadows that envelope Joe Schermoly’s nightmarish scenic design, and reality turns into an M.C. Escher-like staircase to nowhere.
McDowall’s play begins in a car driven by a verbose man named Zeppo (the always excellent Peter Moore) who goes to great lengths to describe the plot of “Raiders of the Lost Ark” to Ollie, his confused traveling companion.
Throughout his enthusiastic narration, as Zeppo devours a bag of McDonalds’ chicken nuggets, we learn that Ollie, played with empathy by Amber Sallis, is meeting with Zeppo because she’s desperate to find her twin sister who disappeared. Ollie hasn’t contacted the police because her sister, who may or may not actually exist, might’ve been involved in some shady dealings. Continue reading “‘Pomona’ as a dark mobius strip of a story”
