What's happening on the arts scene – on stage, in museums and at fairs and festivals
‘Summer: The Donna Summer Musical’
3 stars
They sound like a good idea on paper, and there have been dozens bouncing around Broadway and on National Tours over the years, but the jukebox musical isn’t much more than a concert with some narrative.
There are two formats in this style of musical theatre. There’s the show that creates an original story and characters, but instead of using new music to further the plot, the songs of one or more artists are featured instead.
4 stars
“Stick Fly,’ Lydia R. Diamond’s intelligent dramedy now at Writers Theatre, has so many angles and thought-provoking lines that audiences are likely not to notice it runs somewhat more than two and a half hours (with an intermission).
Early on there is the realization that “wasps” don’t have a patent on upper-middle class expectations regarding their progeny’s careers or mates. The story presents the wealthy, highly educated African American LeVay family as they settle in for a relaxing weekend at their second home, a well-appointed “cottage” on Martha’s Vineyard.
Continue reading “A witty and acerbic view of family dynamics and expectations”
3 stars
There is a lot of leeway when staging the 1960 Harvey Schmiidt (music) Tom Jones (lyrics) “The Fantasticks.” The show, now at the intimate Citadel Theatre in Lake Forest, is among the best productions I’ve seen of a play that normally makes my “least favorite” list. I’ve seen it overly long and boring and overly clever and gimmicky.
However, under the direction of Pat Murphy (“A Christmas Carol,” Deathtrap”) Citadel’s show charmingly mixes old-timey, unsophisticated character portrayals with humorous, burlesque-style staging, set design and movement.
Continue reading “‘The Fantasticks’ becomes a delightful throwback at Citadel”
An American in Paris
4 stars
Five years ago this highly-anticipated stage version of the 1951 Gene Kelly/Leslie Caron musical film classic burst upon Broadway. After playing Paris, New York and the West End, and launching a two-year National Tour that played Chicago, we finally have our own regional production.
It is truly magnificent. It’s elegant, romantic, gorgeously produced and beautifully danced and sung. For anyone who adores those classic movie musicals and big, old-fashioned, splashy theatrical productions, this is the show for you.
4 stars
Brian Jagde’s powerful tenor and Ana Maria Martinez’s delicate and expressively lyrical soprano were worth the slosh through the snow for Lyric Opera’s opening of “Madama Butterfly,” Thursday.
No matter how audiences feel about Giacomo Puccini’s anti-hero, US Navy Lieutenant B. F. Pinkerton, and his callous disregard of a 15-year-old Geisha’s heart, or the disastrous results, it is the composer’s arias, duets and a subtle chorus that make “Madama Butterfly” an opera-house staple and featured in concerts.
However, what original director Michael Grandage’s bare-bones production (revived by director Louisa Muller with set and costume designed by Christoper Oram), does, is to deliberately allow the leads to shine without the distraction of elaborate set changes and people movement.
Continue reading “Glorious vocals shine against spare set in ‘Madama Butterfly’”
4 stars
Many people familiar with Airbnb these days can probably appreciate issues related to inviting visitors into your home or at least dealing with travelling public.
In this popular Agatha Christie mystery, five distinctly eccentric individuals have each booked their stay on the inaugural weekend opening of Monkswell Manor, a country guesthouse owned and operated by Mollie and Giles Ralston (Kate Fry, Allen Gilmore).
Continue reading “Nothing cheesy about ‘The Mousetrap’ at Court Theatre”
4 stars
“Riverdance” has played for a quarter of a century. Now appearing in Chicago at the Cadillac Palace Theatre, the company is celebrating its 25th anniversary.
Composed by Bill Whelan, produced by Moya Doherty and directed by John McColgan, Riverdance’s folk-driven exciting sounds and steps have been loved by people of all ages.
In 1995, the show’s premiere was in Dublin with Irish and international music and dance. Then it went to London followed by a hugely successful tour begn in New York in 1996.
During the next two decades, “Riverdance” toured North America, Asia, Europe, Oceania, South Africa, and South America. It has been a favorite Grammy Award-winning show all over the world!
The Riverdance Irish troupe was 24 dancers, with the six principals being Will Bryant, Maggie Darlington, Anna Mai Fitzpatrick, Patrick O’Mahony, Jason O’Neill, and Gianna Petracic.
The Riverdance tappers were Lamont Brown and Tyler Knowlin. And there were also additional dancers in the Russian folk dance troupe.
Not only was the audience thrilled with the dancing, but the singers, drums, saxophone, fiddles and whistles made the music fabulous. And the background showed many places, beginning with the river and continuing through many areas with spectacular lighting and beautiful costume designs.
DETAILS: “Riverdance” is at Broadway In Chicago’s Cadillac Palace Theatre at 151 W. Randolph St., Chicago through Feb. 9 2020/. Running time: 2 hours with one intermission. For tickets and other information, call Broadway In Chicago at (800) 775-2000, or go visit Broadway in Chicago.
Francine Pappadis Friedman
For more shows visit Theatre in Chicago
4 stars
A “Salute to the Duke” with concept by Donald McKayle, direction and choreography by Brenda Didier and Florence Walker Harris, “Sophisticated Ladies” celebrates Porchlight’s 25th Anniversary Mainstage season by taking the big jazz band era of the Duke to new heights.
Featuring music by jazz composer, pianist and band leader Duke Ellington who composed thousands of songs during his 50-year career, the Duke is recognized as one of the most important composers in American musical history.
The show, a Porchlight Theatre production, takes the audience through Duke’s legendary career with a treasure trove of hits, that include “Mood Indigo,” “Take the “A” Train,” “It Don’t Mean a Thing,” “In a Sentimental Mood” and “Satin Doll.”
Continue reading “‘Sophisticated Ladies’ sparkles like New Year’s Eve for the Duke”
4 stars
Prepare to be dazzled by Ronnie Marmo who plays the tragic Lenny Bruce in “I’m Not a Comedian… I’m Lenny Bruce,” now extended at the Royal George Theater.
Written by and starring Marmo, the playwright/actor plays Bruce and other characters as he takes audiences through the highs and lows of Bruce’s life, including his relationships with his mother, wife Honey Harlow and daughter Kitty.
Thanks to the success of The Marvelous Mrs. Maisel, interest has been reinvigorated in Lenny Bruce who plays Midge Maisel’s mentor and friend. Time will tell how the award-winning series treats Bruce’s drug overdose. Continue reading “Ronnie Marmo brings Lenny Bruce to life”
4 stars
Director Vanessa Stalling’s innovative staging of “Roe,” the story behind the landmark Roe v. Wade case, keeps Goodman Theatre audiences captivated its entire two hours.
There was also a 15 minute intermission but it hardly interrupted the flow because the play, written by Lisa Loomer, was about to change direction.
Continue reading “Outstanding ‘Roe’ production rivets audiences at Goodman Theatre”