L-R Alexander Gemignani and Heidi Kettenring in Big Fish at Marriott Theatre (Liz Lauren photo)
3 Stars
The movie and other plays aside, having just seen Broadway actor Alexander Gemignani (Carousel, Les Miserable, Sweeny Todd) as Edward Bloom at Marriott Theatre, it is now arguably hard to see anyone else playing the pivotal character role in “Big Fish.”
In the hands of Director Henry Godinez, (Goodman Theatre’s Resident Artistic Associate), backed by a talented cast, Bloom’s seemingly fantastical journey through life is delightful. His character is likely to have audiences relating to dad jokes and dad’s experience stories.
But in the end the theme really is about father-son relationships. The audience is challenged to empathize with his son, Will Bloom, played by Michael Kurowski who appears uncomfortable in the role.
A shoutout has to go to Heidi Kettenring, a favorite Marriott and Chicago theater community actress/singer, who as Edward’s wife, Sandra, has no trouble understanding and appreciating him.
“Big Fish” is based on Daniel Wallace’s 1998 novel and the 2003 (in theaters early 2004) Columbia Motion Picture by John August directed by Tim Burton. The play’s book is by John August with music and lyrics by Andrew Lippa.
Details: “Big Fish” is at Marriott Theatre, 10 Marriott Dr., Lincolnshire, IL now through March 19, 2023. Run time: 2 hours, 30 minutes with one intermission. For information and tickets visit Marriott Theatre.
Music Theater Works cast of White Christmas at the North Shore Center for the Performing Arts. (All photos by Brett Beiner.
Certainly, holiday shows such as Joffrey Ballet’s “The Nutcracker,” on stage to Dec. 27, and Goodman Theatre’s “A Christmas Carol,” up through Dec 31, were on our calendars two months ago to plan the outing. Both are traditional go-to shows for many Chicagoans.
But the season for holiday shows won’t be over until the last toast hails a new year. So here are a few shows that may not have caught your attention. One is a good-old standby that still merits a seat while one is a startling new take on an old stand-by and one is fun for youngsters. They can fit into the remaining count-down days of 2022.
“White Christmas” just opened at the North Shore Center for the Performing Arts in Skokie with Irving Berlin’s music and lyrics and a new book by David Ives and Paul Blake. it’s a post WWII feel-good, rom/com with joyous music and such lasting melodies as “Blue Skies,” “Count Your Blessings,” and “How Deep is the Ocean.” Presented by Music Theater Works which used to use Cahn Auditorium in Evanston, “White Christmas” continues through Jan. 1, 2023 at 9501 Skokie Blvd, Skokie. For tickets call (847) 673-6300 or visit musictheaterworks.
Lizi Breit and LaKecia Harris in “Manual Cinema’s Christmas Carol” at Writers Theatre (Liz Lauren photographer)
Manual Cinema’s Christmas Carol” at Writers Theatre is not a Goodman Theatre-style production although it mostly uses Dicken’s storyline. Aunt Trudy has been asked by her late husband Joe’s relatives to do the “Christmas Carol” puppet show that he did annually. She says she’s not really an aunt to the relatives watching on zoom since she never married “husband” Joe and her unhappiness comes across at the start of the show. A storm arrives, the power goes out and ghostly “puppets” intervene until Trudy realizes she has no choice but continue the Christmas Carol story with shadow puppets and ghosts. She, as was Scrooge, is a different person by the end of the play. Manual Cinema’s “Christmas Carol” is at Writers Theatre, 325 Tudor Court, Glencoe, through Dec. 24. For tickets and more information visit Writers Theatre. Masks are highly recommended. (Audience most be age 6 and older).
“Hershel and the Hanukkah Goblins” is playing at Strawdog Theatre in the Edgewater neighborhood. Based on the Caldecott Honor award-winning book by Eric Kimmel and adapted by ensemble member Michael Dailey with music and lyrics by Jacob Combs, the play follows a traveling troupe of actors who find no one in a town they visit are celebrating Hanukkah because goblins haunt the old synagogue. The production continues through 31, 2022 at The Edge Off-Broadway Theater. Tickets are free with reservations at www.strawdog.org. (COVID protocol: Audience members aged 2+ years must wear a mask covering their nose and mouth. Audience members aged 5+ years must provide, before entering the venue proof of full COVID-19 vaccination or proof of negative PCR test.)
Music Theatre Works cast of White Christmas at the North Shore Center for the Performing Arts. (All photos by Brett Beiner.
Highly Recommended
When it comes to holiday shows, “White Christmas” has it all. An amazing score with music and lyrics by composer Irving Berlin, breathtaking choreography, gorgeous costumes and a heart-warming story of loyalty and holiday spirit.
In the capable hands of Music Theater Works and directed by Sasha Gerritson with musical direction by Roger Bingaman and choreographed by Clayton Cross, “White Christmas” soars to even greater heights.
Based on the 1954 film starring Bing Crosby, Danny Kaye, and Rosemary Clooney, “White Christmas” continues to be a holiday favorite. Featuring a new book by David Ives and Paul Blake, the musical features such classic Berlin songs as “Blue Skies,” “I Love a Piano,” “Count Your Blessings Instead of Sheep, and “White Christmas.”
The plot centers on two World War II veterans, Bob Wallace and Phil Davis, who turn their army show into a successful song-and-dance act. They follow a “sister act” to a Christmas stage show and end up at the Vermont inn owned by their former army commander, General Waverly. Sadly, the inn has fallen on hard times, but Bob and Phil decide a big show will drum up business. Will misunderstandings stop the performance, and can they save the inn?
Kelly Britt as Judy Haynes; Jimmy Hogan as Phil Davis; Anna Marie Abbate as Betty Haynes and Tommy Thurston as Bob Wallace in “White Christmas.”
Tommy Thurston, who plays Bob Wallace, can hoof with the best of them. Tall and lanky, he interprets the music with his ultra-smooth movements. Jimmy Hogan offers beautiful vocals with sincere sentiment and matches Thurston’s dance chops. Kelly Britt as Judy Haynes has a gorgeous voice, while Anna Marie Abbate as sister Betty charms the audience with her solid performance. Lea Biwer as General Waverly’s granddaughter gets a chance to show off her voice later in the show and she is outstanding.
But it’s Alicia Berneche as Martha Watson who steals the show every time she’s on stage. Her comedic antics, and powerful, booming voice garner the well-deserved applause at every turn.
Kudos to costume designer Elizabeth Monti for her exquisite costumes that brilliantly capture the elegance of the era.
Irving Berlin’s music never sounded better in the Center Theatre and the whole production looks like a giant snow globe come to life…don’t miss it!
Details: “White Christmas is in the Center Theatre, North Shore Center for the Performing Arts, 9501 Skokie Blvd, Skokie, now through Jan. 1, 2023. Run time: Approximately 2 hours and 30 minutes with one intermission. For tickets and more information call (847) 673-6300 or visit musictheaterworks.com. Face masks are recommended for all guests.
Anthony Norman as Evan Hansen, (All photos by Evan Zimmerman).
Highly Recommended
In “Dear Evan Hansen,” a lonely, high school senior gets in way over his head when another student, Connor Murphy, takes his own life. Through a series of misunderstandings, a letter that Evan Hansen writes to himself becomes mistaken for Connor’s suicide note and Evan becomes a high school hero and a comfort to the boys’ grieving family.
Evan’s mother must deal with her son’s issues as well as her own as a single mom who has a full schedule of work and school. From Evan’s perspective, she is never there for him.
Instead, he finds solace in Connor’s family as a surrogate family he doesn’t have. And Connor’s sister, Zoe? That’s his crush.
Evan finally has a chance to fit in. But it’s all based on a lie. What happens when the truth comes out?
The musical, which first premiered in 2016, takes the audience on a journey of what it’s like to be a teen during the social media era. Continually flashing on stage are feeds from Twitter, Facebook, and Instagram, showcasing the immediacy of social media and its impact.
Anthony Norman, John Hemphill, Lili Thomas and Alaina Anderson in the touring musical “Dear Evan Hansen” at the Nederlander Theatre
Featuring a book by Tony Award-winner Steven Levenson (Fosse/Verdon), a score by Grammy®, Tony® and Academy Award®-winners Benj Pasek and Justin Paul (La La Land, The Greatest Showman), and direction by four-time Tony Award-nominee Michael Greif (Rent, Next to Normal), “Dear Evan Hansen” sheds light on the continuing issues of mental health.
The show went on to win six Tony Awards, including Best Musical and numerous other awards.
The haunting music celebrates such songs as, “You Will Be Found,” “Words Fail,” and “So Big, So Small.”
The revolving set is simple with the orchestra playing at the top of the set.
Starring as Evan Hansen is Chicagoan Anthony Norman who is stellar. His physical movements, pained expressions, and socially awkward conversations plant the audience firmly in his head. Yet, we can see how Evan matures from this entire experience, changing him for the better.
Anthony Norman (with Alaina Anderson) in Dear Evan Hansen.
Coleen Sexton as his mother, Heidi, is excellent with her own angst that she both defies and embraces. Her voice is powerful and memorable.
It was gratifying to see that Connor Murphy, played by the outstanding Nikhil Saboo, maintained a presence throughout the play, showcasing his legacy.
Kudos for the innovative projection design by Peter Nigrini showing the impact of social media on all our lives.
“Dear Evan Hansen” is a play that will stay with you long after the final applause.
Details: Dear Evan Hansen is at the James M. Nederlander Theatre, 24 W. Randolph, Chicago through December 31. For tickets and more information, visit www.BroadwayInChicago.com or DearEvanHansen.com. Recommended for ages 12 and up.
Leg lamp award dance sequence featuring Lorenzo Rush Jr at the Old Man (Photo courtesy of Mariott theatre)
3 Stars Recommended
In a city filled with theater companies producing traditional holiday fare, Marriott Theatre has chosen a show usually seen as a film replayed on TV but seldom performed live.
First, what it’s not. “A Christmas Story Is not a moralistic Dickens’ style redemption piece that appeals to the whole family or a Jane Austen type upstairs, downstairs manners piece with sophisticated appeal.
Marriott Theatre’s “A Christmas Story: the Musical,” is a comedy that captures some of the frustrations and coping mechanisms of the middle-class, Midwestern Parker family, and particularly, those of its nine-year-old boy named Ralphie. Middle school aged kids and their parents would appreciate Ralphie’s and the Old Man’s challenges.
Based on a 1983 movie by Jean Shepherd, Leigh Brown and Bob Clark and Shepherd’s collection of vignettes published in 1966 as “In God we trust: All others pay cash,” the musical version has a book by Joseph Robinette with music and lyrics by Benj Pasek and Justin Paul.
The songs, such as “The Genius on Cleveland Street” and “When You’re a Wimp,” are insightful instead of memorable and hummable.
Playing during the holiday season through Jan. 1, 2023, the show introduces another generation to Shepherd’s famed, sexy “Leg Lamp” that sits in the Parker family’s front window in Homan, IN.
Actually, filmed in Cleveland, OH in an old yellow house that has since been turned into a museum, the “Lamp” is still there and can be seen despite having supposedly been broken and buried during the play.
Won by “the Old Man,” the Parker family dad who means well, works hard, battles neighbors’ dogs and is not as smart as his wife, he is excited to receive the lamp as a “Major Award” for a contest he entered and won. To the Old Man, the lamp award redeems his self-worth.
The Parker family, in A Christmas story the Musical at Marriott Theatre (Photo courtesy of Marriott)
More importantly, Marriott has introduced another generation to nine-year-old Ralphie who desperately wants a Red Ryder BB Gun for Christmas. Made by the Daisy company, it is named for a heroic comic strip cowboy.
Ralphie fantasizes how he can stop the terrorizing by bullies Scut Farkus and Grover Dill of him, friends, Flick (of tongue stuck on icy pole fame) and Schwartz and classmates if he had a bb gun that looks like a Winchester rifle.
Set about the early 1940s, warnings by his mom, teacher and the Santa at Higbee’s Department Store that you’ll “shoot your eye out,” would have been a sufficient talking point.
However, given today’s anti-gun legislation and school shootings attributed to bullying, families seeing the show may either object to a bb gun that looks like a rifle or want to take the discussion several steps further.
Directed perfectly by Scott Weinstein as both entertaining and perceptive of family and school dynamics, “A Christmas Story: the Musical” has several funny incidents, excellent character portrayals, terrific dance sequences and wonderful vocals.
Kavon Newman who has appeared on TV and New York’s Radio City stage, is amazing as Ralphie
Local theater veteran Sara Reinecke is the can-do mother the Parker family needs and has a terrific voice. Her role is well matched with that of the Old Man, delightfully portrayed by another local veteran, Lorenzo Ruch, Jr.
Levi Merlo who has a string of TV credits, is adorable as Ralphie’s young brother, Randy. He will likely be remembered by audiences as the kid who couldn’t move his arms or get up because of his ballooning-style snowsuit.
The fun, over-the-top character of teacher Miss Shields was deftly handled by local veteran Jenna Coker-Jones.
Narrator Kevin McKillip as Jean Shepherd (Marriott photo)
A “Christmas Story” is narrated by Kevin McKillip who as Jean Shepherd, reminisces as he somewhat relates to each scene and experience as a much older, adult Ralphie.
After seeing a very strong Marriott production of “Sound of Music” with a terrific cast of child actors, I was not surprised by the high quality of the “Kids” ensemble that appeared in several sequences.
Which brings us to Tiffany Krause’s choreography. Marriott typically has superb dance numbers. But they are usually performed by the main characters backed by a dance ensemble. In “a Christmas Story,” it’s the talented Kids and Ralphie who primarily take center stage.
That is except for Rush, Jr’s exuberant dance celebration of “A Major Award” and talented song and dance actor Jackson Evans delights audiences in the second act as the Higbee’s department stores’ disgruntled Santa Clause in “Up on Santa’s Lap.”
A shout out has to go to costume designer Izumi Inaba for setting the period and mood.
Details: “A Christmas Story: the Musical,” is at Marriott Theatre at 10 Marriott Dr. Lincolnshire, off Milwaukee Avenue just south of Rt. 22, through Jan. 1, 2023. For tickets and more information visit www.marriotttheatre.comor call (847)- 634-0200.
Note: A Christmas Story Christmas begins streaming Nov. 17 on HBO Max with Peter Billingsley reprising his Ralphie, who is now an adult, a struggling writer and the head of the Parker household.
Christine Mayland Perkins (Guenevere)) and cast in Music Theater Works’ “Camelot” (Photo courtesy of Music Theater Works)
Recommended
The good part of “Camelot” now playing at the North Shore Center for the Performing Arts in Skokie, is the beautiful voice of Christine Mayland Perkins as Guenevere and such wonderful Lerner and Loewe songs as “Camelot,” “How to Handle a Woman,” “If Ever I Would Leave You” “What Do the Simple Folk Do? and “I loved You Once in Silence.”
The problem this writer has with the show is that even though it is put on by Music Theater Works it has nothing like the scope and theatrical impact that the company’s productions had at Kahn Auditorium in Evanston which included a memorable “Mame” and “Pirates.”
The current slim-down, post pandemic offering is held in the Performing Arts’ smallish North Theatre which works well for Northlight’s plays, but is likely to disappoint Music Theater Works longtime subscribers.
Ann Davis’ set worked well for the stage and small cast of nine but the production felt more like good community theater than the excellent full-scale musicals and operettas that gave Music Theater Works its reputation.
However, current audiences might look beyond scale and appreciated director Brianna Borger’s focus on ideals clashing with desires.
DETAILS: “Camelot” presented by Music Theater Works, runs now through Nov. 13, 2022 at the North Shore Center for the Performing Arts, 9501 Skokie Blvd., Skokie, IL. Running time: 2 hours with one intermission. For tickets visit Musicaltgheaterworks/camelot or call (847) 673-6300.
American Craft Expo features high quality items ranging from wood and ceramics to leather and glass. (J Jacobs 2014 photo)
t is easy to miss events when September ends on a Friday and October starts on a weekend. Plus, a COVID break of events for two years changed when some events are re-appearing.
American Craft Expo
Sept. 30 through Oct. 2
Usually held earlier in the year, ACE, as the art exposition is known, will be at the Chicago Botanic Garden again but runs this weekend on the cusp of September/October. A top-notch show of works from100 juried-in artisans, ACE is sponsored by the Auxiliary of NorthShore University HealthSystem and is a fundraiser for NorthShore research and care.
Hours: Friday and Saturday 10 a.m.-6 p.m. and Sunday 10 a.m. to 5 p.m. The Chicago Botanic Garden is at 1000 Lake Cook Rd., Glencoe. For more information visit Chicago Botanic Garden and American Craft Expo. Chicago Botanic Garden, CBG/ACE and American Craft Expo.
The all-night Ragamala concert of Indian classical music in Preston Bradley Hall of the Chicago Cultural Center, September 2018.
World Music Festival Chicago
Sept 30 through Oct. 9
The festival has free band concerts at the Chicago Cultural Center and locations across the city from restaurants and bars to the University of Chicago. Its artists and ensembles represent 22 countries and areas. A special feature is Ragamala, the largest all-night long presentation of live Indian classical music in the United States. For more information visit World Music Festival Chicago. For the bands and locations visit Schedule.
Lyric curtain before lecture on Fiddler. (J Jacobs photo)
Fiddler on the Roof
Oct. 2 through Oct. 7
Opera director Berrie Kosky premiered his “Fiddler on the Roof” at Komische Oper Berlin in 2017. Now it has been adapted by the Lyric Opera of Chicago for its US premiere, but it leaves soon.
Both Grand, with the Lyric Opera Orchestra and Chorus and powerful with fine acting and exceptional dances, “Fiddler” visits the village of Anatevka in 1905 in what became Ukraine (and in 2022 is a war zone.) Lectures on operas and shows are one hour before curtain time.
The Lyric Opera of Chicago is at 20 N. Wacker Dr. For tickets and more information visi. Lyric Opera and call (312) 332-2244.
L Tevye (Steven Skybell and young violinist (Drake Wunderlich) in “Fiddler on the Roof.” (Photo by Todd Rosenberg Photography)
3 stars (Recommended)
That the US premiere of Komische Oper Berlin’s “Fiddler on the Roof” that opened in 2017, is on stage at Lyric Opera of Chicago now through early October.
It does more than merely fit this productions’ large-scale scenery and cast. Judging by comments heard during intermission, audience members who had not attended an opera here were dazzled by the size and make-up of the hall and building. Maybe, they will return for an opera.
Lyric’s production, directed by Barrie Kosky, definitely takes advantage of an operatic stage with its large chorus of villagers, remarkable dancers, its many main cast members and enough other actors to fill the shtetl of Anatevka in the Pale of Settlement in Imperial Russia.
Of course, when talking as writer Sholem Aleichem (the pen name of Solomon Naumovich Rabinovich) did in stories about the challenges dairyman Tevye had with his many daughters and life in a Russian village (Tevye and his Daughters) what became ‘Fiddler on the Roof” could seem operatic in nature.
The voices of the main characters and chorus and the dances choreographed by Silvarno Marraffa, particularly the spectacular “Bottle Dance,” are worth the visit to the Lyric for the show.
“Fiddler on the Roof” at the Lyric Opera House. (Photo by Todd Rosenberg)
What bothered me was that by going grand, the production, at least for me, lost the small-scale, intimate, Dickens-like peeking in the window that gave “Fiddler” the folk-tale, dream sense Jewish Russian artist Marc Chagall pictured in his works about Jewish life and his painting of the “Green Violinist” used on the program’s cover.
But what brings “Fiddler” to life now is how it ends with the Jewish villagers forced to leave back in 1905. Consider how many of the residents of the region which later became part of Ukraine, are sadly part of a war-driven exodus in 2022.
What was meaningful to me and beautifully brought out in the musical’s book by Joseph Stein, music by Jetty Bock and lyrics by Sheldon Harnick was the underlying theme of tradition vs change. You hear it and think about it the song “Tradition” and “Sunrise Sunset” and in Tevye’s musings with G…d.
Note: I should explain that “Fiddler” is personal. My father’s family of several sons and daughters left that region for the United States. His father whom we called Zaidi, was a tailor and they were Orthodox Jews. My father talked about how horrible the Russian Cossacks were to the villagers.
Adam Kaplan and Austen Bohmer. (Photo by Todd Rosenberg.)
The “Fiddler” family in the Lyric production are Steven Skybell who is a perfect Tevye, Debbie Gravitte who is excellent as his wife, Golde, and oldest daughters Maya Jacobson as Chava, Lauren Marcus as Tzeitel, Austen Bohmer as Hodel and younger daughters, Omi Lichtenstein as Bielke and Liliana Renteria as Shprintzel. It’s the older daughters who are changing the family’s traditions.
As to their chosen mates which definitely went against tradtion, they are Drew Redington as Mote), Adam Kaplan as Perchik and Michael Nigro as Fyedka.
Mention should also be made of Yente, the Matchmaker, nicely portrayed by Joy Hermalyn and the Fiddler, Drake Wunderflich, a fifth-grader who is a member of the Chicago Youth Symphony Orchestra. He starts out with a scooter he trades in the opening scene for a fiddle and is on the roof in most scenes, then appears again at the end.
“Fiddler on the Roof” is at the Lyric Opera House, 20 N. Wacker, now through Oct. 7, 2022. Running time: 3 hours, 15 min. with one intermission. For tickets and more information visit lyricopera.org or call (312) 827-5600.
Trio of Skid Row girls above watch the action with Little Shop of Horrors ledes (Photo courtesy Citadel Theatre and North Shore Camera Club)
Recommended
October, when you are asked to believe in the supernatural, is the perfect month to see Little Shop of Horrors at Citadel Theatre.
Director Matthew Silar, production manager Ellen Phelps and scenic designer Eric Luchen have magically figured out how to innovatively cram scenery that includes a skid row tenement stairway, a flower shop, dentist’s office and a growing-by-the-minute voracious plant with evil intentions into Citadel’s miniscule space.
Balancing the evil of the plant are the fun combo of rock and roll /doo-wop dances and songs by a trio of young skid row residents: Chiffon (Ania Martin) Crystal (Isis Elizabeth) and Ronnette (Sabrina Edwards).
The trio also move the scenery, changing an outside wall into the shop and other places as needed.
Ledes are Sam Shankman who wears well the persona of the nebbish shop employee/plant cultivator Seymour and his love interest, fellow shop employee Audrey, nicely portrayed by Dani Pike.
Unseen stars are puppet designer Matt McGee, puppeteer of the plant, Michael Dias, and Audrey II’s voice, Aaron Reese Boseman. Seymour named his plant Audrey II in honor of the girl he works with and really likes.
Secondary characters and the people the audience figure out early on will become Audrey II’s plant food, are shop owner Mr. Mushnik (Alan Ball) and Orin Serivello, D.D.C (Philip C. Matthews).
A horror musical-comedy with music by Alan Menken and lyrics and book by Howard Ashman, the story is based originally on a 1960 film noir titled “The Little Shop of Horrors.” It was later remade into a 1986 film directed by FrankOz.
I did see a young child in the audience but wouldn’t suggest the show for children below preteens or maybe middle schoolers who really like haunted houses.
Since nothing tried seemed to destroy Audrey II, the show is less allegorical than a statement or warning about greed and power. The characters who are originally OK with the plant’s choices in Act I have second thoughts about the plant in Act II.
DETAILS: “The Little Shop of Horrors” is at Citadel Theatre, 300 Waukegan Rd, Lake Forest, IL. now through Oct. 16, 2022. Running time: 2 hours with one intermission. For tickets and more information visit Citadel Theatre or call (847) 735-8554.
Heidi Kettenring as Dolly at Marriott Theatre. (Photos courtesy of Liz Loren)
4 Stars
Of course, you will be leaving the Marriott Theatre production of Hello Dolly singing its famed theme song but what you are likely to be talking about is the shows fabulous choreography and fine acting.
What audience members who already had tickets for Sept. 15 might not know is that after previews, that date was the show’s new opening night. It came two weeks after the original opening Aug. 31 was canceled due to Covid among some cast members.
Possibly they might have noticed that the production didn’t include a staircase that Dolly Levi typically comes down for a grand entrance into her favorite café, Harmonia Gardens. A note with the program said there was a hydraulic problem.
The delay and staircase absence just didn’t matter. The production and performances received a well-deserved standing ovation.
Superbly directed and choreographed by Denis Jones, this old crowd-pleaser, a musical based on Thornton Wilder’s The Matchmaker. is filled with wonderfully comic and heartfelt moments.
Left Alex Goodrich as Cornelius Hackl and right Spencer Davis Milford as Barnaby Tucker. in Hello Dolly at Marriott Theatre
There is the delightful Act One scene in widow Irene Molloy’s (Rebecca Hurd) hat shop where Cornelius Hackl (Alex Goodrich) and Barnaby Tucker (Spencer Davis Milford), two young Yonkers lads in New York for a night on the town, try to hide from their employer, widower Horace Vandergelder (David C. Girolmo). He left Yonkers to meet a prospective wife with help from matchmaker Dolly Levi (Heidi Kettenring).
And, there is the hysterical moment played to the hilt by Kettenring near the end of Act II when she prolongs a hearing of before a judge that involves the show’s main characters. As everyone waits and waits, Dolly thoroughly enjoys a dinner she had started back at Harmonia Gardens and brought to the courtroom.
As to heartfelt, there is Hurd beautifully singing “Ribbons Down My Back” as she puts on one of her hat creations for her sudden date with Hackl.
There is also Kettenring bringing audience members close to tears with her rendition of “Before the Parade Passes By.”
And speaking of parades, there is a wonderful scene of New York’s 14th Street Association Parade that includes people marching with placards and banners for women’s rights. Although set in the late 1800s, the show proves it is still relevant.
Originally directed and choreographed by Gower Champion you can expect several strong dance scenes. Marriott’s Hello Dolly delivers with Jones’ brilliant interpretations of the sentiments expressed in this Tony Award-Winning Musical with its book by Michael Stewart and music by Jerry Herman.
Shoutouts also have to go to the Marriott Orchestra conducted by Brad Haak, to Music Director Ryan Nelson, Costume Designer Theresa Ham and to Co-Scenic Designers Jeffrey D. Kmiec and Milo Bue. They nailed the musical’s rhythms and time period.
Even though Hello Dolly opened on Broadway in 1964, matchmaking hopes are still alive today with online dating and the desire to participate in life “before the parade passes by,” is still a strong motivator.
DETAILS: Hello Dolly is at Marriott Theatre, 10 Marriott Dr., Lincolnshire, now through Oct. 16, 2022. Running time: about 2 ½ hours with one intermission. For tickets and more information visit Marriott Theatre.
