Chris Smith, Megan DeLay, Chris Woolsey (Photos by Tim McGrath, TCMcG Photography)
3.5 Stars
“Arcadia” begins with thirteen year-old Thomasina Coverly (Meghann Tabor)asking her tutor Septimus Hodge (Chris Woolsey) the meaning of the term “carnal embrace.” Hodge replies essentially that the word carnal is derived from the Latin “carne” meaning meat and it is therefore referring to an embrace with a “side of beef” or “leg of mutton.”
From this opening dialog playwright Tom Stoppard is creating an atmosphere of inquiry and humor. He is sending a message that though this may be challenging at times, we are going to have fun with it.
The action takes place around a table in an historic and aristocratic English manor house in which there are two intersecting story lines set roughly two hundred years apart.
The cast of “The Steadfast Tin Soldier” at Lookingglass Theatre. (Photos by Liz Lauren)
4 stars
At Lookingglass Theatre audiences see a charming screen a few minutes before Hans Christian Andersen’s “The Steadfast Tin Soldier” story is pantomimed on stage.
The actors, dressed as figures that might be found in a young European child’s nursery or at a “Panto,” take turns on stage opening windows that reveal children’s toys – except one that shows a fire.
And thus, perceptive audiences might pick up the clue that as with many of the famed Danish author’s fairy tales such as “The Little Mermaid,” life will not be very smooth for the lead character but the ending can offset what appears to be devastating consequences. Continue reading “Lookingglass takes ‘Steadfast Tin Soldier’ to another level”
Heidi Kettenring (Mrs. Norris) tells Kayla Cargter (Fanny Price) she can never say no at Mansfield Park while Kate Hamill (a maid) helps change Price’s clothing. (Michael Brosilow photos)
3 stars
Readers familiar with Jane Austen’s novels know this author sees through surface-only charm, social pretense and people who talk about manners but are not at all well-mannered.
These readers also know to expect thinly cloaked feminism about a century before the women’s rights movements were causing waves and making some progress in England and the United States.
But given Austen’s first two books, “Sense and Sensibility” in 1811 and “Pride and Prejudice” in 1813, audiences who see “Mansfield Park,” now at Northlight Theatre, will find in Austen’s third novel, out in 1814, that practicality no longer wins arguments. They will also note that one of “Mansfield Park’s theme stresses that financial benefit doesn’t excuse slavery.
“Mansfield Park’s heroine Fanny Price is portrayed to perfection by Kayla Carter. She convincingly takes her character from a young girl trying to adapt to her relative’s moneyed and mannered life when sent there as a servant and companion, to her metamorphosis as an independent young lady who does not succumb to pressure and who is willing to lead an impoverished life.
Joseph (Jacob Barton) shows off his “coat of many colors” to his jealous brothers. (Photo by North Shore Camera Club)
3.5 stars
First performed on Broadway in 1982, this interpretation of the Old Testament’s story of Joseph and his brothers through contemporary eyes is a fun, high-energy show featuring a delightful chorus of local children.
Based on Joseph’s “coat of many colors” from the Book of Genesis, the story shows what can happen when a parent plays favorites.
From the get-go, the show begins with two narrators instead of the traditional one and takes off like a rocket from the very first musical number, “Any Dream Will Do.”
Tamara Wilson (Lenora) in Il Trovatori at Lyric Opera of Chicago (Todd Rosenberg photo)
3.5 stars
Thanks goodness, the Lyric Opera of Chicago’s “Il Trovatore” has much more going for it than the famed “Anvil Chorus” (“Vedi le fosche notturne”) in which some of the workers overdo their loud clangs, forgetting that the gypsies are singing to Verd’s music and the anvils ought to be an interesting accompaniment.
This production is an opportunity to hear Soprano Tamara Wilson, making her Lyric debut as Leonora . Wilson lets the audience know right away that she was well chosen as the doomed heroine with her “Tacea la note placida, a beautiful cavatina with its high c, and the passionate “Di tale amor che dirsi” aria made even more impressive by its trills.
Anthony Festa (Chris) and Emily Bautista (Kim) in Miss Saigon at the Cadillac Palace Theatre. (Matthew Murphy photos)
4 stars
After its 25th anniversary revival on Broadway in 2017, “Miss Saigon” is reappearing this year on a national tour. Directed by Laurence Connor, the music is by Claude-Michel Schönberg and Alain Boublil, with lyrics by Boublil and Richard Maltby, Jr.
Loosely based on Puccini’s opera, “Madame Butterfly,” “Miss Saigon” follows the final days of the Vietnam War.
The first lead character that opens the show is The Engineer played by Red Concepcion. The Engineer runs Dreamland, a steamy bar and brothel in Saigon that’s packed with beautiful Vietnamese women whom he has lined up for American soldiers.
Front, l to r, Andrea San Miguel, Jennifer Latimore, and Matthew C. Yee, and back, William Brown in Twelfth Night at Writers Theatre (Photos by Michael Brosilow)
4 stars
William Shakespeare’s “Twelfth Night” (subtitled “Or What You Will”) must be Writers Theatre’s holiday gift to show lovers who enjoy witty entertainment.
Its outstanding cast and superb direction bring out all the deliberate jests, entertaining horseplay, subplots and musical interludes that mark the Bard’s wicked sense of humor.
Meant as entertainment that befits the bawdy disorder that had traditionally been part of the Eve of the Feast of Epiphany, the play hinges on Shakespeare’s fondness for females dressed as males and the ensuing falling-in love confusion.
There are also the playwright’s deceptively honest answers such as when Olivia, a woman in mourning whom Duke Orsino hopes to wed, asks his emissary, Cesario (really Viola, dressed as a young man), if she is a comedian (another term for actor). She answers “I am not that I play.”
Because the Museum of Contemporary Art Chicago often has a special exhibition, such as the really wonderful look at artist Enrico David in “Gradations of Slow Release (up through March 10, 2019), tt’s arguably easy to forget that the MCA has its own massive collection of works that would likely have permanent wall space in a larger building.
Therefore it’s no surprise that a new show, “West by Midwest,” primarily made up of works in the museum’s collection, is a way to give some of the fine sculptures, paintings, prints and photographs not recently on public view pride of place up on the fourth floor’s special exhibition space.
The new exhibit has an interesting theme. The works are by Midwest artists who either moved to the West Coast to study and then stayed or temporarily went there to exhibit.
“I thought it was time to do an exhibit based on our own holdings,” MCA Chief Curator Michael Darlin said at the show’s opening Nov. 16.
While going through the collection, some artists who had migrated to California, though at different times, particularly caught his attention. “I said, ‘Hey wait a second. These are all from the Midwest,’ ” Darling explained.
Organized by Charlotte Ickes, a postdoctoral Curatorial Fellow, with Darling, the artists range from Larry Bell and Judy Chicago to Gladys Nilsson and Charles White, along with about 60 more artists from the 1960s through the second decade of the 21st century.
The exhibition is divided into five sections according to artists that overlap each other in either approach or within their circles of friends. Some of the artists went to the same California art schools or collaborated.
Thus the exhibit not only showcases some of their work, it also shows artists as beings who interact politically, socially and artistically.
Details: “West by Midwest” is at the Museum of Contemporary Art Chicago, 220 E. Chicago Ave. through Jan. 27, 2019. For admission hours and other information call (312-280-2660 and visit MCA Chicago.
Holiday Inn cast at Marriott Theatre with Johanna McKenzie Miller and Will Burton in the center. (Liz Lauren photos)
3.5 stars
Irving Berlin’s “White Christmas,” now playing at Marriott Theatre, is among the composer’s delightful story-telling songs in “Holiday Inn.” But don’t confuse Berlin’s “Holiday Inn,” a musical that has a book by Gordon Greenberg and Chad Hodge, with the show, “White Christmas.”
Based on the 1942 Universal film with Bing Crosby and Fred Astaire, “Holiday Inn” packs “Blue Skies,” “Steppin’ Out With My Baby,” “Heat Wave,” “Shaking the Blues Away,” “It’s a Lovely Day Today”, “Be Careful, It’s My Heart” and “Let’s Take an Old-Fashioned Walk” into a delightful, old-fashioned-style hokey, song and dance musical that ends with happily ever after. Continue reading “‘Holiday Inn’ dances joyous path through the holidays”
Once the food and fuss of Thanksgiving has been set aside in the fridge and dishwasher there should be more to holiday fun than trying brave the crowds in stores on Friday and shop on line on Monday. There is a wonderful ballet and opera that opens, an art show full of gift ideas and a zoo that becomes magical on the weekends.
Shop the art at the One of a Kind Show. (OOAK photo)
One of a Kind Show
Find gifts at the One of a Kind Show at the Mart. Artists bring their sculptures, paintings, jewelry, ceramics, furniture and fashions. And vendors bring gourmet foods. The show is fun and it’s hard to leave without finding something for others or oneself.
The show runs Dec.6 through 9 at Merchandise Mart, on the north side of the Chicago River bordered by Kinzie, Wells and Orleans Streets. For tickets, hours and other information visit One of a Kind Show.
Enjoy Brookfield Zoo at Night during Holiday Magic (CZS photo)
Brookfield Zoo Holiday Magic
Visit Brookfield Zoo when more than a million colorful lights edgbe buildings, form larger-than-life animal shapes and line the paths – thanks to Comed and Meijer. Holiday Magic is on Saturdays and Sundays of December weekends and also Wednesday through Monday of Dec. 26-31.
Tip: look for the Talking Tree and the special entertainment scheduled each weekend. Park and enter at the North Gate, 8400 31st St. (1st Avenue at 31st Street), Brookfield. For admission, hours and a complete schedule of Holiday Magic activities and entertainment call (708) 688-8000 and visit CZS Holiday Magic.
Alberto Velazauez in The Nutcracker. (Photo by Cheryl Mann)
Two December First show openings
Joffrey Ballet’s “The Nutcracker” and the Lyric Opera of Chicago’s “Cinderella” open Dec. 1, 2018. “The Nutcracker” runs through Dec. 30,2018 at the Auditorium Theatre of Roosevelt University on Congress Blvd. at Michigan Avenue. This is the re-imagined staging by choreographer/director Christopher Wheeldon that takes place at the 1893 World’s Fair. The music is Peter Ilyich Tchaikovsky’s famed ballet. For tickets and more information visit Joffrey Nutcracker.
“Cinderella,” Jules Massenet” magical “Cendrillon” comes to life with funny, wicked, charming characters and delightful arias at the Lyric Opera House at six performances from Dec. 1, 2018 to Jan. 20, 2019. For tickets and information visit Lyric Opera Cendrillon.
