It was impressive that the young dancers onstage for A&A Ballet’s May 4th performance of“Sleeping Beauty” were not thrown off by a cell phone ringing throughout the first half.
A stage manager solved that problem after intermission by asking audience members to turn off their phones completely, not just set them to silent. That was because the cell phones were interfering with the wireless systems in the Studebaker Theater, he said.
Whether that was true or not, it resolved the issue of the rude audience member so the rest of us were able to fully focus on the beauty onstage.
The matinee performance of the A&A Ballet featured a multi-cultural and multi-generational cast of impressive ballerinas, including some tiny tots who couldn’t have been cuter in their sheep costumes.
Mikaela Bennett and Corey Cott in West Side Story at Lyric Opera. (Photo by Todd Rosenberg)
3 1/2 stars
If you go to see “West Side Story,” now at the Lyric Opera through June 2, 2019, you are likely to think about how culture clashes have changed or not since Leonard Bernstein wrote the show’s dramatically descriptive music, Stephen Sondheim did the very memorable lyrics, Arthur Laurents penned the book based on William Shakespeare’s “Romeo and Juliet” and Jerome Robbins directed and choreographed it.
When West Side Story opened as a Broadway musical in 1957 it received six Tony nominations including Best Musical but a feel good show, “Music Man,” won the Tony Award for Best Musical. “West Side Story” was not meant to make audiences happy. Even the show’s single funny scene/song “Gee, Officer Krupke” sung by the Jets pinpoints societal problems.
Anyone who reads Shakespeare’s tragedies, knows the Bard is very good at portraying motivations and clashes.
If you know your Shakespeare, you will find some similarities between the “Romeo and Juliet “ of the 1590’s and Broadway musical of the 1950s.
Graffitti art in NYC from the 70s and 80s celebrated in musical Graffiti Kings. (Photo courtesy of Jonathan Gross)
If you take a train, “L” or bus in Chicago you are likely to see murals, words and names painted on the sides of overhead passes and buildings. Some tell a story or express moods and feelings but you might miss that if your vehicle isn’t stopped long enough. Sure there are also gang territory and identification words.
Would you lump all of it together as graffiti? Or would you think of any of the work as art, as cultural expressions?
Jonathan Gross not only sees much of the paintings as cultural art expressions, he is writing two booksabout that; “Four Studies in Graffiti” and “Cure for the Common Core: Arts Education in the Public schools.”
But what theater goers, musical lovers and arts aficionados should know is that Gross is putting the finishing touches on an earlier show he wrote, “Graffiti Kings: A Musical.”
Originally written on New York’s graffiti of the 1980s based on “Graffiti Kings” by Jack Stewart, “Subway Art” by Henry Chalfant and Martha Cooper and “Training Days” by Chalfan, the revised musical will be slightly expanded.
Still titled, “Graffiti Kings: A Musical,” the version coming to a Chicago venue in late May includes research into artist Martin Wong’s social realism of ethnic and racial identities works and collection and will fictionalize graffiti collectors into a composite of characters.
The revised show, now an hour long, will be performed at 7 p.m. on Stage 773, May 30, 2019.
“Graffiti Kings” had premiered in April 2016 at the Old Town School of Folk Music with student performers from DePaul University’s renowned theatre department; formerly the Goodman Drama School. It was backed by musicians Gross and Vincent Buoncore.
DePaul University English professor and playwright Jonathan Gross. (Photo courtesy of Jonathan Gross
You see, the playwright is DePaul University English Department’s Professor Gross. His area is Nineteenth-Century Literature; World Literature. No ivy-tower escapist, Gross worries about students in schools that under-fund the arts.
But during a recent phone interview, what emerged was this is the Gross who co-wrote such popular children’s musicals as “The Dragon’s Tale,” The Blue Dog” and “Snoops and Schnozzles” with Jacqueline Russell back in the 1990s. Russell is now artistic director of the Chicago Children’s Theatre.
Also revealed was that Gross studied piano and trumpet, and played in a jazz trio with Buoncore and Kim Healey called Lush Life.
A long-time admirer of Ethel Waters and Duke Elington, Gross wrote “Harlem Renaissance Remembered” (Brilliance Audio) and “Eye on the Sparrow: Afterlives of Ethel Waters and Bessie Smith.” He sees “Graffiti Kings” as the third part of his trilogy.”
“The play and songs for “Graffiti Kings” were written by me, inspired by the voices of graffiti artists Blade, Seen, Zephyr, Lady Pink, Lee Quinones and Martin Wong (graffiti collector whose work is compiled in NYC’s Museum of the City of New York),” said Gross in a follow-up note.
The show celebrates their characters in his original songs: “Open Book,” “Train,” “When I Said Goodbye,” Sheila,” “ Look Back in Anger,” and “Passenger.”
“Graffiti wasn’t a crime in the 70s and 80s. I’m trying to get people to see it as a culture contribution, to be admired and not as vandalism,” said Gross.
For tickets and more information on the show call (773) 327-5252 and visit. Stage 773/Graffiti Kings.
Arts and Crafts Adventure in Park Ridge. (Photo courtesy of American Society of Artists)
Two festivals open the spring/summer arts season, one downtown Chicago, the other in Park Ridge. They are the second weekend of May so let’s hope our rainy/snowy April won’t extend into May.
Manifest Urban Arts Festival
Held by Columbia College, long known for its arts programs and degrees the festival is a day-long, free arts celebration//demonstration May 10 from noon to 9 p.m. along the Wabash Arts Corridor May 10 from 9th to 11 Streets.
The festival features bands, fashion and art exhibitions, dance and theatre performances and hip-hop star Kweku Collins, For time and specific location of each highlight visit Manifest Urban Arts Festival. As an example “Documenting Truth in an Era of “Fake News” features photographs and film trailers from noon to 9 p.m. at 1104 S. Wabash Ave. 8th floor. Animation Showcase is in the same location from 4 to 7 p.m.
Arts & Crafts Adventure
Presented by the American Society of Artists, the show feature paintings, photography, jewelry, glass, wood and other hand-made items and some artists demonstrations. Look for it on May 11 in Hodges Park, 101 S. Courland near Prospect and Vine across from Park Ridge City Hall. It is near the uptown Park Ridge Train Station. Hours: 9 a.m. to 5 p.m. Free admission. For more information visit Arts & Crafts Adventure call (847) 991-4748 or visit Arts & Crafts Adventure.
Christina Gorman and Lawrence Grimm in Shattered Globe Theatre’s production of Hannah and Martin. (Photo by Michael Brosilow)
4 Stars
Can a brilliant Jewish philosopher and her celebrated German professor, turned lover, exist on two opposite tracts? The answer, of course, is no.
But the production of “Hannah and Martin” by Shattered Globe Theatre takes the audience through an ideological and moralistic journey with deep, thought-provoking, dialogue.
Written by Kate Fodor, the play is based on the clandestine love affair between German-Jewish political theorist Hannah Arendt and her teacher, the well-known German philosopher Martin Heidegger. After the war, Arendt was considered one of the most important political philosophers of the twentieth century.
On a collision course with politics and destiny, this powerful drama takes place in Germany from 1924 – 1946. Disappointment looms when Arendt discovers that her beloved Heidegger is working to promote the goals of the Nazis.
Ross Lehman with pianist Chuck Larkin n Sentimental Journey at Citadel Theatre. (Photo by North Shore Camera Club)
3.5 stars
If you see “Sentimental Journey: A Musical Tale of Love and War” at Citadel Theatre, you may want to ask you parents, grandparents, aunts and uncles about their lives during WWII or Vietnam.
The show is actor Ross “Robbie” Lehman’s ode to his parents, Katey and Ross Lehman.
By telling their story through such 1940’s songs as “I May Be Wrong (But I Think You’re Wonderful),” “I Wonder Who’s Kissing Her Now,” “Sentimental Journey” and “We’ll Meet Again” with some Irish roots thrown in with “Molly Malone” and “Danny ‘Boy,” and by reading their letters in the voice of the writer, you learn about their meeting, dating and enduring the uncertainties and traumatic emotional and physical toll of war.
Lehman, whom theater goers know from seeing him at Chicago Shakespeare, Steppenwolf and Goodman, easily adopts the voices and mannerisms of Katey, a writer with a cigarette in one hand and a drink nearby, and Ross, a pipe (later cigar) smoker who loved to sing and was often chosen as an event’s emcee.
The first act, about 55 minutes, is filled with charming stories..The second act of about 35 minutes, turns emotional as you learn about his father’s horrific war experiences.
He takes his father’s bomber jacket out of its frame on the set to show the holes made by German flak and in a video close-up you see the medals, including the Purple Heart, that are also framed.
Ross Lehman in Sentimental Journey at Citadel Theatre. (Photo by North Shore Camera Club)
The frames are on a wall that even with a video screen on one side showing parents, family members and bombers, gives the set created by Timoth Mann, an intimate feeling. To one side is the piano played for some shows by co-musical director Chuck Larkin and other times by co-musical director Mark Weston.
Lehman credits his granddaughter Carlyn Hudson with the choreography (also shown in a video) so you know that the love of music and performance is passing down to another generation. BTW, Lehman is a faculty member at Loyola University and has taught acting, musical theatre and Shakespeare at DePaul and Northwestern Universities.
Directed by Mark Lococo who knows the Lehman family, the play is a way to better understand the War Years.
“Sentimental Journey: A Musical Tale of Love and War” is at Citadel Theatre, 300 S. Waukegan Rd., Lake Forest, through May 26. Run time: 100 minutes including one intermission. For tickets and other information call (847) 735-8554 and visit Citadel Theatre.
Nate Strain. “The Devil and Daniel Webster,” one-half of Two Days in court. (Photo by Steve Graue)
3 Stars
As the baseball season begins, City Lit is ending their 39th theatrical season with “Two Days in Court: A Double-Header of Classic One Acts.”
The two plays are “The Devil and Daniel Webster” by Stephen Vincent Benet, and the farcical Gilbert & Sullivan operetta “Trial by Jury.”
In “The Devil and Daniel Webster” a young farmer turned senator Jabez Stone (Nate Strain) has literally sold his soul to The Devil “Scratch” (Lee Wichman) in exchange for his success. The agreement comes due coincidentally at midnight on the day of his wedding to Mary Stone (Laura Resinger).
Luckily for the Stones one of their wedding guests is the famed orator of-the-day and prominent attorney Daniel Webster (Bill Chamberlain) who agrees to represent Jabez against Scratch in front of a “jury of the damned” to get the young Senator released from this most egregious contract.
Webster reminds the jury who have each sold their soul for advantage over others and short term gain, that they have sacrificed the simple pleasures of life.
After a seven-week strike, the Chicago Symphony Orchestra’s musicians and the Chicago Symphony Orchestra Association’s board have agreed to a new five-year contract. The new agreement was ratified this weekend following negotiation sessions mediated by Mayor Rahm Emanuel.
Retroactive to September 2018 and going through September 2023, the agreement covers working conditions, a 14 % wage increase over five years plus changing to a Defined Contribution Retirement Plan from a Defined Benefit Pension Plan.
“The Chicago Symphony Orchestra has been a cultural treasure for this community for 128 years,” said CSOA Board of Trustees Chair Helen Zell. “Our Trustees recognize and honor the exceptional artistry of the musicians. This new agreement reflects the excellence of the Orchestra and ensures that the musicians receive the outstanding compensation they deserve, while securing their and the CSOA’s long-term financial sustainability through the retirement plan transition,” said Zell.
Begun April 2018, negotiations between the association and the musicians’ had expired March 10, 2019 after a 6-month extension.
The musicians were represented by Chicago Federation of Musicians Local 10-208 President Terryl Lynn Jares and legal counsel Robert E. Bloch of Dowd, Bloch, Bennett, Cervone, Auerbach & Yokich. The association was represented by legal counsel Marilyn Pearson of McDermott Will & Emery LLP.
The 2018/19 season, including a Symphony Center Presents Chamber Music concert with violinist Itzhak Perlman and pianist Evgeny Kissin, and the CSO subscription concerts conducted by Music Director Riccardo Muti, are resuming. For program details visit CSO.org.
Here are two places-to-go ideas for early May plus one for July. Chicago’s Riverwalk opens soon followed by Andersonville’s Annual Wine Walk. Then, skipping June which we’ll look at later, there is new info on Taste of Chicago.
Two representatives of Gordo’s ice cream in back and a represenative of Luella’s Gospel bird, front right ar listening as city officials including Mayor Rahm Emanuel talk about this year’s Taste of Chicago at Seoul Taco. (J Jacobs photo)
Yes it’s early to put Taste of Chicago on the calendar but the city just had a preview Taste and it was GOOD.
Who knew that a Korean restaurant would pair well with tacos. David Choy of Seoul Taco, did. He has figured out that two trends, Korean flavors and a taco-styled sandwich would be poplar. His version is so good it is now a chain with food trucks in St. Louis and a place near the Loop and in Hyde Park.
Seoul Taco was where the city held a Taste preview this week. Mayor Rahm Emanuel pointed out that though Taste had gone through a rough period a few years ago it was again drawing crowds and attracting many more of the city’s good restaurants including several ethnic places that Chicago’s foodie will want to try. “Taste is back,” he said.
“As the culinary capital of the world, the Taste of Chicago will give residents and visitors alike the opportunity to sample some of the greatest foods this city has to offer,” said Mayor Emanuel. “Since its inception, the Taste of Chicago has become a summertime staple and this year’s lineup of world-renowned restaurants, food trucks and pop-ups will be even more vibrant and diverse than ever before.”
To answer questions asked by folks who knew I went to the preview, yes it will be in Grant Park for five days, yes it will be the second week of July going from July 10 to 14 (2019), and yes, there will be a lot more new eateries: 11 five-day participants, 17 pop-ups serving one or two days and 9 food trucks. Adding the newbies to the roster equals 82 eateries at Taste.
Seoul Taco will be going from a pop-up the last two years to a five-day eatery this year. BTW, along with Seoul Taco, newbies Luellas Gospel Bird and Gordo’s Homemade Ice Cream Bars had yummy samples at the preview.
Other big news is that DoorDash, yeah that company Millennials have found to be a convenient way to do dinner at home, will be a new sponsor. In addition, Some chefs will be concentrating on Taste’s specialty of the day ranging from mac’n cheese to spicy/hot. But one day will bow to the healthy-eating trend.
So this year, put Taste of Chicago on the calendar. For more information visit Taste of Chicago.
Chicago Riverwalk celebration May 13, 2019 (Photo courtesy of Chicago Dept. of Cultural Affairs)
Chicago Riverwalk Celebration
Chicago will celebrate its spring re-opening with walking tours led by the Chicago Architecture Center, Fishing at the Jetty led by the Chicago Park District, some Year of Chicago Theatre programs and Art on the Mart, May 13-19. Details will soon be up at ChicagoRiverwalk.us. Or just go down there to walk along the river, see art installations and dine at City Winery.
Andersonville Wine Walk
Sip your way through 28 Andersonville businesses on the neighborhoods’ Chamber of Commerce’s annual Wine Walk, May 19 from 3-6 p.m. Tickets are $35 per person in advance and $40 week Tickets available online
Tickets to Andersonville Wine Walk include admission, wine tastings, and a one of a kind commemorative wine glass. Check in for the Wine Walk will begin at 1:00 p.m. on May 19 at the Swedish American Museum’s new storefront located at 5217 N Clark.
L-to-R-Anthony Nuccio (Drew) and Katie LaMark (*Sherrie) in Rock of Ages. (Photo by Jeremy Daniel)
3 Stars
How you feel about “Rock of Ages,” a classic rock “Jukebox musical” now in Chicago, depends on whether you saw the original show ten years ago and liked it or if you don’t mind and even appreciate that this version is a parody of itself.
At the Nederlander Ttheatre (formerly Oriental) through Aril 28 2019, the current show is taking its 10th anniversary tour through the U.S. with more flashing concert rock-band lights and amps than when it came out in 2009.
Directed by Martha Banta, everything is highly exaggerated which makes this version funnier but it also gallops through several of the songs and turns up the volume so that you may catch the beat rather than the words even though the show includes such standards as “Waiting For a Girl Like You,” and “Here we Go Again.”
