Sandra Marquez (Nora) and Yasen Payankov (Torvald) in A Doll’s House Part 2 at Stepponwolf Theatre. (Photos by Michael Brosilow)
3 1/2 stars
The back story is necessary to really understand playwright Lucas Hnath’s witty “A Doll’s House, Part 2, now at Steppenwolf Theatre. Otherwise audiences might sympathize with Hnath’s portrayal of the people Nora left behind when she slammed the door on her conventional, egotistical banker husband and their three children.
When Henrik Ibsen, a Norwegian playwright known for digging below society’s conventions to expose them for what they really are, published “A Doll’s House” in1879 he defied accepted familial and economic norms of the day.
He shocked a society that placed women in subservient roles to men. In many households, women were expected to be ornamental and needy and they had to have their husband’s or father’s signatures and OKs on legal documents.
Hnath, adept at penning plays that are both comedic and tense, (think Isaac’s Eye), takes on the “Doll’s House” iconic feminist heroine to ask how did she fare 15 years after she left her husband Torvald’s household and his demeaning view of her so she could be free to define herself.
Portrayed with gumption and defiance by Steppenwolf ensemble member Sandra Marquez, an extravagantly clothed Nora first challenges her old nanny, Anne Marie, to guess why she looks rich.
Played to perfection by Chicago veteran Barbara E. Robertson as the angry care-giver who stayed on to raise Nora’s three children, Anne Marie guesses traditional women tasks and skills. Continue reading “What if Ibsen’s Nora returned”
Cyndey Moody and Mike Newquist in Deadman’s Cell Phone at Greenhouse theater. (Photo by Paul Goyette
3 stars
Our cell phones have truly become extensions of ourselves, storing bits of personal and secret data with the potential to live-on sharing and connecting pieces of our lives even after we are gone.
In “Dead Man’s Cell Phone” presented by “The Comrades,” Wilmette playwright Sarah Ruhl explores what might happen when a stranger interacts with a deceased man’s cell phone she retrieves in a diner.
This is an absurd tongue-in-cheek noir-style, dark comedic drama directed by Arianna Soloway. It features the winsome, inquisitive and inventive Cydney Moody as “plain Jane” Jean who is perhaps being a bit voyeuristic but also just wants to make people feel better. In the process, she finds herself more involved than she probably expected.
Valeria Rosero and Cyndney Moody in Dead Man’s Cell Phone
Performed by an expert ensemble that includes Bryan Breau as the dead man Gordon, Caroline Dodge Latta as his at times overbearing but loving mother Mrs. Gottleib, Lynnette Li as his somewhat reluctant widow Hermia, Mike Newquist as his neglected brother Dwight and Valeria Rosero as the secretive “Other Woman.”
The stunning simple set design by Sydney Achler is a series of monochromatic paint-splattered trapezoids whose hectic colorization and odd angles contribute visually to the unbalanced surrealistic quality of the story.
There are a few bothersome inconsistencies in the story but they are easily overcome by the outstanding performances of the ensemble and the thought provoking subject matter.
This is a weird ride that makes you want to see what’s around the next turn.
“Dead Man’s Cell Phone,” The Comrades production at Greenhouse Theater Center, 2257 N. Lincoln Ave., Chicago, goes through March 10, 2019. Running time is 90 minutes with no intermission.For tickets and other information call (773) 404-7336 or visit Greenhouse Theater.
Go as a couple or go as friends but just do something appealing. Either way works if you want to share good food or a really nice experience. Our three suggestions combine food with a fun evening.
Celebrate Valentine’s Day at Lincolnshire Marriott resort’s Three Embers and Marriott Theatre’s Million Dollar Quartet. Photo courtesy of Lincolnshire Marriott Resort)
Dinner and a Show
Three Embers, Lincolnshire Marriott’s upscale restaurant has a Valentine’s Day Dinner Special but you can also order off the regular menu. However, go early to include “Million Dollar Quartet,” the show currently getting rave reviews in the resort’s theatre. It’s more than just a show. It’s a terrific concert.
For tickets visit Box Office. For more iknformation call 847-634-0100 or visit Lincolnshire Marriott Resort. Lincolnshire Marriott Resort is at 10 Marriott Drive, Lincolnshire.
A dessert at the Chocolate Sanctuary. (Photo courtesy of Chocolate Sanctuary)
Dinner, Chocolate and Band
Expect chocolate to be part of the meal at The Chocolate Sanctuary in Gurnee. You can have chocolate bread, chocolate butter and a chocolate dessert if you’d like, but also get a box of zodiac chocolates from the boutique up front. The restaurant has a special menu for Valentine’s Day but you can also order from the menu. If you want you can go early for dinner and stay for the entertainment, “Eaglemania.” Ask about a dinner and show package price or when it’s best to go just for dinner.
Centennial Wheel at Navy Pier. (Photo courtesy of Navy Pier)
Navy Pier Centennial Wheel and Dinner
Navy Pier has free Centennial wheel rides Feb. 14 from 10 a.m. to 9 p.m. but pre-registration is needed. Don’t worry about the cold, you can cuddle but the gondolas are also heated. There will also be a drawing that combines dinner, dessert and gift basket. Free rides are limited so register as soon as possible. After the free tickets are gone there will be paid ticket rides on a first come, first serve basis.For information on reserved VIP gondolas call (312) 595-5021. (Note: The wheel temporarily closes when weather gets really bad)
To enter the dinner for two and other Valentine Day gift drawing, complete this form. After the Pier has preselected three finalists, he grand prize winning couple will be chosen by public votes via poll on Navy Pier’s Facebook page. Runner-ups will also receive a small package to be redeemed at a later date.
Several other Navy Pier retailers and restaurants will offer discounts. For more information visit Navy Pier Valentines Day .
For more wheel information call (312) 595-PIER (7437) and visit Navy Pier.
312-595-PIER (7437) or following Navy Pier on Twitter (@NavyPier). For more information, visit Navy Pier.
Philip Earl Johnson explains to Gwendolyn Whiteside how the deprogramming is going to work. (Photo by Michael Brosilow)
3.5 stars
“On Clover Road” keeps you on the edge of your seat.
It’s not often that a play comes around that creates such drama and suspense, your heart races and you might have to look away. Such is the case with the live performance of “On Clover Road,” playing at American Blues Theater through March 16, 2019.
The title itself implies a bit of luck that finding a four-leaf clover might bring. In a sense, the play is about luck too, both good and bad, and how it impacts the characters.
Written by Steven Dietz and directed by Halena Kays, “On Clover Road” tells the story of an angry, frustrated mother who meets with a cult de-programmer believing she will be reunited with her runaway daughter. Her daughter has been gone for more than four years and the mother has all but given up hope. Continue reading “Thriller on Clover Road”
Nina Stemme as Elektra at Lyric Opera of chicago. (Photo credit Cory Weaver and Lyric)
3 1/2 stars
A stormy Nina Stemme filled the Lyric Opera House with a powerful interpretation of Richard Strauss’ “Elektra,” Feb. 6.
Known to the Met and European house for her vibrant vocals in Wagner and Strauss operas the Swedish soprano is making her Lyric debut this month as the tragic Elektra whose only motive for living is to avenge the death of her father, Agamemnon.
Stemme not only brings the expected explosive passion to the role, she also tempers the portrayal with wistfulness and contemplative anguish.
A one-act opera, there are no gaps for well-deserved applause and bravo! after each of Stemme’s arias.
The other two important female roles are Elektra’s sister, Chrysothemis, sung beautifully by acclaimed South African soprano Elza Van Den Heever and their mother, Klyamnestra, expressively sung by internationally known American mezzo-soprano Michaela Matens.
The two male characters vital to the story, Elektra’s, long lost brother, Orest, and the queen’s lover, Aegisth, don’t appear until the end. Scottish bass-baritone Iain Patterson who was recently Creonte in Medea at the Berlin State Opera sounded right at home in this dark mythological tale as was American tenor Robert Brubaker, a frequent artist at the Met.
Michaela Martens as Klytamnestra with confidante Whitney Morrison and train bearer Emily Pogorelc in Elektra at Lyric Opera of Chicago (photo by Cory Weaver)
Directed by Nicolas Sandys as a revival of Director David McVicar’s production, the 2019 “Elektra” is not a stand and sing to the audience opera. Instead, it is dramatic theater that combines exceptional singing and acting with Strauss’ turbulent music played by the Lyric Opera Orchestra conducted by Donald Runnicles.
What audiences may not recall from this tale based on Sophocles’ Electra, is that the queen was enraged by Agamemnon’s supposedly appeasing a goddess by sacrificing another daughter, Iphigenia, before he left for Troy. But no matter the motivation, Greek mythology makes potent opera.
My only problem with the production was the costumes of Klyamnestra and her court. The rubble in and around the courtyard where the action takes place and the ruinous state of the palace, itself, seem to symbolize decay. I got that. However, the queen and her court appear to be over grotesquely costumed in apparel from a 1931 “Cabaret” nightmare so they distract from the opera’s action.
DETAILS: “Elektra” is at the Lyric Opera House, 20 N. WackerDrive, Chicago, through Feb. 22, 2019. Running time: 1 hr, 40 min. with no intermission. For tickets and other information visit Lyric Opera.
From left, Laurie Carter Rose (Robyn) and Ellen Phelps (Sharon) in The Roommate at Citadel Theatre. (Photo by North Shore Camera Club)
3 ½ starts
While watching the excellent portrayals of Ellen Phelps as Sharon and Laurie Carter Rose as Robyn, in Citadel Theatre’s “The Roommate, you may not agree with all their choices but you clearly get the message that they are seeking ways to begin their lives anew.
There are many quotable lines in this play by Jen Silverman, but one that delivers the show’s “raison d’etre,” is when Sharon says in Scene 2, “I guess everybody wants to start over. Just burn it all down and start over.”
A dark comedy, “The Roommate” brings together a recently divorced Iowan housewife searching for company and a way to split the bills and a lesbian, former Brooklyn con artist who really seems to want to escape her past in a small-town, farming community.
Their seemingly simple plans go awry as Sharon becomes interested in Robyn’s former life and Robyn realizes she may be a dangerously corrupting influence.
In addition, both women seem to have alienated their adult children. Neither Sharon’s son nor Robyn’s daughter want to call Mom until they realize through their parent’s strange, long distance calls that something is changing.
Even though I had seen the play and enjoyed it at Steppenwolf last year, I was appreciating the show once again until the last line which I objected to then and still do.
Depressed by her once again empty house because Robyn leaves, Sharon first says, “I don’t know where to start…. Except over again” Fine. The play should have ended there.
But then Sharon, handling some stuff Robyn left behind, adds what Robyn had said earlier in another context, “There is a great liberty in being BAD.”
Perceptively directed by Beth Wolf and staged on a believable, well-designed set by Eric Luchen, “The Roommate” offers a somewhat exaggerated but fun and interesting “what if” scenario on life when people reach middle age and wonder what should come next.
“The Roommate” is at Citadel Theatre, 300 S. Waukegan Rd., in a Lake Forest School District building, through March 3, 2019. Running time: 90 min., no intermission. For tickets and other information call (847) 735-8554, ext. 1 or visit Citadel Theatre.
The Peninsula Chicago is ready for Chinese New Year. (Photo courtesy of Peninsula Chicago)
If you have a Chinese restaurant near you it is likely decorated for the Chinese New Year and offering a special menu. During the Chinese New Year celebrations Feb. 4 through Feb. 17, 2019.
Go. Enjoy. And look at the paper placemat that might be at your place setting because it likely has the Chinese Zodiac on it or information that this is the Year of the Pig.
Then, if looking for something special to eat or do here are some suggestions.
Dining
The Furama Restaurant in the Uptown Argyle neighborhood is holding the Lunar New Year Celebration for the South-East Asia Center at 11:30 a.m. Feb. 9, 2019. The special event features entertainment and a 10-course traditional, Chinese-style banquet of seafood chowder, taro duck, roast chicken, walnut shrimp, mushrooms, vegetables, noodles with beef and broccoli, plus dessert. Cost $25.
Entertainment will be cross-cultural music and other performances representing Asian and non-Asian cultures because the South-East Asia Center strives to “Build Bridges” of understanding between all cultures. For reservations visit SE Asia Center New Year. Furama Restaurant is at 4936 N. Broadway at Argyle.
Hing Kee Restaurant holds its annual New Year Dumpling Making Dinner at 3:30 p.m. Feb. 9 and Feb. 16, 2019. The event includes storytelling, Lion Dance, dumpling making and a 10-course, traditional Chinese meal. Cost is $40 adults, $35 children under age 12. Call (312) 842-1988 or visit Chinese New Year Dumpling Making Dinner Eventbrite.
Hing Kee Restaurant is at 2140 S. Archer Ave., 2nd floor. For more Chinese cultural information visit ChicagoCCI .
Celebrate the Year of the Pig with a Chinese New Year themed afternoon tea in The lobby at the Peninsula Chicago Feb . 4-10. There will be a Lion Dance show. For tea reservations call (312) 573-6695 or visit Peninsula Chinese New Year. The Peninsula Chicago is at 108 E. Superior St. at Michigan Avenue.
Shopping
Two shopping centers, Fashion Outlets of Chicago in Rosemont, and The Shops at Northbridge, Chicago, will be handing out Chinese New Year-style red envelopes with special store offers Feb. 2-17, 2019.
At Fashion Outlets go to Concierge Services on Level 1 near Saks Fifth Avenue OFF 5TH for an envelope containing : Year of the Pig Savings Pass that provides up to $800 in savings and a complimentary bag. For more information visit Fashion Outlets of Chicago . Fashion Outlets is at 5220 Fashion Outlets Way, Rosemont.
At the Shops at North Bridge go to Concierge Servies on Level One near Nordstrom for the red envelope. In addition, North Bridge visitors can see the Huaxing Arts Troupe and visit activity booths from 1 to 3:30 p.m. Feb. 3. The Shops at North Bridge is at 520 N. Michigan Ave. For more information visit Shops at North Bridge.
Chinatown New Year’s Parade (Photo courtesy of Chicago Chinatown Community Foundation)
If the new year that began Jan. 1, 2019 didn’t bring much luck so far or you really enjoy celebrating a new year, join in the fun and good luck of Chinese New Year 4717 that begins on Feb. 4.
Chicago celebrations kick off with a pre-New Year’s celebration Downtown Feb. 2, continue Feb. 5 and beyond until they end Feb. 16. However, Chinese New Year celebrations do go from Feb. 4 through Feb. 17 and end in some places with a Lantern Festival.
There is a lot going on in the city to celebrate the Chinese Zodiac’s lunar year sign – the Year of the Pig.
Also known as the Spring Festival, this Lunar Festival (there are others, particularly in Asia,) begins the eve before the first day and is often a time for families to get together.
Think “new moon” to know when it begins. The Chinese New Year begins on the new moon between Jan. 21 and Feb. 20, 2019. This year, the new moon is Feb. 4, 2019.
Head over to the Art Institute at 111 S. Michigan Ave. on Feb. 2 for music, crafts, stories, games and some talks in English and Mandarin about the museum’s Chinese art collection from 1 to 4:30 p.m.
Then, cross Monroe Street to Millennium Park and the Lurie Gardens for more activities. A Lantern Procession will line up about 5 p.m. and wind with a lion dance over to Maggie Daley Park about 5:30. Crafts and ice skating take place there until 7:30 p.m. The event is a partnership of the Art Institute of Chicago, Chicago Park District and Choose Chicago.
Celebrate Chinese New Year at the Chicago Cultural Center Feb. 5,2019 (Photo courtesy of Chinese Fine Arts)
Celebrate the Year of the Pig with the Chinese Fine Arts Society at noon Feb. 5 at the Chicago Cultural Center. Watch lion dancers, Silk Road pipa master Yang Wei, martial arts and the Flying Fairies dance troupe. A special feature will be the China National Peking Opera Company including a sneak peak of comedic and acrobatic “At the Crossroads,” a famous opera based on a story from Water Margin.
The event is co-sponsored with Choose Chicago and the Department of Cultural Affairs and Special Events. Preston Bradley Hall is up the south stairs of the Chicago Cultural Center at 78 E Washington St Chicago Find more information at (773) 935-6169
Join Chicago’s Uptown neighborhood festivities Feb. 9 for the Chinese New Year parade of dragons, lions and floats. It starts at 1 p.m. at Argyle and Winthrop near the Argyle “L” stop then goes east on Argyle Street to Sheridan Road, south to Ainslie Street, west to Broadway and then back to Argyle.
Argle Chinese New Year Parade. (Photo courtesy of Uptown organization and the Argyle Parade organization)
At the Apple store on north Michigan Avenue there will be Music Lab of Chinese Instruments with Yang Wei, artist-in-residence at Chinese fine arts society on Feb. 9. The event, running from 1 to 3:30 p.m. also includes hands-on GarageBand on the iPad for the digital version and Sound-of- Wishes Ensemble. Plus, calligrapher Yijun Hu will draws to the music on an iPad. Apple is at 401 N. Michigan Ave.
Chinatown’s Lunar New Year Parade attracts thousands of folks from all over the Chicago area. The celebration takes place at Wentworth Avenue and 24th Street in the heart of Chinatown from 1 to 3 p.m. Feb 10. Cosponsors are the Chicago Chinatown Community Foundation and Chicago Chinatown Chamber of Commerce.
A concert at Symphony Center will feature Hubei Chime Bells. (Photo courtesy of CSO)
Celebrate the Chinese New Year at Symphony Center’s fifth annual concert at 3 p.m. Feb. 10. The event features the China National Peking Opera Company and the Hubei Chime Bells National Chinese Orchestra. This is a ticketed program.
A pre-concert performance is in Buntrock Hall at 1:30 p.m. featuring the Dong Fang Performing Arts Association, Yellow River Performing Arts and the Chicago Chinese Qipao Association. These performances are free to ticket holders of the 3 p.m. concert. Orchestra Hall is at, 220 S. Michigan Ave.
Navy Pier celebrates the Chinese New Year with colorful performances and crafts and food booths in its AON Grand Ballroom, Feb. 16 from 1 to 5 p.m.
Performing are the Chicago Chinese Cultural Center Lion Dancers, pipa master Yang Wei, Mongolian throat singer Tamir Hargana, the Flying Fairies dance troupe, Beidou Kung Fu, Zhong Hua Kung Fu plus traditional Chinese music by the Eight Tones Chinese Instrument Ensemble, Cheng Da Drum Team and others from Chicago’s Chinese community.
The Chinese Marketplace opens at 12:30 p.m. Performances are at 1 P.m., 2:30 p.m. and 4 p.m. Navy Pier is at 600 E. Grand Ave., Chicago.
Two shows that are completely different but always brighten February winter days and nights are the Chicago Auto Show at McCormick Place and the Orchid Show at the Chicago Botanic Garden. Both start the second weekend in February.
Chicago Auto Show has three test tracks. (Photo courtesy of Chicago Auto Show 2017)
It’s understandable that the Chicago Auto Show has to be held at McCormick Place. It is the largest of its kind in North America. That means there is space to space to show off new cars, experimental cars, antique cars and accessories and to test drive some cars (different makes on different days. Visit Interactive Displays to learn about the test tracks.
Details: The Auto show runs from Feb 9 to Feb. 18, 2019 from 10 a.m. to 10 p.m. except closes at 8 p.m. Feb. 18. Admission is $13 adults, $7 age 62 and older and ages 7-12 and free to age 6 and younger if accompanied by an adult family member. McCormick Place is at 2301 S. Lake Shore Dr., Chicago.
Orchid in Chicago Botanic Garden Greenhouse. (photo by J Jacobs)
Go at night after work. Go in the morning to take photos. Go to get orchid advice from experts. And go to buy an orchid. But for sure go to be surrounded by more than 10,000 orchids hanging from trees in the greenhouses and lining the rooms and corridors of the Regenstein Center.
The theme this year is “In the Tropics.” So let orchids transport you to South Pacific islands or the Amazon’s rain forests. Bromeliads and birds of paradise add color to the show’s lush landscape.
To find out when to go night or day and about other show activities and bonuses visit Chicago Botanic Orchid.
Details: The CBG Orchid Show runs from Feb. 9 through March 24. Garden admission is free but there is a parking fee. The show’s cost is Adults $12 (members $10), ages 3-12 $10 (members hildren $8). The Chicago Botanic Garden is at 1000 Lake Cook Road, Glencoe, IL 60022. For tickets and other information call call (847) 835-5440 or visit CBG.
Emily Goldberg (Sibella Hallward) and Andres Enriquez (Monty Novarro) in A Gentleman’s Guide to Love and Murder. (Photo by Michael Courier)
3 ½ stars
Few plays open in song or in verse giving advice to the audience that if they are too weak to listen to a story of revenge and punishment, they’d better leave the theater.
However, it’s laughter that greets the Porchlight Music Theatre’s ensemble when they sing the warning to open the 2014 Tony Award-winning Best Musical “A Gentleman’s Guide to Love & Murder.”
Taking place in turn-of-the-century England, the “gentleman” is Monty Navarro played by Andres Enriquez. Monty is very poor, but Miss Shingle, played by Caron Buinis, helps him discover that he’s an heir to a fortune. Unfortunately, Monty is so far back in line he has to eliminate eight D’Ysquith relatives ahead of him.
