Cendrillon perfect for family outing

Siobhan Stagg in Cendrillon at the Lyric Opera
Siobhan Stagg in Cendrillon at the Lyric Opera

4 stars

Adults and youngsters alike should easily laugh, applaud and fall in love with “Cendrillon,” Jules Massenet’s operatic interpretation of “Cinderella.”

Certainly the version now at the Lyric has been traveling the opera circuit since opening at the Santa Fe Opera in 2006, but the telling clue to its humor is that when it premiered in 1899 it was at Paris’ Opéra-Comique where it was also remounted in 1911.

That the opera is a fairy tale comes across immediately with Barbara De Limburg’s delightful storybook set design.

That this opera, unlike Gioachino Rossini’s operatic drama “Cenerentola” (Cinderella), is a lighthearted version of the familiar fairy tale,  becomes obvious with Laurent Pelly’s hysterical, balloon-shaped costumes for the step sisters and the comedic costumes worn by the step mother and other female hopefuls at the prince’s ball.

From left: Kayleigh Decker, Elizabeth Bishop and Emily Pogorelc in “Cendrillon.” (Todd Rosenberg photos)
From left: Kayleigh Decker, Elizabeth Bishop and Emily Pogorelc in “Cendrillon.” (Todd Rosenberg photos)

And that the prince also stepped out of an amusing story book comes across when Pelly, who is also the opera’s director, introduces him as somewhat peevish, uncooperative, hardly charming, pajama-wearing kid in his bed chambers.

Revival choreographer Karine Girard (and original choreographer Laura Scozzi) play up the  opera’s nose-thumbing, pseudo-sophistication side with wonderful marching steps by palace couriers and the introduction of females who hope to win the prince.

But humor aside, the Lyric’s Cendrillon is still an opera that requires fine voices. And they are.

English mezzo-soprano Alice Coote is superb in the “trouser” role of the prince and a good contrast (as it should be) to Australian soprano Shobhan Stagg’s quieter, sweet, Cendrillon in her American debut.

Bass-baritone Derek Welton, another Australian making his American operatic debut, convincingly portrays Cendrillon’s comically pathetic father, Pandolfe. And French-Canadian coloratura Marie-Eve Munger stands out in her Lyric debut as the Fairy Godmother.

Cinderella (Siobhan Stagg) far left, Fairy godmother (Maie-Eve Munger) atop the books center and Prince charming (Alice Coote) far right kneeling with cast of Cenrillon at the Lyric Opera.
Cinderella (Siobhan Stagg) far left, Fairy godmother (Maie-Eve Munger) atop the books center and Prince charming (Alice Coote) far right kneeling with cast of Cenrillon at the Lyric Opera.

In the step family, American mezzo-soprano Elizabeth Bishop making her Lyric debut is a perfect Mme. De la Haltiere. She’s backed up by daughters Noémie sung by American soprano Emily Pogorelc, and American mezzo-soprano Dorothée sung by Kayleigh Decker, both a Ryan Opera Center members.

As with many fairy tales there still is a poignant side, but the story still turns out well.

Although Rossini’s “Cenerentola” has appeared at the Lyric, Massent’s “Cendrillon” has only now come to town. It’s magic is perfect for the holiday season or anytime.

DETAILS: “Cendrillon”  is at the Lyric Opera of Chicago, 20 N. Wacker Dr., Chicago through Jan. 20, 2019. Running time: 2 hrs. 45 minutes with one intermission. For tickets and other information visit Lyric Opera.

Jodie Jacobs

For more shows visit Theatre in Chicago

Around town in December

Certainly Joffrey Ballet’s “The Nutcracker,” Goodman Theatre’s “A Christmas Carol” and Macy’s State Street holiday windows are on many folks’ traditional “do” list. But there are also other good shows to see and fun places to go as December 2018 turns into January 2019.

Cendrillon (Cinderella)at Lyric Opera. (Photo courtesy of Lyric Opera of Chicago)
Cendrillon (Cinderella)at Lyric Opera. (Photo courtesy of Lyric Opera of Chicago)

Shows

“Into the Woods,” Stephen Sondheim’s “not happily ever after” take on traditional fairy tales, is at Music Theater Works at Cahn Auditorium on Sheridan Road in Evanston Dec. 22-31. Music Theater Works was formerly called Light Opera Works.

“A Midsummer Night’s Dream” is about magic, love, and in this production at Chicago Shakespeare Theater, is backed by a mash-up of rock, jazz, blues and doo-wop., Dec. 6, 2018 -Jan 27, 2019.

“La Ruta” world premiere at Steppenwolf Theatre  Dec. 13-Jan. 27. At U.S.-owned factories in Ciudad Juárez, Mexico, La Ruta is just a bus. But to the women who live, work and often disappear along the route, it’s much more.

Opera

“Cendrillon” (Cinderella) at the Lyric Opera of Chicago, select dates from Dec. 1 through Jan. 20.

Concerts

Chicago Symphony Orchestra Brass plays numbers from Holst to Tchaikovsky, 8 p.,. Dec. 19, at Chicago Symphony Center, 220 S. Michigan Ave. and the CSO does Handel’s “Messiah” at 8 p.m. Dec. 20 at the Symphony Center.

Activities

Ice skating at rink in Millennium Park (Photo courtesy of City of Chicago)
Ice skating at rink in Millennium Park (Photo courtesy of City of Chicago)

Ice skate free in Millennium Park if you bring your skates, skate rental is $13 weekdays and $15 Friday-Sunday and holidays. Skating rink is street level on Michigan Avenue below Cloud Gate (The Bean) between Washington and Madison Streets.  Hours and more information at Millennium Park.

Take a “Holiday Lights, City Lights’ bus tour with the Chicago Architecture Center, 111 E. Wacker Dr., Chicago and then check out CAC’s diorama on the main floor and skyscraper exhibit upstairs.

However, you can still find traditional holiday ideas at After Thanksgiving and Holiday shows and shopping plus light sights.

Enjoy!

Jodie Jacobs

 

Superb voices meet Verdi’s ‘Il Trovatore’ challenge

Tamara Wilson (Lenora) in Il Trovatori at Lyric Opera of Chicago (Todd Rosenberg photo)
Tamara Wilson (Lenora) in Il Trovatori at Lyric Opera of Chicago (Todd Rosenberg photo)

3.5 stars

Thanks goodness, the Lyric Opera of Chicago’s “Il Trovatore” has much more going for it than the famed “Anvil Chorus” (“Vedi le fosche notturne”) in which some of the workers overdo their loud clangs, forgetting that the gypsies are singing to Verd’s music and the anvils ought to be an interesting accompaniment.

This production is an opportunity to hear Soprano Tamara Wilson, making her Lyric debut as Leonora . Wilson lets the audience know right away that she was well chosen as the doomed heroine with her “Tacea la note placida, a beautiful cavatina with its high c, and the passionate “Di tale amor che dirsi” aria made even more impressive by its trills.

It is also an opportunity to hear mezzo-soprano Jamie Barton, last heard at the Lyric in as Giovanna in Donizett’s Anna Bolena in 2014. Continue reading “Superb voices meet Verdi’s ‘Il Trovatore’ challenge”

Around Town: After Thanksgiving

Once the food and fuss of Thanksgiving has been set aside in the fridge and dishwasher there should be more to holiday fun than trying brave the crowds in stores on Friday and shop on line on Monday.  There is a wonderful ballet and opera that opens, an art show full of gift ideas and a zoo that becomes magical on the weekends.

Shop the art at the One of a Kind Show. (OOAK photo)
Shop the art at the One of a Kind Show. (OOAK photo)

One of a Kind Show

Find gifts  at the One of a Kind Show at the Mart. Artists bring their sculptures, paintings, jewelry, ceramics, furniture and fashions. And vendors bring gourmet foods. The show is fun and it’s hard to leave without finding something for others or oneself.

The show runs Dec.6 through 9 at Merchandise Mart, on the north side of the Chicago River bordered by Kinzie, Wells and Orleans Streets. For tickets, hours and other information visit One of a Kind Show.

Enjoy Brookfield Zoo at Night during Holiday Magic (CZS photo)
Enjoy Brookfield Zoo at Night during Holiday Magic (CZS photo)

Brookfield Zoo Holiday Magic

Visit Brookfield Zoo when more than a million colorful lights edgbe buildings, form larger-than-life animal shapes and line the paths – thanks to Comed and Meijer. Holiday Magic is on Saturdays and Sundays of December weekends and also Wednesday through Monday of Dec. 26-31.

Tip: look for the Talking Tree and the special entertainment scheduled each weekend. Park and enter at the North Gate, 8400 31st St. (1st Avenue at 31st Street), Brookfield. For admission, hours and a complete schedule of Holiday Magic activities and entertainment call (708) 688-8000 and visit CZS Holiday Magic.

Alberto Velazauez in The Nutcracker. (Photo by Cheryl Mann)
Alberto Velazauez in The Nutcracker. (Photo by Cheryl Mann)

Two December First show openings

Joffrey Ballet’s “The Nutcracker” and the Lyric Opera of Chicago’s “Cinderella” open Dec. 1, 2018.  “The Nutcracker” runs through Dec. 30,2018 at the Auditorium Theatre of Roosevelt University on Congress Blvd. at Michigan Avenue. This is the re-imagined staging by choreographer/director Christopher Wheeldon that takes place at the 1893 World’s Fair. The music is Peter Ilyich Tchaikovsky’s famed ballet. For tickets and more information visit Joffrey Nutcracker.

“Cinderella,” Jules Massenet” magical “Cendrillon” comes to life with funny, wicked, charming characters and delightful arias at the Lyric Opera House at six performances from Dec. 1, 2018 to Jan. 20, 2019.  For tickets and information visit Lyric Opera Cendrillon.

Jodie Jacobs

In ‘Siegfried’ playful staging mixes with outstanding voices

 

Matthias Klink (Mime) in playpen and Burkhard Fritz (Siegfried) in the third segment of Wagner's Ring cycle at the Lyric Opera of Chicago. (Todd Rosenberg photos)
Matthias Klink (Mime) in playpen and Burkhard Fritz (Siegfried) in the third segment of Wagner’s Ring cycle at the Lyric Opera of Chicago. (Todd Rosenberg photos)

3.5 stars

Opera goers who saw “Das Rheingold” in 2016 and “Die Walküre” in 2017, Lyric’s first two operas segments of Wagner’s four-part “Der Ring des Nibelungen,” will find the next segment, “Siegfried,” still has tall scenery towers bookending the stage. They deliberately remind audiences that Wagner’s The Ring cycle is theater.

It is theatrical and musical drama. But where the productions of the first two segments were highly creative but serious, “Siegfried” is playful, fanciful, serious fun.

The tone is set when a somewhat menacingly large, three-nail-claw and an eye of Fafner, the giant-turned dragon who guards the ring, appear under the curtain and draw audience laughter. The curtain then rises to reveal Siegfried’s playroom of oversized art work and children’s furniture including a tall playpen.

Continue reading “In ‘Siegfried’ playful staging mixes with outstanding voices”

Idomeneo makes awkward deal with Greek god

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Matthew Polenzani and cast of Mozart's Idomeneo at Lyric Opera of Chicago. (Kyle Flubacker photo)
Matthew Polenzani and cast of Mozart’s Idomeneo at Lyric Opera of Chicago. (Kyle Flubacker photo)

If you have ever been caught in a storm while sailing or found yourself on a rough boat ride in Lake Michigan you can understand why Idomeneo is ready to bargain with Neptune in return for a safe harbor after being tempest tossed while returning from the Trojan War.

Neptune, willing to make a deal with Idomeneo says he will assure his safe arrival at shore but in return the hero must sacrifice the first person he sees.

Like many mythological Greek gods of yore Neptune seems to really enjoy some irony. As it turns out the first person Idomeneo spots is his very own son Idamante. Ah! The stuff great opera is made of.

This Lyric Opera of Chicago’s revival of Wolfgang Amadeus Mozart’s Idomeneo with a stellar cast of singers and awesome orchestra led by Music Director Sir Andrew Davis, is indeed lyrical. Continue reading “Idomeneo makes awkward deal with Greek god”

Lyric Opera back in business

Michael Fabiano (Rodolfo) and Maria Agresta (Mimi) meet when she comes to his garret in La boheme. (Todd Rosenberg photo)
Michael Fabiano (Rodolfo) and Maria Agresta (Mimi) meet when she comes to his garret in La boheme. (Todd Rosenberg photo)

Opera lovers expecting to see the second performance of Puccini’s “La boheme” and the opening of Mozart’s “Idomeneo” last week found that they had to reschedule because the Chicago Federation of Musicians Local #10-208 (CFM) went out on strike last Tuesday. The notes of contention were salary and number of performances.

But after a short week of back and forth negotiations, CFM and the Lyric Opera of Chicago have reached a contract agreement that goes through the 2020-2021 season.

As a result of the compromise, the Lyric Orchestra receives a 5.6 percent weekly salary increase over three years, the orchestra will be reduced by four instead of five musicians beginning next season, the main portion of the opera season will be 22 weeks, instead of 24 and Wagner’s “Ring Cycle will include five additional weeks.

Lyric has added gwo performances of La Boheme in January 2019 to make up for the canceled performances. They are Jan. 29 at 2 p.m. and Jan. 31 at 7 p.m.

Ticket holders to cancelled performances can exchange them this week. New tickets to the added performance go on sale to the public Oct. 19.
But tickets for Puccini’s “La Boheme” Wednesday performance and the opening of Mozart’s “Idomeneo”  Thursday are now on sale as are other operas. For tickets and more information call (312)827-5600 and visit Lyric Opera.

Jodie Jacobs

 

 

Extraordinary ‘La bohème’

HIGHLY RECOMMENDED

Michael Fabiano (Rodolfo) and Maria Agresta (Mimi) meet when she comes to his garret. (Todd Rosenberg photo)
Michael Fabiano (Rodolfo) and Maria Agresta (Mimi) meet when she comes to his garret. (Todd Rosenberg photo)

Giacomo Puccini’s “La bohème”opened the Lyric Opera of Chicago’s 64th season Oct. 6. And what an opening it was.

Not only is the set more creatively stylized from the one opera goers have seen at the Chicago Opera House for more than 40 years, Puccini’s lyrical music and the drama in Luigi Illica and Giuseppe Giacosa’s libretto were also given more depth by English director Richard Jones and Venezuelan-Swiss conductor Domingo Hindoyan then in earlier Lyric productions.

Based on Henri Murger’s  “Scènes de la vie de bohème,”the playful interactions of poet Rodolfo (American tenor Michael Fabiano) and his friends, painter Marcello (American baritone Zachary Nelson), musician Schaunard (Puerto Rican baritone Ricardo José Rivera) and philosopher Colline (Romanian bass Adrian  Sampetrean), are emphasized as are Marcello’s  temperament and Rodolfo’s multi-faceted character.

But what really made the opening a “happening” was Fabiano’s soaring delivery of each aria from “Che gelida manina” to “La più divina delle poesia,” to  “Ebenne no, non lo so.”

Thank you, Lyric, for introducing this amazing tenor and his powerfully rich voice to Chicago audiences. Fabiano has already wowed audiences with his Rodolfo at London’s Royal Opera House in 2017 and at the Met earlier in 2018.

Continue reading “Extraordinary ‘La bohème’”

Two concerts preview coming theater season

Jay Pritzker Pavilion is a concert venue in Millennium Park designed by Fran Gehry.
Jay Pritzker Pavilion is a concert venue in Millennium Park designed by Frank Gehry.

Hear the voices from the Broadway and opera stages at two free concerts in Chicago’s Jay Pritzker Paviion at Millennium Park

First, and this comes quickly on the calendar, is the Broadway In Chicago Summer Concert, Aug. 13 at 6:15 p.m. So grab a blanket for the grass or get there early for a seat to hear songs from the following shows on the Broadway tour:

“The Book of Mormon,” “Hello Dolly,” “A Bronx Tale: The Musical,” “ Ronald Dahl’s Charlie and the Chocolate Factory,” “Heartbreak Hotel,” “Dear Evan Hansen,”  “Anastasia,” “ Miss Saigon,” “Fiddler on the Roof,” “Cats,” “ Falsettos” and “Come From Away.”

Hosted by ABC 7 Chicago entertainment reporter Janet Davies Pre=Broadway “Tootsie” star Santino Fontana, the concert is sponsored by Channel 7 and presented by the City of Chicago department of cultural Affairs and Special Events.

The Jay Pritzker Pavilion is at 201 E. Randolph St., Chicago but it’s a can’t miss venue because of its billowing steel ribbons topping The Pavilion was designed for Millennium Park by award-winning architect Frank Gehry. For more information visit Broadway In Chicago. Continue reading “Two concerts preview coming theater season”

Ravinia schedule ready for summer

Get the calendar out. It’s time to plan which Ravinia Festival concerts should be marked down, which ones need tickets ahead of time and which might be good for a picnic on the lawn or a seat in the Pavillion. The 2016 season goes from June 1 through Sept. 16.

Plan which programs to see at Ravinia Festival. The program is all set for 2018. Jodie Jacobs photo
Plan which programs to see at Ravinia Festival. The program is all set for 2018. Jodie Jacobs photo

 

Tickets

Donors can get tickets March 20. Tickets will be available to the public  May 8 for June and July concerts and May 10 for August and September programs.

Programs

New this year: There are more programs inside Bennett Gordon Hall and the Martin Theatre. The season will celebrate the late conductor, composer, pianist Leonard Bernstein’s 100 anniversary of his birth and ; the 30th anniversary of Ravinia’s Steans Music Institute (RSMI).

Dining

And the dining spaces and menus have been redone. Park View, a contemporary American restaurant featuring local and seasonal dishes is upstairs the dining pavilion. Mirabelle is still there but specializes in guest chef and themed dishes. The casual Ravina Market take-out menu has expanded but kept popular dishes. Tree Top will go in where PNC Private Dining used to be and the Lawn Bar  with indoor and outdoor seating for drinks and small plates will be located on the lower level, north side of the  dining Pavilion. The Freehling Room is still the Donor Dining Club but will add casual fare on pop concert nights.

Location

Ravinia Festival Park is at the south end of Highland Park from Sheridan Road on the east to Green Bay Road on the west. But best option is to take a free shuttle from the Ravinia or Highland Park train station. For tickets, directions and transportation options visit Ravinia.org.

Enjoy the summer by planning now.

Ravinia celebragtes Leonard Bernstein in 2018. Photo by Allan Warren.
Ravinia celebragtes Leonard Bernstein in 2018. Photo by Allan Warren.

Some Program highlights:

June

Diana Ross, June 2, Anita Baker June 10, Jackson Brown June 15, Seal June 19, Jill Scott debuts at Ravinia June 22, Roger Daltry  and the Who’s Tommy come June 23 and June 25 and Bryan Adams performs June 29.

July

  Buddy Guy and Jonny Lang July 8, Zukeerman Trio does Brahms July 11, Joshua Bell and the CSO performs Bernstein  “Candide Overture” and “Serenade”  plus Tchaikovsky’s “Pathetique” July 12, The CSO and Chorus do Bernstein’s “Chichester Psalms” and Beethoven’s  Ninth Symphony on July 14, vocalist Audra McDonald and the CSO do a “Sunday in the Park program for the Ravinia Gala July 15, the annual Tchaikovsky Spectacular is July 22, Misha and Cipa Dichter are in Bette Hall then Leon Fleisher with Katherine Jacobson Fleisher perform Bach and Brahms in the Martin Theatre July 23, Makoto Ozone plays Gershwin’s “Rhapsody in Blue” July 24, Jorge Fredrico Osorio is in the Martin Theatre for the Debussy and Ponce concert July 26, a double Bernstein program  starts with a Young People’s concert in the morning then features his “Mass” in the evening July  28.

August

Whoopie Goldberg comes Aug. 3, CSO does Stravinsky, Strauss and with Garrick Ohlsson on piano Mozart’s concerto  No. 20 Aug. 9, Steve Martin and Martin Short plusThe Steep Canyon Rangers  and Jeff Babko are in the Pavilion Aug. 12, Michael Feinstein and Kristin Chenoweth are there Aug. 14, opera stars Frederica Von Stade and Laurie Rubin come Aug. 16, Earth Wind & Fire are in the Pavilion Aug. 17, Sugarland returns Aug. 23, The Beach Boys and Righteous Brothers are in town for an evening of oldies but goodies Aug. 24 there are “Good Vibes with Jason Mraz and  Brett Dennen on Aug. 25, Culture Club, B-52s and Thompson Twins perform Aug. 31 and Sep[t. 1

September

O.A.R. and Matt Nathanson come Sept. 2, Sir James Galway returns Sept. 4, Peter Serkin comes Sept. 5, 50 Cent debuts at Ravinia Sept. 6. Tony Bennett’s stylish songs are Sept.8, “Considering Matthew Shepard by Craig Hella Johnson with the Conspirare chorus (poems set to music to mark the Shepard murder that ledto the Hate Crimes Act Sept . 12 and Los Tigres del Norte end the season Sept. 16.